Deadline: 27th April 2022

All submissions to Haiku 433:
https://www.naviarrecords.com/2022/04/20/naviarhaiku433-if-a-touch/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us

haiku #433: if a touch / could heal / spring rain

An old, abandoned studio jam, tweaked today (feb 2nd 2022) mixed and  shared for the first time for this haiku challenge.
Performed by Daniel Diaz (bass, drums, guitar, organ) with Pajaro Canzani (acoustic guitar)

Poem:

the edge of the world
– the road vanishes into
a curtain of mist

By Raymond Cobley is an experimental composer and regular participant in our Haiku challenge.

Photo by Joseph Hersh
@naviar-records

At the edge of the world, a cowboy vanishes into the mist of the road (naviarhaiku422)

a = wofol wee becle X 10

20Apr22

My naviarhaiku433 submission
https://www.naviarrecords.com/2022/04/20/naviarhaiku433-if-a-touch/
:D

If a touch could heal [naviarhaiku433]

This track was created for the Naviar Haiku group.
4313 week haiku
https://www.naviarrecords.com/2022/04/20/naviarhaiku433-if-a-touch/

2022-04-21

Spring Rain ( Naviarhaiku 433 )

live in the studio improvisation with some percussion overdubs. (circa 2007)
Pajaro Canzani (tiple, percussion) 
Daniel Diaz (percussion, flutes, tarka, pinkullo, pifilca)


for this haiku:

if a touch
could heal
spring rain

Haiku by C.X.Turner 
photo by Hulki Okan Tabak

@naviarrecords

Tolteca Healing Touch (naviarhaiku433)

if a touch
could heal
spring rain

haiku by C.X.Turner https://twitter.com/lover__poetic

picture by Basil Smith https://unsplash.com/@basilsmith

For more information visit http://www.naviarrecords.com/about/naviar-haiku

feodal hutch

halF toucheD [naviarhaiku433]

naviarhaiku433 – if a touch
if a touch
could heal
spring rain

Luce crepuscolare.....

Double Bass, Prepared pianos, Percs.

Spring Breathe - Naviarhaiku433

14May22

My naviarhaiku436 submission
https://www.naviarrecords.com/2022/05/11/naviarhaiku436-lightning-thunder/
:D

Lightning thunder and rain [naviarhaiku436]

haiku by Elancharan Gunasekaran https://elancharan.com/

picture by Victor Chartin https://unsplash.com/@vicuts

Skytalk [ naviarhaiku436 ]

high noon–
the reed sparrow sings
to a silent river

haiku by haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Åsmund Gimre https://unsplash.com/@asmundgimre

For more information visit http://www.naviarrecords.com/about/naviar-haiku

flash intel

halF silenT [naviarhaiku437]

I love the smell of the ground after rain (petrichor), which this week's haiku, by Richard Barnes, evokes. It inspired my improvisation (in A Aeolian) played on a VST piano with effects from Guitar Rig 6. Recorded and mixed in Reaper. Mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Petrichor (naviarhaiku438)

Not until we are lost do we begin to understand ourselves. 
~ Henry David Thoreau

Track list:
Midori Takada & Masahiko Satoh – Ancient Palace
Arash Akbari – Vanishing Point
Christina Vantzou – And Instantly Take Effect
Kate Carr – fake creek (excerpt)
Andrew Sweeney – Miasma
rabbitsquirrel – French tips on the dentist's manicure
IbogAbel – Tue Sep
No Mates Ensemble (et al) – When All This Is Over I Am Off To Madrid To Seek Mentorship In The     Traditional Art Of Pet Flamenco
Ian Hawgood & Giulio Aldinucci – Embarking Shadows
The Next Commuter – Mid Morning Air (Live test)
Spheruleus – Upper Wharfdale
Wodwo – The Ground
irunak – Demeter And Persephone (Naviarhaiku 438)  (excerpt)
chicago_word_brigade – Commensalism (excerpt)
ILUITEQ – The Dark Outside
Effortless Archives – Overlapping Elements (NaviarHaiku 436)
The Inventors Of Aircraft – Century Machines
US AS EFFIGIES – Tomorrow (excerpt)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Eclectic current – Lost in forsaken places

Sarah Mega-Hertz & PressureWorks Collaboration.
Volmet (Weather info for Pilots) 5450 kHz  Heard in the UK/Northern Europe

Spotted Lantern Fly

Spotted Lantern Fly  SMH/PW

Cirqil

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Tolteca Healing Touch (naviarhaiku433)

Daniel Diaz

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