Recorded in the church of Saint Anne in the muslim quarter, the old city of Jerusalem.
Based on an song by unknown composer, the 12th century

Recording Technician: Dan Lavee

Saint Anne de Jérusalem

"The album’s title, ‘the revisit’, indicates its metaphysical foundation;
Comprising of five pieces, the album exhibits several revisits to contemporary classical music
which in the end reveal nothing of the original sonic material yet dwell in the pieces’ worldliness.
No sampling was taken; Everything was recorded live and was later on digitally processed and edited.
The revisits became possible, on one hand, due to the pieces’ initial character of openness and, on the other hand,
due to my interest in art works that leaves the horizon relatively open, in this case, for further composition.
What occurs at the liminal moment in time of the revisit?" (I.G) 

Composed and Recorded by Ido Govrin
Dan Weinstein, Cello on all pieces
‘The Cradle’ with Carmina Escobar

04 the salon

03 the cradle

02 the landscape

01 The Cage

Morton Feldman - Intersection 4

with Hagai Eizenberg. a Radio Concrete session recorded live at Radio Halas (www.halas.am), summer 2017
Radio concrete is an ongoing experimental project of live mixing and processing of field recordings together with radio broadcasting and concrete sounds.

Radio Concrete 5 with Hagai Eizenberg

Grisha Shakhnes 
https://disappearingrecords.bandcamp.com/

November 2018 with Grisha Shaknes in Zimmer

4th movement from Oded Assaf's new piece "Semicolon" for 3 cello players or one solosit and two pre-recodred parts.

Oded Assaf - Semicolon

Actus Tragicus bwv106

from the social distancing, April 2020 [home recording]

'Two years ago I wrote some cello music to accompany a reading by the poet Ian Duhig. He was interested in the Satie's Sonneries de la Rose+Croix and so my music was based on that. But what I wrote in 2018 was never quite right; in March 2020 I revised the music and now Dan Weinstein has made this beautiful recording of it.' Christopher Fox

What is the Number of the Rose? | Ian Duhig

More than oceans’ grains of sand
but not of fingers on one hand;
more than stars that drill the sky
but not the pupils of one eye;
more than all of England’s dead
but not of tongues within one head;
a number more than words can tell
but not the clapper of one bell;
more airs than all composers wrote
but fewer than one single note
and more and fewer than all these
but not in Satie’s sonneries.

Dan.Weinstein

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