WAKE UP !!! BEATS THE SKY IS RAINING FLAMING ELEMENTAL MINERALS

Download: http://www.mediafire.com/file/qnbo8aoxutxhq8n/Immortal%20Technique%20-%20Revoluci%F3n.rar

See http://www.myspace.com/immortaltechnique

1. Intro (Keepin' it Raw)
2. Point of No Return	
3. Bin Laden (Intro)	
4. Bin Laden (feat. Mos Def)	
5. The War vs Us All by Mumia Abu Jamal	
6. 4th Branch	
7. The Poverty of Philosophy
8. Golpe de Estado (feat. Temperamento Veneno)
9. Frontlines (feat. Diabolic)	
10. Watch Out
11. Industrial Revolution (Intro)
12. Industrial Revolution
13. The Message & the Money	
14. Leaving the Past
15. Harlem Streets	
16. Sierra Mestra (Interlude)
17. The Cause of Death (Live at Underground Railroad)
18. Dance With the Devil
19. Fight Until the End (feat. Sabac Red and Roosevelt Phillips)
20. Copland
21. Obnoxious
22. Peruvian Cocaine
23. Street Hustle
24. Démocratie Fasciste (Article 4) (feat. Rockin' Squat)	
25. Outro (feat. Diabolic)

Critics frequently trash hip hop because commercialism dominates the genre. But, as Bakari Kitwana notes in his new book Why White Kids Love Hip Hop, the music serves a higher purpose as a “voice for the voiceless” and a bridge across America’s racial divide. Artists like New York-based rapper Immortal Technique provide that voice, heightening awareness within a community desperate for change.

For both jaded hip hop heads and political activists, Immortal Technique’s music is refreshing. At a sold-out venue, teenagers fall silent as Immortal Technique—also known as Tech—kills the beat and reminds them: “Blacks and Latinos get the worst education/ while devils run America like Birth of a Nation/ affirmative action and reversed discrimination/ that shit is a pathetic excuse for reparations.”

Tech’s activism and authenticity derives from hard life experience. He was born in Peru 27 years ago and his family left when he was 4, fleeing an escalating civil war. They landed in Harlem and, while not delving into his childhood, he admits it was rough. “I tried to go to [college] but I ended up going to prison,” he says.

His epiphany occurred as he rode the corrections bus upstate. “Prison is not the rite of passage that makes you a man. All that hustlin’, robbin’, stealin’, that didn’t make me a real nigga at all,” he says. “When I came home from that and I put money in my mother’s pocket to help support my family, that made me a real nigga.”

During his time behind bars, Tech devoured books about history, religion and civil rights. He wrote often in jail and when he got out, he took that material and eventually produced two albums, Revolutionary Vol:I and  Vol:II. Ambitious titles, but the man has big goals, and with his multi-faceted appeal and a new album, The Middle Passage, he is poised for battle. Vol:II sold 45,000 copies on Immortal Technique’s own label, Viper Records. Moving that many units is an impressive feat in today’s music industry, in which five companies control 90 percent of the music distribution. He and a few other rappers, including M-1 of Dead Prez, organized a hip hop union last fall called G.A.ME. (Grassroots Artist MovEment), whose members receive free healthcare in New York and Philadelphia. “You make more of a political statement by owning a record label than anything you could possibly say on a record,” Tech says.

Despite his progressive political message, sensitive ears will be offended when Tech raps graphically about abortions or what he would do to the mothers and girlfriends of his enemies. But getting caught up in the language misses the point. Tech’s gritty irreverence is precisely what lends him credibility among wary, young hip hop fans. As one aspiring emcee at the Batey told Tech, “I don’t usually like underground hip hop or Latino rappers, but your shit is raw, I love it.”

Immortal Technique - Revolución

Public Enemy - Night Of The Living Bassheads (Figure Remix Dinky Re-rub)

BDP LIVE IN THE HAGUE, HOLLAND, 1989 - KRS-ONE, COOL DJ RED ALERT, ROBOCOP, D-NICE, DJ DOC, MS MELODY, WILLY-D

BOOGIE DOWN PRODUCTIONS LIVE THE HAGUE

Dj Juelz ( The fugee's ) mini mix

Dj Juelz ( Boogie Down Productions ) mini mx

Free download of the KRS One Megamix at soundcloud.com/nickone

Intro - 9mm Goes Bang - De Automatic - 100 Guns - Halftime - Can't Stop, Won't Stop - Phucked - Mortal Thought - Reality - Bo Bo Bo (Live) - The Kenny Parker Show

KRS One Megamix (free download at soundcloud.com/nickone)

Most of My Heroes Still Don't Appear on No Stamp is the eleventh studio album by American hip hop group Public Enemy, released July 13, 2012 and exclusively available from Apple iTunes only. The album is the first of two albums that Public Enemy plans to release in 2012, which Chuck D described as "fraternal twins",[1] along with, "The Evil Empire of Everything", which is planned to have a fall release[2]. The album features guest vocals from Brother Ali, Bumpy Knuckles, Cormega, and DMC.

01 Run Til Its Dark

02 Get Up Stand Up (feat. Brother Al

03 Most of My Heroes Still... (feat.

04 I Shall Not Be Moved

05 Get It In (feat. Bumpy Knuckles)

06 Hoover Music

07 Catch the Thrown (feat. Large Pro

08 Rltk

09 Truth Decay

10 FassFood

11 WTF

A darker harder Hip Hop Production for the Man With the Iron Fists Soundtrack

Free DL Email Required

Built For This ft Method Man and RZA - (Riffioso Refix) - Man With the Iron Fists Soundtrack

14 Ya Slippin'**

You Must Learn - KRS-One (LB Revist)

WAKE UP !!! BEATS THE SKY IS RAINING FLAMING ELEMENTAL MINERALS

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