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Daniel Avery - Water Jump

Buy the album

Daniel Avery - All I Need

Soon to be released on Text Records under my new alias Daphni.

TEXT 009
Four Tet - Pinnacles
Daphni - Ye Ye
Vinyl only.

Daphni - Ye Ye

Daniel Avery - Drone Logic

My first released track became an instant classic still fits in modern sets very well

thanks to 

jano, riley reinhold, jaqueline and manuel to make this one possible

Daso - Daybreak

DHAFFI edit for Tomorrow Never Knows By The Beatles 

Tomorrow Never Knows (SHAFFI Edit)

Fatima Yamaha - Half Moon Rising

Jamie XX & Kosi Kos - Come We Go

riri - te amo (WA?STE REAL MADRID CF MIX)

DJ Koze exists both above and beyond club culture as we know it – his albums and remixes flying free from genre and trend – and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.

Thus he could create an enduring club tune like 2015's “XTC” that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the knock knock album, which melts a million genres and none into one another, can comfortably include “Seeing Aliens”.

“Seeing Aliens” unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.

The exclusive b-side track, “Nein König Nein” (“No King No”!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.

Pampa030

DJ Koze - Nein König Nein (Pampa030)

Efdemin - Bergwein

FREE DOWNLOAD AT: 

https://keiska.bandcamp.com/album/edits-for-home

PARTYBUS CLACKGANG CLACKERS (TRANCE EDIT)

THAT GIRL (TRANCE EDIT)

ME & YOU (REMIX)

SPRING 2020 (SHALT x RICHTER)

TREMOR - THE NEW ALBUM - OUT NOW

https://danielavery.ffm.to/tremor

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.


With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Tremor will be released by Avery’s new home of Domino on 31st October.

Daniel Avery - All I Need

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