exp2022

1A Ananda - Xora Na Rave

1B Sebastian G - Like A Dream Master

Artist: Jaeho hwang
Album: Inner-self 
Format: Digital / Tape
Cat.No: CHI038
Master: Justin Randel
Artwork: Jaeho Hwang
Release Date: 1st June 2022

Jaeho Hwang is releasing his second EP, Inner-self, on Chinabot. Combining elements of gabber, industrial rhythms components and experimental music gleaned from ten years in London's electronic music scene, Hwang also uses traditional Korean instrumentation as part of his compelling, original voice.

The literal and spiritual follow-up to his 2019 EP Non-self, Inner-self examines contemporary life through a Buddhist lens. But where Non-self took delight in the glitchy, dissolution of the self in a digital landscape or on the dance floor of a club, Inner-self looks back towards Korea's past, exploring the echoes of past people and cultures in Seoul's modern landscape.

Hwang's desire to reach into the past is personal. In 2020 he moved from London, his home of a decade, back to Seoul to spend time with his mother before her death in 2021, which he calls “the most shocking, sorrowful, and bizarre event in my life.”

In the self-directed video for the lead track Betweenness/사이, archive footage of early 20th century Seoul life is interspersed with Hwang's own daily life, a hundred years later. Many actions remain the same across the centuries – dancing, working, walking down the street. The two time frames are interlinked further with hovering squares of facial recognition technology over the faces from the past, an attempt to use technology to “recognise” people who are ultimately unreachable, but whose culture deeply influences those in Seoul today.

“During this period [of his mothers passing], I was lost in thought of how the deceased affects or changes us who continue to live in this world, what kind of meaning has been left after they have gone,” says Hwang. With its joyful melody piped out on a classical Piri flute, undercut with a dirty, bouncing bass line,  Betweenness/사이warmly embraces living traces of the past.

Traditional Korean instrumentation continues to meet sounds from contemporary clubland throughout the record. On the closing track On the Way to the End, created in the final months of Hwang's mothers life, a tense shiver of  Kkwaenggwari cymbals are punctuated by a clash of the Jing gong, while a post-industrial dirge whirls beneath. The track is the first time Hwang has used his own vocals – his distorted voice becomes a primordial wail of grief and rage.

On Yellow Eardrum, gabber beats and a punching kick drum create a driving rhythm under an otherworldly voice, a sample from master shaman Dae-rye Kim. Born in 1935 on the island of Jindo, Kim believed she could cleanse the souls of the recently deceased, as well as their living relatives, through her shamanistic singing and ritual practice she had learned from her mother. Similarly, Inner-self creates a space of communion between the past and present, making for a cathartic, timeless record.

About Jaeho Hwang
Jaeho Hwang is a London/Seoul-based DJ, producer, and visual artist who recontextualises traditional Korean instrumentation and brings it into the contemporary club music scene. After releasing his first EP on Chinabot in 2019, he has been featured in DJ Mag, BBC Radio 6 Music, 4:3 Boiler Room, XLR8R, DUMMY Magazine and Mixmag Korea. Now based primarily in Seoul, he is involved with Seoul community radio and Nek-O Future Club.

Inner-self

Betweenness/사이

Jaeho Hwang - Betweenness/사이

@galtier

Galtier makes his second return to his own label with a 5-track offering of off-kilter, obscure electronic madness aptly titled 'Imitation Plantae'. Inspired by the idea of man-made imitations attempting to capture the essence of natural beauty. Galtier's take on this very concept manifests itself through the ever-present sense of unease that is evident across all five tracks. The melodies drift in and out of tune, ever so slightly, ultimately sounding pleasing but always fleeting in their general aura of pleasantness. A showcase of Galtier's breadth of confidence across a huge span of BPMs and rhythmic influences that is showcased on his sophomore NHS release, reflecting the sense of uncertainty conveyed through the Intentionally awry mood throughout.

The EP itself is a distinct shift, once again, in gears off the back of his debut LP on Infinite Machine, which encapsulated the journey into one's own existence and presence in a vast world that is, to this viewer, connected on an atomic and deeply spiritual level. This decidedly stark difference in output originated as an attempt to play contrarian to his own 'style' of productions - Setting out to prove that he is capable of branching out once again into a new, confused realm that steers away from theatrics and hones in on sharp, digitized and overtly computer-programmed aesthetics.

Imitation Plantae EP

Buy EP

Galtier - Exhalation Of Blood

Tresor Records is proud to announce 333 Mirrors from Torus, the artist alias of Joeri Woudstra. Coupled with its catalogue number 333, it indicates the large-scale conceptual thoughts behind the record, typical of Woudstra's practice. As an artist, he sets out to frame re-interpretable references that trigger some subconscious recognition in listeners, with no set way to interpret them but leading to singular feelings and thought processes. The effect, a combination of static electronic sounds and looser field recordings, speaks to each listener differently. 

