
Naviar Records

naviarhaiku471 – Evening sky
Evening sky,
the silhouettes of farmers in their fields
deepen.

(translated by James Abrams)

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 18th January 2023

haiku by Santoka Taneda https://www.chzc.org/Nonin.htm

picture by Mr Xerty https://unsplash.com/@xerty

Evening sky (naviarhaiku471)

rock bottom—
river stones form
gentle waves

haiku by Luke Levi https://www.lukelevi.com/

picture by Nadine Marfurt https://unsplash.com/@nadine3

For more information visit http://www.naviarrecords.com/about/naviar-haiku

arch folk

halF rocK [naviarhaiku475]

TPC287

LDsSpeedChallenge91

TPC #293 (Winning Beat)

naviarhaiku487:
Sound of mountain
sound of ocean
everywhere spring rain.
haiku: Sôen Nakagawa https://tricycle.org/magazine/endless-vow-zen-path-soen-nakagawa/
image: Guillaume de Germain https://unsplash.com/photos/Z8l4vxWTEiY
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

Ocean Everywhere [NaviarHaiku487]

Disquiet Junto Project 0593: The Charm
The Assignment: Record the second third of an asynchronous trio.

Please note: While this is the third part of a three-part project sequence, you can participate in one, two, or all three of the parts, which have occurred over the course of three consecutive weeks.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0592 7). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. The majority are in this playlist:

--

It was an interesting balancing act, to add something fresh while still leave enough space for the original material to breathe.

This is my 2nd iteration.
Initially, I wanted to just record a drum part but wasn’t satisfied with the end result.
I wanted something more subtle.

So for the 2nd iteration, I came up with a process that allowed me to explore a few of my current interests at the same time. Probably that’s why I was willing to give this piece so much attention. Hm…

Below is a somewhat detailed description of the process and context.
It’s long & detailed, because I wanted to capture a few thoughts while they’re still fresh.

Context:

earlier this week, I studied interviews with Nils Frahm about his current improvised live concerts (How I Play Live: Nils Frahm | DJMag.com). My take-away for me was that playing all parts by hand (e.g. not relying on quantized sequencers) is a part of his organic sound that I like so much.
That motivated me to play keyboard a lot more - mostly piano & electric piano sounds with a touch of tape delay effect - and discover that this is currently my favorite thing to do, musically.

yesterday, I repaired the broken switch of the audio input preamp on my Buchla Easel, and my mind was naturally wondering about how to employ it in the next projects…

earlier today, I read an interview with Biosphere (In the studio with Biosphere | Headphone Commute) - another artist whose sound I like a lot.
I liked the idea of processing samples of acoustic instruments (he mentions sampling classical music) through synths/filters/etc.

yesterday, I found the perfect reverb effect pairing for the Easel - a modulated space reverb pedal.

All of the above coming together to form the idea for a process.

(continued on https://llllllll.co/t/disquiet-junto-project-0593-the-charm/62312/57)

Frugal3ty feat Marc Eisenschink and encym [disquiet0593]

Quartetto EX NOVO 

Carlo Lazari, Francesco Lovato (violini),
Mario Paladin (viola), Carlo Teodoro (violoncello)

Venezia - Sale Apollinee del Teatro La Fenice 
20 ottobre 2009

Publisher: Edizioni Suvini Zerboni - Sugarmusic, Milano

Becoming...across the surfaces - String Quartet (2009)

Postcard #3 Love from Nowhere

Made exclusively on MPC X Special Edition.

DKODA - Living And Loving

COMBINED TPC SAMPLES WITH A KANYE SAMPLE WITH MODERN SOUND SELECTIONS

DIAMOND KUT

#Reason #MPCLive2 #Koala Sampler #AUM #LoopDiggers #oddioknots #hip hop #trip hop #lofi 
Beat Maker/Producer from Toronto, Canada
Collab/Beat Sales: danobravo@gmail.com

TPC287

DanoBravo Beats

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