This is a track from the game Relic Hunter, by BYU. The download for the game can be found here: http://gamedev.byu.edu/games/grave_robber.php?page=games

Image credit: Andrew Putnam

Relic Hunter Intro

This is for the game DUST. In this app you simulate how different microbes interact and their strengths and weaknesses. 

DUST - Microbe Ambient Music

This is the soundtrack for, The Tessera. A game about defeating entropy through intellect and invention.

12 - Inventive Counterattack

Having recently moved to LA, gotten a new job, reformatted my computer--I've had to get back into the swing of things. 

Had a wonderful improv session that actually involved recording! Enjoy

Improv - Back in the Swing

Sometimes, you just have a jam session with your friends and beautiful art is made. 

Featuring 
Daniel Nash, keys
Spencer Danielson, clarinet
Alex William, percussion

Everyone Knew - Daxer Jam Session

This piece from the jam trio, Daxer, takes a much more active spin. Led by Spencer Danielson. 

Featuring
Spencer Danielson, clarinet
Daniel Nash, keys
Alex Williams, percussion

Camo Chameleon - Daxer Jam Session

Daniel Nash is an half Asian-half caucasian American contemporary classical composer and performer. He was born and raised in Colorado, studied in Utah, and is currently based near Los Angeles. He’s classically trained in violin, piano, voice, and electronics and his musical influences stem from minimalism, musique concrete, and 20th century compositional techniques. 

Lately, Daniel has been improvising along with classical/jazz clarinetist, Spencer Danielson,  and percussionist, Alex Williams, to create some unique improvisations. Albums with names such as Daxer or Dancer are blends of the names of the different improvisers.

He also has a passion for interdisciplinary collaborations with physicists, poets, computer scientists, and dancers. For example, in the piece Gravity - Live, the piece was performed live with a cello center stage and the other revolving around it and the double stops the cello is playing matches the gravitational constant.

He did a music business internship in Estonia where he got to do work for Peeter Vähi and Arvo Pärt doing sound engineering and archival work. 

He studied under composers Neil Thornock, Christian Asplund, Micheal Hicks, and Sam Richards at Brigham Young University. 

For some time, his interest was in video game music composition, but has since transitioned to a much more introspective and free approach to music composition. Though, tracks where he felt he had more creative liberty can still be found here.

Daniel Nash

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