cool progressions. I like ff 10. Was it influenced by the game soundtrack or just random cool pic?

Beautiful.  Love the chord progression, man!

I keep listening to this.  Perfect work, Daniel. :)

This is a remake of a song I wrote using Finale, a music notation software. It was so fun to update it with all my new instruments and software.

Let me know what you think!

Autumn Alights

Euphoria - Jochem Weierink (Liquid Cinema)

For licensing, please contact: info@colossaltrailermusic.com

CLIMB TO THE SUMMIT from Colossal Trailer Music’s album DROWNING ABYSS (CTM008)

Composed by Natanel Arnson.

Featuring Aeralie Brighton.

“Hopeful, atmospheric and optimistic opening, building in intensity into a grandiose epic theme with beautiful vocals and cinematic choir”

Album Cover Art by Koke Núñez Gómez.

Website: http://www.colossaltrailermusic.com
Facebook: http://www.facebook.com/colossaltrailermusic
Twitter: http://www.twitter.com/ColossalTM
Youtube: http://www.youtube.com/c/ColossalTrailerMusic

© 2015 All rights reserved. Colossal Trailer Music is a registered trademark of SPM Music Group, LLC.

Climb To The Summit (feat. Aeralie Brighton)

Descend into darkness with "Scorched Earth: RPG Music Collection." This collection of 8 handcrafted tracks provides the perfect soundtrack for your RPG adventures into the depths of shadow.

Created by our producer Pathum (no AI used), this music features a blend of dark orchestral scores and driving rhythms, capturing the intensity of monster hunts and the grim reality of a world on the brink. From shadowy dungeons to desolate wastelands, these tracks will enhance your game's world and inspire your players to confront the darkness.

Perfect for:

Game Developers: Enhance your fantasy RPGs, MMORPGs, and adventure games with these dynamic and evocative soundscapes. Ideal for any game that features monster slaying, dungeon crawling, and dark fantasy themes.
Content Creators: Elevate your live streams, videos, and podcasts with these dramatic and intense sounds, setting the perfect mood for your audience.
Features:

8 unique tracks.
High-quality audio for optimal immersion.
Royalty-free license for use in your projects.
Perfect for creating a sense of danger, intrigue, and the struggle against overwhelming odds.
Price: $19.99

Confront the darkness with "Scorched Earth: RPG Music Collection."

7 - Phat Phrog Studio - Scorched Earth - Ashen Wings

CAMZ - UdieNnx

MORE LORE & POSTMORTEM: indiekev.itch.io/one-summer-night-ost-jam-08

3rd track for the OST Jam 08. Given how many issues I've had during the week with internet and the computer, I decided to make it a Medley of most of the themes I was thinking for the final battle against Eryndor in the imaginary JRPG I had in mind.

This is by far my most complex work and I'm super proud after 3 projects (OST Jam 07, Crunchtime & now OST Jam 08), to feel like I've improved a lot in composition. Didn't have much time for doing good mixing though but it is what it is xD

DETAILS

Section A
The initial section is the God of Darkness awakening, plain and simple. Organ is really loud, choir is omnipresent, it has all the marks of an omen coming to pass. I wanted the very slow ending to the section as a way to really hammer what the group has in front of them. And that's also the section where Eryndor attempts to control the God of Darkness, being just a little bit early to the party.

Section B (0:31)
It feels regal and godlike, Eryndor is starting to ascend after having absorbed the God of Darkness power, but in the end ends up being the one losing himself to madness. I think it works especially with the super dissonant organ finish with the Tenor singing alone, it felt like it was Eryndor lost his soul to the God of Darkness. Of course the Organ will the main characteristic of Eryndor in his ascension, but slowly something else will take its place when he's lost to the darkness.

Section C (0:49) 
This is a long drawn out couple of sections, stretching pretty much 3 sections. It's the start of the combat with Eryndor as a twisted godform. It's dramatic, you face casualties. We hear a solo Viola, which is pretty much the instrument of Eryndor's darkness.

Section D (1:16)
Some more tension and building up for section D. Here the Solo violin joins which is Ren, seeing how many of the people he's loved being lost into the darkness. It's pure despair for him, until he starts finding the resolve with Selias alone.

Section E (1:41)
This section made me shiver literally when I was making it, not as much the end but the start of it was haunting me for days and I'm so happy with it.  Now Ren is trying is best to defeat Eryndor but to no avail, Selias is hurt in the process as well as his companions while Eryndor lays waste to the world. We hear the choir, organ, brass, strings and winds swell up as the pressure mounts.

Section D (1:41)
Ren decides to give his all and the real fight really begins as he's able to awaken the primordial energy as the vessel for Selias, until...

Section E (2:08)
We have some parts of the battle theme here with Eryndor's low growl in the background. The choirs are here to make it feel more powerful too.

Section F (2:40) 
Ren awakens Helios godform as Selias holds him, and Eryndor cowers in disgust to the blinding light.

Section G (2:52) 
Now both are at the same power level starts dishing out proper damage now to Eryndor, we now hear the proper battle theme in a lower darker key and it works beautifully (for me).

Section H (3:16)
Now this is extended here because it's where the end of the fight would loop pretty much.

Section I (3:50) 
The end pretty much spells the end of Eryndor and the God of Darkness.

One Summer Night - Eryndor's Madness (Medley)

In Our Dreams

www.audioimperia.com
https://www.youtube.com/watch?v=gPNhSa5MIng

This demo uses: GRAVITAS PIANO

Artwork by Darin Leach
Scripting and Programming & GUI Design by Tomas Lobos Kunstmann

"I'm a big fan of Audio Imperia!- Modern composers are being overflown with new sample libraries everyday- very often I have noticed that the quantity takes over the quality- not so in case of Audio Imperia. Even though they are relatively new on the market, they set their bar high- which is to our direct benefit. Their new "Klavier- Red Planet Piano" is an instant secret weapon that gets important placement in my template. Grab them while they are still an "underdog"!" - Mikolai Stroinski - Composer of Witcher 3

Audio Imperia - Klavier: Gravitas Piano: "Sensory Overload" (dressed) by Joanna Pena

A small batch EP filled with subtle arrangements, 
sweeping melodies and emotive endings!
The dramatic contrast of light and darkness expressed
through heartfelt piano and orchestra.

Composed by
Alan Baker

Soulsearcher

Passenger

official demo for 8Dio's new available sample library "Hybrid Rhythms"

ReCyborganization - 8Dio Hybrid Rhythms

Want to learn how to write trailer music? Check out my video course here: https://trailer-music-academy.teachable.com

In Our Dreams

Daniel Beijbom

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