this is one heckuva tune Dan - great chops and axe-playing on this one!

@the-hungry-pyknic: Thanks! You are to Kind

gooood and mature... thanks. greetz from Ukrainian rockers

Wow!! a big warm hit🔥 . Recording sounds so vintage exactly like early to mid 70's with great techniques. payed my attention the mono Vocal reverb & the input mic seems so retro & dynamics as well. this is the warmest mix I ever heard. 🔥👌👍

Fantastic sound Piece, Awesome Guitars and Vocals man!!😉👌🔥🔥🤘🏻

Your songs are awesome, man! I loved every single one of them. And your voice? Super captivating. Great job!

This music was first uploaded 2 months ago. Sophie has been working on it since then have better fluidity and expression. Yesterday, 11-19-23, we recorded it again. I decided to exchange the files. If you heard it before there is  remarkable difference. I am proud of her.

Song for Johanna was written by Franz Gordan. Sophie is a student of mine, age 14, who I have been teaching for 4.5 years. There is a playlist with her name that has various pieces she has played or worked on with me since she was 9.

Learning to play the piano is more than learning to play the right note at the right time. A beginner doesn't have enough control over their hands to be able to affect how the note is played - how the keys are touched, and the sound blended. Can the emotion be felt? The player has to know the language of music so well that they don't have to think about the notes being played, and can separate themselves to  listen to the music they are playing. 

Unfortunately, most piano teachers can't teach this because they can't get beyond teaching songs in piano method books - They can only teach what they were taught. I have heard many parents tell me they took lessons when they were young, and when I ask if they are still playing, the answer is almost always, "No". They forgot whatever they had memorized so long ago and they never learned how to create music, so it is all moot. It is like learning another language. You can memorize a phrase but you don't understand how the words in the phrase work together. You can't have a conversation in that language let alone show emotion. Music is a conversation.

I have been teaching for more than 50 years and have had hundreds of students. Most don't last long enough to get to the point I am with Sophie - and hopefully I will have a few more years with her before she goes out in the world. But what she is learning she won't forget. Memorizing music is a small portion of what we do. There is so much more to learning how to play music on any instrument than learning how to play what someone else wrote. 

Listen to her playlist and hear her growth. Song for Johanna is the beginning of her next phase of learning. Her lessons are 2-3 hours. She couldn't learn enough in one hour to play with this much maturity. She is such a joy to teach.

Song forJohanna Played by Sophie (revision)

Instrumental: DAN-DT @dan-t-3 
Vocals and lyrics: DelhyA
Art credit: DAN-DT

Échos d’ Automne 

Si l’automne vient surprendre les amants que juillet a laissés « naufragés »
C est le temps des regrets, le temps dépassé: celui de tout donner, il faut abandonner.

(All summer can bring may just leave in autumn with a breeze)

Le temps d’une larme,le temps d’un regard, il est déjà trop tard…
Le temps des silences, de l’indifférence, puis de l’évidence que le “doré” vire au noir…
C’est le mois des “mais”, le mois des “mais “, plus de mois de mai…du mois d’aimer!

Le temps de l’automne, le temps où tout détonne, le temps désormais se conjugue au passé
Le temps des tourmentes, le temps de ne plus prétendre,
Le temps le temps qui court et qui s arrête et puis…
Le temps,qui s en va, qui s en va, qui s en va, tout se fane!

Le temps de t’attendre, le temps de se comprendre, le temps d’apprendre, le temps dépassé, le temps des regrets, de tout donner!


Echos of Autumn 

If autumn comes to surprise lovers that July left "shipwrecked"
It is the time of regrets, the time exceeded: that of giving everything, we must give up.

(All summer can bring may just leave in autumn with a breeze)

The time of a tear, the time of a look, it's already too late
The time of silences, indifference, then evidence that gold turns dark
It is the month of "buts", the month of "buts", no more months of May... the month of love!

The time of autumn, the time when everything stands out, time is now combined with the past
The time of torments, the time to no longer pretend,
Time the time that runs and stops and then
Time, who goes, who goes, who goes, everything fades!

The time to wait, the time to understand each other, the time to learn, the time exceeded, the time of regrets, to give everything....

