Solarstone – Electronic Architecture 3

BUY VINYL: https://inverted-audio.store/products/havantepe-rain-on-window
IN-STORE EVENT: https://inverted-audio.store/blogs/news/in-store-vertex-recordings

Join us on Saturday 16th August at Inverted Audio Record Store in Peckham for an all vinyl session from @verdant-recordings label boss Andy Green to celebrate the release of 'Rain on Window' from Istanbul-based producer @havantepe.   

Consisting of three solo tracks and two remixes, 'Rain on Window' blends minimal dub techno with atmospheric electronics, primed to enthral the most discerning of listeners.

The free to attend in-store event commences at 6pm and ends at 9pm. We’ll have copies of ‘Rain on Window’ on sale at the in-store, so be sure to join us for a dance!


Havantepe - Rain on Window [Vertex Recordings]

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/l-lewis-infinite-alex-abrecht-remix-bathtub-music
* Listen on Youtube: https://youtu.be/l1GIF2R1t4U
* Pre-order: https://llewis.bandcamp.com/album/intervals

Intervals’ is the new record from Naarm-based musician and producer L Lewis out now on Bathtub Music. Blending jazz harmony, electronic production, and improvisation, the release expands on the sonic palette introduced in their debut. Built from live studio recordings in Naarm (Melbourne) with L Lewis, Lachlan Thompson, Finn Milne, and Jordan Dunster, the tracks were later chopped up in London by L Lewis.

The B side features remixes from local and international artists Space Ghost, Hector Plimmer, Joseph Shabason and Jonah Gabriel plus a bonus digital remix from Alex Albrecht.

PREMIERE: L Lewis - Infinite (Alex Albrecht Remix)

find it on Bandcamp 
https://freybenedikt.bandcamp.com/album/trips

TRIPS

09 Benedikt Frey - YOUR K-Hole MY Soundtrack

READ > https://inverted-audio.com/premiere-fka-boursin-listless-intertext-frank-tonys-housebeat-dub

Bristol-based producer fka @boursin joins the fold at NYC-based imprint @scissorandthread with a forthcoming 12" single named 'Listless Intertext', accompanied with an exquisite dub flex from label bosses Frank & Tony.

The original is a 12-minute drift through hazy deep house textures, half-caught conversations, dreamy synths and shuffling percussion. Instead of clear vocals, we get indecipherable fragments that lend the track a woozy, dream-state quality - like trying to decipher a distant conversation while slipping out of consciousness. It’s deep and loose, a slow-burner that feels just as suited to headphones as it does a smoky backroom.

Frank & Tony’s Housebeat Dub flips that energy on its head. The duo keep the mood intact but drive it forward with a fat, rolling groove tailor-made for those blurry hours on the dancefloor. Where boursin pulls you inward, Frank & Tony push it outward - a hypnotic, floor-ready workout that still carries the ghostly essence of the original. Together, they make Listless Intertext a release that blurs the line between introspection and propulsion, subtle listening and functional club heat.

fka boursin - Listless Intertext (Frank & Tony's Housebeat Dub) [Scissor & Thread]

TRIPS Album

11 Benedikt Frey - My Cat & Me (Lullaby for L)

FEATURE > https://inverted-audio.com/feature/the-burrell-connection-looks-back-on-10-years-of-craigie-knowes 

For Zander Hay - better known as @theburrellconnection - music has always been as much about people as it is about sound. His new EP for @craigie-knowes, 'I Waste My Time So You Don’t Have To', arrives as the label marks its 10th anniversary, a milestone that means more to him than most. Not only has Zander released music with the Glasgow-born imprint, he’s also been quietly running their PR from behind the scenes since the early days, helping to tell their story to the world.

That dual role makes this release feel like a full-circle moment. The EP gathers together material shaped in the club, in the bedroom, and most importantly, in the company of friends. Lead cut “E Before I” has already been heard echoing through Berlin basements, including in a live version taken from Zander’s performance at Tresor, invited by LNS and DJ Sotofett. The B-side heads deeper, pairing the dubbed-out force of “Celestial” with the warm, widescreen pads of “Ensemble” - tracks that carry what he half-jokingly calls his “signature sound,” something he’s been chiselling away at for over a decade.

Zander speaks candidly about the title of the record, pointing to the endless hours spent in pursuit of something original. He’s unflinching in his criticism of DJs hiding IDs or passing off other people’s tracks as their own - a reminder that, for him, credit and community go hand in hand. “Music is not a luxury, it’s an essential,” he insists, and it’s clear that ethos drives not just his own practice, but also the way he moves through the scene.

