@in-the-shiny-box: Thanks...I try to use a variety of sound sources and processing including Hardware, Software, and iOS devices, as well as processed and manipulated found sound/field recordings (all of which are in the mix in this piece). 

Sunset

Coast

Intromotion

Moods for Ragnhild

(Controlled) chaos reigns supreme in this piece, which started life as a pattern in Stochastik Drum Machine (iOS). Moving to Ableton, further elements of randomness were added, with several chaotic patches from Reaktor as well as a "stable",  repeating figure courtesy of AAS's Chromaphone.  Processed rhythmic cameos from the Nord Drum and Ableton Live 8 serve as variations on the original drum pattern.

Celemony's Melodyne was indispensable in this track to remove background sound from one of the speech samples (see related post here: http://danielottinimusic.tumblr.com/post/34171893488/melodyning), as well as extracting a MIDI groove from Stochastik (which is currently audio only), and creating rhythmic variations on the Stochastik audio. 

The result has a rhythmic, dubby, subterranean feel - enhanced (perhaps blatantly!) with judicious use of delay and reverberation.

What was it that the Joker said in "The Dark Knight" - Introduce a little anarchy...  :-)

Hinterland

The Cave of Fallen Angels

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A seasoned electronic musician, sound designer and field recordist, the work of Daniel Ottini spans a number of genres and styles, but predominantly focuses on the exploration of the intersection between sound art and music.

The Cave of Fallen Angels

Daniel Ottini

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Patrick Picault

Yangwelle

Daniel Ottini

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