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Last Step

Bonjour! For FOA095 we welcome back hit producer Space 92 to Filth on Acid, bringing his filthiest Game yet. With these 3 rockets blasting through the speakers we are sure to Populate Mars during the trip. So once again buckle up, enjoy the acid. This is Filth on Acid NOW!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Space 92 - The Game

Dreams

Dreams (UMEK Version)

Bells of Notre Dame

you gone?
Free Download: https://hypeddit.com/easthamsam/wherehaveyougone

Where have you gone - Eastham Sam

El Poder de Kong

The Belgium sweethearts Joyhauser are back on Terminal M! Check out the new 4 track ep with their unique Joyhauser sound! (Monika Kruse)

beatport/spotify/vinyl

Joyhauser - Elements

Drumcode starts 2020 with a sterling EP from genre hero Thomas Schumacher, his first on the label after a long association with Adam Beyer.

No ifs or buts, if you’re a techno fan, Thomas Schumacher holds a place in your heart. His 1997 classic ‘When I Rock’ still gets rinsed, he has a vast body of stellar work on his influential former label Spielzeug Schallplatten, including a release from Adam Beyer, and he continues to deliver pin-sharp productions via his Electric Ballroom imprint, including a scorching remix of ‘The House of House’, the 1994 classic from Cherry Moon Trax. The rework was first played by Beyer at Time Warp and has been a 2019 highlight.

He first contributed to Drumcode in 2018 with ‘The Unseen’, a stirring contribution to ‘A-Sides Vol.7’, setting up a maiden EP with ‘Crimson’. Beginning with the brilliant ‘Feist’, it’s a no-nonsense brain melter, as 303 arpeggios bloom and recede, creating a thrilling rhythmic intensity throughout. The title track ‘Crimson’ is crafted around two minutes of tension-building synths, before a beat finally appears and a rasping deep bassline commands the dancefloor. ‘Anker’ brings the rave with eagle-eye focus, unleashing a wall of fierce acid to round out the pack.
“Adam and I have both been producing and playing techno since the early ‘90s. I have deep respect for him as a person and artist. It’s an honour to have the opportunity to collaborate in this way.” – Thomas Schumacher

Crimson

Buy all

Thomas Schumacher — Feist — Drumcode — DC217

RSPKT178 is the long-awaited debut EP from Brennen Grey on Respekt. After a killer remix on Stiv Hey's 'Can't Stop' a year ago, we're hyped to have him back on the label with 3 servings of his signature aural cuisine.
'Carpe Omne' kicks things off with soaring, off-kilter arpeggios and gated vocal fragments, before peaking with a massive, laser-reaching breakdown, then steaming back in with all out mayhem.
'Voice of the Void' continues the eerie theme with gothic choirs and demonic drones, whilst 'Les Dieux' serves as a less melody-driven counterpoint to it's sister tracks, relying on a seismic kickdrum and sparse synth stabs to round out the release.

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.respektrecordings.com'>Respekt Recordings</a>

Brennen Grey - Voice of The Void

Pre-order:  https://www.beatport.com/track/planet-x-original-mix/13922322

https://soundcloud.com/space92 & https://soundcloud.com/the-yellowheads join forces for their latest outing on https://soundcloud.com/reloadrecordsoffical

Bells of Notre Dame

DANIEL LEVAK

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