That scene has taken him from Glasgow, where he cut his teeth at La Cheetah Club and soaked up records at Rubadub, to Berlin, where he now co-runs Slurp of the Antics with Valcat - a party deliberately centred on live performance in a city often saturated with DJ culture. Between the drizzle-soaked after-hours of Scotland and the intensity of Berlin’s underground, he has carved out a practice that feels both grounded and exploratory, rooted in place yet open to evolution.

At the heart of it all is Craigie Knowes. For Zander, the label’s story is bound up with his own - from being pushed creatively by deadlines and honest feedback, to finding genuine friendship with Max, Mitch and the wider CK family. “Friendship!” he says without hesitation when asked about the most rewarding part of his journey so far. That word runs like a thread through his reflections: from teenage trips to Sub Club on borrowed IDs, to afterhour residencies, to the countless connections made through music over the years.

As he sets up a new studio, offers tuition, and continues to develop his live shows, Zander isn’t slowing down. 'I Waste My Time So You Don’t Have To' is more than a title; it’s a snapshot of where he’s at right now - committed, outspoken, and still finding joy in the graft. For him, the story of Craigie Knowes at 10 isn’t just about a label’s legacy, but about the friendships that make the music possible.

The Burrell Connection - Celestial [Craigie Knowes]

Highlighting a track from the new BiGOTT EP by BL family SNEAKER & SCANNOIR. We recently played "7 Minuten" on BL Radio Episode 131 by Kosmik, and it's a certified banger/mind melter! After their previous releases as 1⁄2GOTT and GOTT on Uncanny Valley and some remixes, the duo returns with a third solo EP, marking their first appearance on the Berlin-Basel-based label Reach Another System. Their passion for EBM, Synth Pop, and New Beat comes to life with a fine array of classic drum machines and FM-synths, topped with Teutonic lyrics and archival samples.

Vinyl and high quality digitals can be purchased here: https://rasrecords.bandcamp.com/album/ep 
@reachanothersystem
@scannoir
@sneakerDJ

BL Premiere: BiGOTT - "7 Minuten" [Reach Another System]

https://soundcloud.com/speechmaker: This mix tells an inner journey, an evolution guided by the steps of a person in motion. It moves through different phases – light and joyful, at times heavy or weighty, and at others driven by impulse and momentum. A dance that reflects the shades of an intimate voyage.

https://soundcloud.com/ethosrecords

Resident on Noods Radio with his monthly show Bodañ, Speechmaker is also co-founder of
the Ethos Records label alongside Eendracht, with whom he hosts Oratio on Retreat Radio.
An active member of the Rennes-based association ÖND, he contributes as a DJ and
programmer to the RadiÖND programme on Egregore Radio. He has performed at festivals
such as Astropolis and Ethereal Decibel, and has played in several clubs in the West of
France.

Speechmaker draws inspiration from a wide range of sounds, from electro to broken beats,
bass, techno, downtempo, ambient, rap, grime, and more. Above all, he seeks to surprise
and captivate, alternating between texturally rich tracks and bold choices. A silence can
interrupt a set to capture attention, followed by a powerful groove that sets the dancefloor
ablaze.

Refusing to define himself by a single style or set formula, he navigates between tempos
and emotions, fast or slow, dark or exhilarating, controlling energy with a precision that
leaves listeners intrigued and transported. Always on the move, he fashions a sound
language all his own, designed to trigger strong emotions and open up new perspectives.

LAYER #441 | Speechmaker

Mornings with... A Sagittariun - 09 Septembert 2025

The French producer Pablo Diarra aka Saïph launches his own label Songe Anima Records (Sonam) with the first release, Griffe Sonam EP, showcasing various influences ranging from techno, contemporary trance and ambient, out on September 19th.

Pre-order: https://songe-anima-records.bandcamp.com/album/griffe-sonam-ep
More: www.orbmag.com/music

@saiph_sound

Listen more

Premiere: Pablo Diarra - Fluctuation décoloniale

Electronic Architecture 3

For What It’s Worth [Mix Cut]

Thistle [Mix Cut] (EA3 Reconstruction)

Beat Organ [Mix Cut]

Algorrobal [Mix Cut] (EA3 Reconstruction)

Platform Zero [Mix Cut] (EA3 Edit)

TREMOR - THE NEW ALBUM - 31.10.25

Pre-order: https://danielavery.ffm.to/tremor-store

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.


With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Tremor will be released by Avery’s new home of Domino on 31st October.

Platform Zero [Mix Cut] (EA3 Edit)

Daniel.Avery

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