Échos d’ Automne (with DAN-DT)

"Un4given" is a rebellious anthem that seamlessly blends the raw energy of Southern rock with gritty grunge undertones. With an upbeat and in-your-face vibe, Dan Boyko's musical innovation shines through in this track, introducing a new genre he calls "Gruntry." The song's infectious rhythm invites listeners to sing from the rooftops and dance in the streets, capturing the spirit of rebellion and musical freedom. Experience the fusion of Southern rock and grunge, a signature sound that defines Dan Boyko's unique style. Join the revolution and let the rebellious heartbeat of "Un4given" resonate with your soul.

Un4given

This is my latest track "MONOPOLY" and it's based on FREEDOM being monopolized by Politicians, Corporations & Elites Worldwide.

Vocals, Lyrics & Production by RadBabyJoe.

LYRICS:

It's a Monopoly... (repeat)

Roll the Dice, Lose or Win,
It's all a Game.
But they hold the keys and we're
Chained to their name.

It's a Monopoly... (repeat)

They say we're Free to walk,
Free to chose our own path,
Free to chose our road.

But every step I take,
Feels like it’s like it’s full of wrath,
Feels like a debt that's owed.

So here's to the DREAMERS,
Who refuse to Play.

To the one's who break FREE,
Find their own way.

Maybe One Day,
We'll crack this Code.

And FREEDOM won't be something,
We're SOLD!

It's a Monopoly... (repeat)

Monopoly

Sempre dalla "Suite ferroviaria" una (molto) personale interpretazione del genere 'Marce Americane'.

Disclaimer:
Ogni riferimento a fatti e persone realmente esistenti è puramente coincidenziale e non si intende identificare alcun essere umano nella figura del Tram. Qualsiasi intento sarcastico che voleste ravvisare nel titolo e/o nella musica sarebbe unicamente frutto  della vostra malizia.

From the 'Railroad Suite', a (very) personal interpretation of the genre 'American Marches.'

Disclaimer:
Any reference to real events and people is purely coincidental and is not intended to identify any human being in the figure of the Tram. Any sarcastic intent you might perceive in the title and/or in the music would solely be a product of your own slyness.

Attenti al Tram - Marcia meregàna

This audio is from a last video playing along to a loop I created in 2023, https://youtu.be/Uu4d9b4MVCs
One of the tracks I would like to to record properly, this time with no electrical interference on the audio lol.

Freeworld (2023)

West Virginia I call home.mp3.m4a

Crescent

Beneath the energetic rhythms and quirky instrumentation lies a heartbreaking story of war and separation. "Two White Flag" juxtaposes an upbeat, syncopated musical arrangement with the tragedy of a world on fire. It asks the question "What are we fighting for?" while the clean, layered vocals deliver a plea for peace from the perspective of those caught in the crossfire.

[Verse]

World's on fire
Little boy's on the road
Mother's at the border
Arms are empty and cold
Begging the guards to let him go

[Chorus]

Two white flags on the floor
One for my mother
One for my father
What are we fighting for?

[Verse 2]

Brother's on the battlefield
Fighting a war
For his family
So he can put food on the floor
So his son won't die anymore

[Chorus]

Two white flags on the floor
One for my brother
One for his lover
What are we fighting for?
Two white flags on the floor
One for my brother
One for his lover
What are we fighting for?

[Outro]

World's on fire
Little boy's on the road
Mother's at the border
Arms are empty and cold
Begging the guards to let him go

Conduit - Two White Flags

O Silêncio
Catedral

Uma bolha sobe do fundo do mar
Uma palavra sobe das funduras do silêncio
Inesperada, emissária de um mundo esquecido
Nosso mistério, nossa oração
Há palavras que dizemos e outras que se dizem
Existem em nós, não atendem a nossa voz
"São como o vento que sopra onde quer
Se ouvirmos o sopro, palavras de oração"

Pássaro selvagem que mora em nós
Longe do que nós sabemos, no lugar dos sonhos
Fora da morada dos pensamentos
Temos medo das palavras que se dizem
Por isso falamos, palavras contra palavras
Quando orares, não sejais como artistas
"Que falam palavras que não são suas,
que usam máscaras decoradas"

Entra no silêncio, longe dos outros
Que as palavras se dirão, depois da espera
Entra no silêncio, longe dos muitos
E escuta uma única palavra
Que irá subir do fundo do mar
Basta ouvir uma vez e depois, o silêncio.

O Silêncio

Original Lyrics by Tony Harris
Vocals, Instruments, Music Production and Mix by Glen Granthem
The lyrics that inspired Glen are listed below.

