Incredibly poignant + beautifully elegant piece...🙏🏽💝😌

Cloud Monolith

Together in Static

The Pursuit of Joy

still slipping vol. 1

w/ dad & frankie

'Tread', out now on Brainfeeder: https://rossfromfriends.lnk.to/treadSo

Follow Ross From Friends -
Spotify: https://found.ee/rff-sp
Apple Music: https://found.ee/rff-am
YouTube: https://found.ee/rff-yt
Bandcamp: https://found.ee/rff-bc
Soundcloud: https://found.ee/rff-sc
Instagram: https://found.ee/rff-ig
Facebook: https://found.ee/rff-fb
Twitter: https://found.ee/rff-tw

Tread

Morning Sun In A Dusty Room

Overflow

Making Sense of It All

You Always Will Be

With Her First Ever Steps She Walked To Me and She Was So Happy

Veriditas

Seeming

Sensorama - Echtzeit

Yamaneko – Adrift

arrival

Moon Riveresque

This is my second improvised ambient piece from the 27th of October.

A video of it being played is available on YouTube: https://youtu.be/EUGHDecGeu4

Afternoon Moon (Live Ambient Improvisation 27/10/25)

Where All Is Fled

Edgewater Prelude

OPENING

GROUND

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels. 
crédits
paraît le 7 juin 2019

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

[ESP084] Contrails

A1 - First Snow - SNIPPET

New Ruins

Night Arp Blues

TREMOR - THE NEW ALBUM - OUT NOW

https://danielavery.ffm.to/tremor

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.


With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Tremor will be released by Avery’s new home of Domino on 31st October.

Together in Static

Daniel.Avery

Recent comments

Monawisa

$tudio_75

$tudio_75

$tudio_75

Related tracks