I came here from goth axolotl animation, idk what ya’ll are talking about 😭

🎵then it becomes then it becomes a problem 🎶

Bad thoughts give me bad dreams...          ( Ranboo the ednderboy!!! )

i randomly found this what are yall about

The cover image reminds me of the Omori bad end

VULTURE CULTURE- Fangclub

Steam Powered Giraffe's very first album was originally released in 2009. By 2011, founding member Erin Burke (who played the robot Upgrade) had left the band to pursue other opportunities. Since the band only had one album at the time, during their 2011-2012 performances at the San Diego Zoo, the band decided to change this album to feature just the current robot lineup. This included new cover art, the removal of Erin Burke's vocals, and the replacement of the song "I Am Not Alone" with the song "Ice Cream Parade". 

This version features the original release of Album One as it was in 2009, with the robot Upgrade, her vocals, and her song "I Am Not Alone". It also includes the track Ice Cream Parade from the 2011 release as a bonus.

Album One (2021 Re-release)

Brass Goggles

The Court Jester

The Court Jester (feat. FUKASE)

The main Character - Will wood

Duet Collaboration Magical Magestical Co-op powers and Sneak preview from recently released second album. A song about wanting to befriend your favourite serial killers, and the consequences of doing so!

If blood and bones are what you want, I suggest that you look behind you.

Buy on Bandcamp

Blood and Bones

Album art from: http://witnesstheabsurd.tumblr.com/post/55451677063/remember-reality-is-a-dream-the-universe-is-a

The Lab Rats - Devil's Train

along came a spider

The rhythms of hip-hop provide a placemat for nervously melodic splendor and a melting pot of genres.  What are we to call this compellingly oddball mélange of rock, rap, jazz, reggae, and other influences, all in sway to some of the most mirthfully self-conscious streams of consciousness you’ve ever heard? We could call it attention-deficit-disorder rock. Or maybe we should just call it Forrest Day, the Bay-area bandleader who’s releasing his self-titled full-length debut on the Ninth Street Opus label. 

Cohorts include guitarist Terrell Liedstrand, a bandmate of Day’s since they were both 15, and bassist John Sankey, another high school buddy. Keyboard player Nick Wyner also came on board when the band was founded in 2006, and Jasper Skydecker joined up as their first full-time drummer a year later. When they went into the studio together for the first time, it was with several years of live performances under their belts and a chemistry that Day wanted to capture—and ever-so-slightly digitally tamper with.

“We hit analog tape with everything, but then dumped it into ProTools to manipulate it there,” says Day, who produced the album himself. “So a lot of it is like a big marriage between actual performance and then, in editing, turning some of the songs into loops—though it doesn’t really sound like it, because it’s so analog-sounding.” Day also points out that “there’s not a sample on the record. We brought in real violin players, who were in the room with real saxophones.”

Day’s amusingly confessional songwriting dabbles in social commentary about corporate greed (“Hoarders”) and our overmedicated society (“Meds”), among other concerns. But he returns again and again to everyday struggles common to itinerant musicians and non-musicians alike: bad bosses, lost jobs, debt collectors, and the girlfriend as muse or unwitting patron of the arts. There’s an elaborate work ethic apparent in these meticulously crafted tunes that would seem to put the lie to lyrics that talk about being dreamy, uncertain, and aimless. What we have on this striking debut, then, is a collection of incredibly focused anthems for an unfocused generation. 



Forrest Day - Sleepwalk

DangerVenture

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and friends?

A Public Nuisance

Foxett

pisser

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