I'M NOT A POLITICAL GUY
DON'T ASK ME TO TAKE A SIDE
IF YOUR WANDERING WHY
IT'S A LONG HARD RIDE

THE WORLD IS FILLED WITH DIVISION
ARE YOU LEFT OR ARE YOU RIGHT
IF YOU MAKE IT YOUR LIFES MISSION
IT WILL BRING YOU PAIN AND STRIFE

(CHORUS)
I'M NOT A POLITICAL GUY
LET ME TELL YOU WHY
WE SHOULD MEET IN THE MIDDLE
WORK TOGETHER TO FIGHT EVIL
WHY CAN'T WE WORK TOGETHER
TO MAKE THE WORLD BETTER
AND MEET IN THE MIDDLE
YEA, MEET IN THE MIDDLE

FAMILIES HAVE BEEN DESTROYED
BECAUSE THEY COULD NOT AGREE
LOVE LOST AND FOREVER DIVIDED
HOW DID THIS COME TO BE

WHY CAN'T WE AGREE TO DISAGREE
WHY CAN'T WE LOVE ONE ANOTHER
IT'S NOT ABOUT YOU AND ME
IN THIS LIFE...WE ARE ALL BROTHERS

(REPEAT CHORUS)

GOD, FAMILY, LOVE AND PEACE
IS THE MOST IMPORTANT THING OF ALL

2018 © Lyrics by Tony Harris

Meet In The Middle - Lyrics by Tony Harris - Featuring The Glen Granthem Band - Original

Bio
Dan Boyko is a seasoned musician and songwriter with a passion for creating soul-stirring melodies and heartfelt lyrics. Hailing from Hamilton, known as a Hammer Town Hellraiser, Dan's musical journey has been marked by dedication and perseverance.
Growing up in the vibrant Hamilton music scene, Dan honed his skills by jamming and gigging with local music favorites like Teenage Head, Forgotten Rebels, Calamity Jane, T.O. Joker, Spec Jennings, and Dan Dyer. During this time, he took vocal lessons from the renowned Brian Vollmer of Helix and the Diana Ropolaski School of Voice, enriching his musical journey.
After making the brave decision to pursue a career in music, Dan devoted himself to honing his skills and creating marketable songs that leave a lasting impression. Music became his true calling, and his songwriting journey has been deeply personal, reflecting his life experiences and the sacrifices made to follow his passion.
As a 50-year-old musician, Dan's dedication to his craft is evident. He has composed a collection of powerful tracks, including "Lost Cause," a soulful ballad that delves into the struggles and self-awareness of a restless spirit, and "Confessions of a Singer," a heartfelt reflection on past mistakes and the search for forgiveness. His lyrical prowess shines through in "It's All About You," a captivating ode to someone who has left an indelible mark on his heart.
Dan's musical history boasts an impressive resume. For 15 years, he toured and recorded with his band Three Ways From Sunday, releasing three full-length albums, "Toy Soldier," "South East Asia," and "Isore." The band left its mark in the Canadian music landscape, recording at prestigious studios like Grant Ave Studios and Catherine North Studios. Additionally, Dan made his mark in the heavy metal scene with the band E.O.R. (Edge of Reason), releasing "The Machine," a 9-song CD that gained popularity on college radio and numerous music websites.
In 2020, Dan's songwriting talents earned him recognition when he won a Niagara songwriting contest with his song "Scream!" This success led to collaborations with musical giants like Dirk VerBuren (Megadeth), Caleb Bingham (formerly of Five Finger Death Punch), Alessandro Medri (formerly of Figure Of Six), and producer Seth VonPaulous from the legendary LA studio "The Boutique." Together, they embarked on "The Unforgiven Album," an ambitious project featuring an off-the-floor recording approach inspired by rock legends like Led Zeppelin and The Rolling Stones.
Under the new moniker "Dan Boyko," he embraced a new sound that blended southern rock with country elements, coining the term "Gruntry." This undeniable new sound gave birth to captivating tracks like "Modern Day Nursery Rhyme," hailed by Sleeping Bag Studio Magazine's editor as a song that "rocks the gods."
With unforgettable vocal hooks and a powerful delivery, Dan Boyko's music resonates with audiences, leaving them in awe of the raw emotion and infectious energy. Experience the undeniable passion of Dan Boyko as he takes you on a musical journey like no other. His soulful voice, heartfelt lyrics, and the unique fusion of Gruntry solidify his place in the music scene, promising a lasting impact on the world of music.

Un4given

Dan Boyko

Recent comments

Karlit-O-Kay (K-O-K)

Mike Fox

D ♠

Little Man

Related tracks