empty voice

This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

My SoundCloud Channel: https://soundcloud.com/archie-chen
Official Website: http://www.archiechen.com
Youtube DIPF https://www.youtube.com/c/PianofestivalIe
Youtube Archie https://www.youtube.com/c/ArchieChenPianist
Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
Please share and comment.

An NFT of this track will be available from the artist soon!

Franz Liszt Consolation no. 3 in D flat Major, S. 172

One Summer's Day - Joe Hisaishi - Spirited Away

「早安晚安」系列第二張EP 「PM 11:59」
＂下雨了 沒關係 可以聽我唱歌 我會陪著你 晚安。＂
我們躺在床上準備睡覺時，腦海總是容易浮現悲傷或煩惱的事情，自溺其中無法自拔，EP裡主要是悲傷的歌曲，但最後一首俏皮可愛，提醒自己，就算難過，也要相信事情都會過去的，我們一起面對明天不同且更好的自己。
 
 
The second EP from the series is (PM 11:59)
“ It’s raining but it’s ok. We are always around you and we will sing for you.”
When people lay on the bed, there always come stuff will poop out in people’s mind. People easily get stuck in some motion, no matter is sadness or annoyance. In this album is about sadness, but the last song is a cute song. The reason why we arrange our album like this is to remind people that no matter how sad you feel, all these things will be washed by time. We can choose to have a bright and better tomorrow.

PM11:59

01 Intro

Skating In Central Park

조제, 호랑이 그리고 물고기들

밤 12시에 쓰는 편지

album-Love Does Soul Like Water on Withered Soil

pdf / score download

"http://blog.naver.com/fvgozak/220242141317"

Spring Rain (Love Does Soul Like Water on Withered Soil)

go to sleep

5mg - Rainy Mood

zz

Facebook: bit.ly/2D6ueuQ
Twitter: bit.ly/2MVYUDL
Instagram: bit.ly/2D4GqMs
YouTube: bit.ly/2SbBY9e
Spotify: spoti.fi/2Tva0Sv
Apple Music: apple.co/2MPolGU

Bent Near Cody, Wy.

in a long tunnel

This is a cello and piano arrangement I composed for my school's final composition project. 

Sheet music can be accessed here: https://drive.google.com/drive/folders/1ADS2DwtjfGGij_qtbk3UH-RuruLqrc0P?usp=sharing

Bittersweet Adumbrations

Untitledost1

2019-04-14

Avigail Arad Cello
Victor Stanislavsky Piano
Live Performnce in Tel Aviv 2007

Gabriel Fauré Sicilienne Op78

<The walk> Wind&Wave 


Apple Music ▶ https://apple.co/3d6TJvR
Spotify ▶ https://spoti.fi/2V1L3ku
Melon ▶ https://bit.ly/2YCKpL7
Genie ▶ https://bit.ly/3htNFRz
Bugs ▶ https://bit.ly/3fyJzWN
FLO ▶ https://bit.ly/2YwHALq
VIBE ▶ https://bit.ly/3d0gpOs

The walk

Busride - Wind&Wave

Famous expressive piano piece written by Ludwig van Beethoven (1770 - 1827)

"Adagio cantabile" is the second movement of Beethoven's Piano Sonata No. 8 in C minor, Op. 13 (commonly known as Sonata Pathétique)

Recorded in 2001 by Fiona Bechmann

Beethoven - Pathetique

blurred

우리의 슬픔이 마주칠 때(inst.)

Ludwig van Beethoven - Piano Concerto No. 5 in E Flat Major, 'Emperor' - Adagio un poco mosso

주님의 학교 

감독 전상진 


기타 이경환
드럼 조인철

empty voice

InterView