This is really nice Daniel, well done! :D

Over the roofs 
with sternklang & buckminster
I think there’s something baroque on the original duet track by sternklang & buckminster something on the musical phrases, I don’t know  . Anyway, I decided that a sort of Harpsichord could work, it didn’t so I used a picked piano instrument from Soniccouture’s Xtended Piano library. I added some sparse cello and strings to punctuate the classical feel. Honestly I need to sleep on this one to decide if this was a good idea…

Based on https://soundcloud.com/sternklang/over-the-roofs-and-chimneys-clouds-gather-disquiet0526
That was based on https://soundcloud.com/buckminster-music/on-the-roofs-and-chimneys-excerpt-for-disquiet0525

@buckminster-music
@sternklang

Over The Roofs (disquiet0527) with sternklang & buckminster

with paul-beaudoin & morgulbee 
My recording over two A minor drones

based on https://soundcloud.com/paul-beaudoin/disquiet0526-v2-a-minor-drone
that was based on https://soundcloud.com/morgulbee/a-minor-drone-disquiet0525


I played my Indian Harmonium and punctuated each end of stanza with a single upright bass note.

@disquiet
@paul-beaudoin
@morgulbee

https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3

Recitativo Lamentoso Quasi Requiem (disquiet0527) with paul-beaudoin & morgulbee

Based on https://soundcloud.com/undermulden/lamps-with-nate-trier-magic-number-2-of-3-disquiet0526
track is developed from Nate Trier's wonderful https://soundcloud.com/triermusic/baridrone-disquiet0525

I played an electric bass part (harmonics imitating the original track's crystal drop melodies). I wasn't happy so I added a rhythmic picked bass part (that I edited afterwards)
Still not happy I performed a solo on my electric bass but it wasn't quite working. So reversed it. But still not happy I recorded a fourth track, adding a Twin Peaks style bass.
So I ended up recording 4 tracks on the very same instrument....not a good clue.
So I don't think I did nothing good to the beautiful original. I may revisit this.

@undermulden
@triermusic

https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3

Magic? (disquiet0527) with Nate Trier & Undermulden

thanks  Encym https://soundcloud.com/encym/disquiet-junto-project-0526-magic-number-2-of-3
Daniel  Diaz   https://soundcloud.com/daniel-diaz/unfinished-disquiet0525
release date  03/02/2022

Atonal Unfinished Trio (disquiet0527)

The second of two contributions to Disquiet Junto 0527, this time using material recorded by per33 and Zedakh over the last fortnight and uploaded to https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/52210/72

An extemporised riff on an MFB Dominion Club was added to their excellent groundwork, the results being run through a Space Echo emulation VST just to give it some sparkle, and a little hint of Valhalla Supermassive for some shine too.

disquiet0527 - Liquidified hat-tricks and coatings with 33per and Zedkah

Part 3 of a three week Disquiet Junto project series, where three musicians asynchronously collaborate on a recording.

I used the 2 part collaboration "New Positive" by SinnySounds, which used "Now Positive" by gis_sweden. Both tracks were percussive, so I added spacey female vocal pads to the center along with a few piano arps, treated with reverb and tape effects.

More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/

Non Positive

Non Positive - disquiet0527 (with nsinnenberg and gis_sweden)

Disquiet Junto Project 0527: Magic Number (3 of 3)

The Assignment: Complete an asynchronous trio begun by two other musicians.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0526). Note that you are finishing a trio — you’re creating the third part of what two previous musicians began. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. The majority are in this playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0526 2

And additional tracks appear in the discussion:

https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/

Step 3: Record a piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and it should be placed dead center between the left and right stereo channels. When composing and recording your part, do not alter the original piece of music at all. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it may be used by someone else in a subsequent Junto project.

Step 5: As with last week, you can contribute more than one track this week. You can do up to two total. If you choose to do a second, you should preferably try to use a duet track that no one else has used yet. The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. After a lot of detailed instruction, that is the spirit of this project.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0527” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0527” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.






More on this 527th weekly Disquiet Junto project – Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) – at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Disquiet0527 Dead center. With Dan Simpson & J. Benjamin Niemi

A sequence of modified shepard tones added to: https://soundcloud.com/zedkah/listing-queasy-disquiet-0526-with-moray-newlands

More on this 527th weekly Disquiet Junto project – Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) – at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Queasier (disquiet0527)

My new Album 'Fractal Worlds' by Spirit project.

Lost Souls (Original Mix)

Gentle textural soundscapes trace the quiet shift in season, evoking warmth, stillness, and the beauty of impermanence. A sonic reflection on the passage of time, memory, and the subtle charm of change.

Christoph Vogel (Ghostloop) about his album: “It’s a collection of nine ambient pieces — soundscapes shaped by personal moments and quiet shifts I experienced over the past year, many of them spent in nature.

I worked with field recordings I captured during that time, letting them carry traces of place and memory. While writing, I also began building my Eurorack modular system, slowly integrating its sounds into the tracks as they took shape.

'Almost Autumn' reflects a quiet cycle of the year — the slow transitions, inner stillness, and changing atmosphere that come with time passing”.

Christoph Vogel, known as Ghostloop (Germany), weaves immersive soundscapes shaped by the serene rhythms of nature. Drawing from the ambient textures of field recordings and grounding them with deep, fluid basslines, his compositions echo the quiet moods of Northern Germany and the Baltic Sea coast. Rooted in a deep sense of place, Ghostloop’s music invites listeners to pause, drift, and sink into gentle, emotive layers of sound.

Produced and mixed by Christoph Vogel (Ghostloop)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture and design by Dionis Afonichev

Almost Autumn

Green Island

While making those tracks, all I wanted was to give my thoughts the sound they deserved...

Fusions

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Magic? (disquiet0527) with Nate Trier & Undermulden

Daniel Diaz

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undermulden

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