radio that’s weirder than you, but not by much.”

a series of on-air errors (perhaps) this week: we think we possibly worked out last time we played her work that moltamole should be pronounced like mole-the-animal, but having grown up in a boston neighborhood with a strong latin american influence, we consistently pronounce it, without a second thought, like mole-the-glorious-mexican-sauce. so if we’re wrong we’re sorry. we also brazenly announced that capture‘s recordings, delivered to us via their locations on the aporee maps, were made in toulouse, whereas, while we think that is where the artist is based, these recordings are very clearly from the mériadeck district of bordeaux. is that all? i’m sure we got something else wrong, but maybe no one noticed. we also heard the first of a few recent submissions from the ever-impressive unfathomless imprint (where we almost made the biggest mistake of all, accusing stéphane marin‘s recordings of howler monkeys in the amazon of being south african hippos – luckily we caught that one and fired ourselves before it went to air), two new works from the flaming pines label (a series of realisations of a score by salomé voegelin, and an upcoming release by label boss kate carr), an unreleased work by james bailey, with which the only mistake we made was losing it the first time he sent it to us, a work by a.f. jones which is only being released for radio airplay and remix projects, the latest batch of listener-chosen favorites from the aporee soundmaps, and an intro by our most prolific contributor, keith de mendonca, making it inexplicable why we suddenly couldn’t remember (again!) if his name is pronounced men-don-TSA or men-don-KA. i guess it was just one of those weeks.    

framework789_2022.02.20 new collaboration  Capture / Framework

しめ飾り作りとカリンバ 28/12/2022

Tall trees are filled with heavy snow and when moderate wind blowing they are making sounds all over the forest.
Short clip from more than one hour long recording at mountain with cold night at -10Celsius

Zoom F6 , Sennheiser MKH40 ORTF

Be updated for each new release https://gregorvida.bandcamp.com/follow_me

Soundrecording are available at bandcamp or contact me - check it here:
gregorvida.bandcamp.com/community

My youtube channel:
www.youtube.com/channel/UCXJShm7wdmdq70_2_iq3yWQ

Instagram: https://www.instagram.com/gregorvida_soundrecording/

Forest sounds - when wind moving trees on the mountain

two contact microphones on thin icemake special sounds

Some recordings are available on bandcamp or better CONTACT me on e mail kkavitec@gmail.com - check it here:
gregorvida.bandcamp.com/community

My youtube channel:
www.youtube.com/channel/UCXJShm7wdmdq70_2_iq3yWQ

Instagram: https://www.instagram.com/gregorvida_soundrecording/

Winter Ice sounds with stereo contact microphones

Captation by Capture 
ZoomH6 + Scanner Uniden 

Beluga Wav

Turbine EDF Bazaclewav

印刷風景 5/2/2022

MP3 samples from longer recordings. Last expedition on Croatia Islands.

Be updated for each new release https://gregorvida.bandcamp.com/follow_me

My sounds on link: gregorvida.bandcamp.com/community
For more please contact me trough email: kkavitec@gmail.com

My youtube channel:
www.youtube.com/channel/UCXJShm7wdmdq70_2_iq3yWQ

Instagram: https://www.instagram.com/gregorvida_soundrecording/

Quiet Sounds Of Island MP3 Mix Short Samples

available here: http://consumerwaste.org.uk/cw21

Little known outside of his native Australia, Peter Blamey has been recuperating discarded electronics into artworks for more than a decade. As Douglas Kahn writes in his sleeve notes here, he belongs to an artistic tradition unique to Australia that trades sound and energy. Having cut his teeth in an extensive exploration of disposed motherboards, Blamey has more recently worked with photo-voltaic cells, homemade electromagnets and rudimentary turbines to propose dialogues between sound, power and the elemental forces of wind, water and light. The work here was produced at the Bogong Centre for Sound Culture, located near the site of a large hydroelectric facility in the Victorian bush. The five interventions documented here comprise a quiet (and not so quiet) protest against this industrial instrumentalising of landscape.

Peter Blamey - Five Fertile Exchanges [excerpt]

Voltage Controlled Broken TV Music -Beat Track-

Programming and manual operation -excerpt-

An all vinyl hour long collage of tracks from the Nurse With Wound List assembled by Andy Votel and Steve Stapleton. Originally broadcast in August 2019 on Stuart Maconie's Freak Zone"on BBC Radio 6 Music to coincide with the release of Strain, Crack & Break: Music From The Nurse With Wound List Volume One now available on double vinyl and download on Finders Keepers Records.

Finders Keepers - https://tinyurl.com/y4fxxhvm
Bandcamp - https://tinyurl.com/yytvakak

Andy Votel & Steve Stapleton - Nurse With Wound List Mixtape

field recording , audio-naturaliste .

enregistrement de terrain .
Prendre le risque de se confronter à l’imprévisible, à l’incontrôlable, au fragile .
Collectioneur d'ambiance atypique 


https://capture280472309.wordpress.com/




Turbine EDF Bazaclewav

Capture

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