333 Mirrors is, in part, the continuation of a project called These Cars Do Not Exist, made with videographer Mark Prendergast during the Covid-19 limbo. The live performed short film sold out selected popup cinemas in 2020 in a short sprint of shows. Two of the tracks on that project, Sound of the Drums and Chroniko, are re-imagined on 333 Mirrors, emanating as versions created in live performances. Set to be released as a single, Chroniko VIP will be accompanied by an enduring theme from that project, the three-winged bird, this time deceased. On 333 Mirrors, in exploring the ambient, stretched sonic universe of this project more, Woudstra moves from these three-winged birds to the phoenix, finding a rebirth on the b-side with tracks that inhabit a similar sound as Deep Mid, Torus's inclusion on the recent Tresor 30 compilation. 

The sound of Torus places importance on the multi-faceted approach to sampling, pushing the idea behind the practice beyond usual boundaries. How to break the unwritten rules? Woudstra looks within by resampling previous Torus releases and reverse-engineering the sounds of the most revered pop and electronic musicians alive today, references that trigger recognition, melancholy and nostalgia in the listener. 

3000 Mirrors features a staccato arpeggiating rigid pattern, the sonic effect of standing in front of a strobe until it becomes the anchor. Silence and interruption are used as a device to explore the physically uncomfortable, more the central compositional tool than the disrupted harmonic structures.

Woudstra has never stepped foot in Tresor, so when writing this record, an enduring question spoke to him, what is Tresor when you have never been? How do you sample the essence of an unknown location? The closing track, Omnia, is the sound of anticipation, where the rave beckons. This imagined industrial space is calling for you.

https://tresorberlin.bandcamp.com/album/333-mirrors

333 Mirrors

Sound Of The Drums VIP

BANDCAMP

Torus - Sound Of The Drums VIP

Tresor Records is proud to announce 333 Mirrors from Torus, the artist alias of Joeri Woudstra. Coupled with its catalogue number 333, it indicates the large-scale conceptual thoughts behind the record, typical of Woudstra's practice. As an artist, he sets out to frame re-interpretable references that trigger some subconscious recognition in listeners, with no set way to interpret them but leading to singular feelings and thought processes. The effect, a combination of static electronic sounds and looser field recordings, speaks to each listener differently. 

333 Mirrors is, in part, the continuation of a project called These Cars Do Not Exist, made with videographer Mark Prendergast during the Covid-19 limbo. The live performed short film sold out selected popup cinemas in 2020 in a short sprint of shows. Two of the tracks on that project, Sound of the Drums and Chroniko, are re-imagined on 333 Mirrors, emanating as versions created in live performances. Set to be released as a single, Chroniko VIP will be accompanied by an enduring theme from that project, the three-winged bird, this time deceased. On 333 Mirrors, in exploring the ambient, stretched sonic universe of this project more, Woudstra moves from these three-winged birds to the phoenix, finding a rebirth on the b-side with tracks that inhabit a similar sound as Deep Mid, Torus's inclusion on the recent Tresor 30 compilation. 

The sound of Torus places importance on the multi-faceted approach to sampling, pushing the idea behind the practice beyond usual boundaries. How to break the unwritten rules? Woudstra looks within by resampling previous Torus releases and reverse-engineering the sounds of the most revered pop and electronic musicians alive today, references that trigger recognition, melancholy and nostalgia in the listener. 

3000 Mirrors features a staccato arpeggiating rigid pattern, the sonic effect of standing in front of a strobe until it becomes the anchor. Silence and interruption are used as a device to explore the physically uncomfortable, more the central compositional tool than the disrupted harmonic structures.

Woudstra has never stepped foot in Tresor, so when writing this record, an enduring question spoke to him, what is Tresor when you have never been? How do you sample the essence of an unknown location? The closing track, Omnia, is the sound of anticipation, where the rave beckons. This imagined industrial space is calling for you.

Torus - Chroniko VIP

Objekt #5 is the latest instalment in Objekt's eponymous whitelabel series and his first release since his 2018 album Cocoon Crush. Tackling "the slow banger" with a signature flair, he delivers two of his most raucous club tracks to date.

Objekt #5

Bad Apples

all tracks produced, mixed & mastered by @maxdahlhaus
remixes by @lilianechlela @najibmusic @TSUMUTSUMU @xliks
artwork by Luna Woelle

The core of 'A Cracked System' resonates from the urgent need of change and immediate self-care. “It's an EP with ups and downs, surprises and different states of feelings, all wrapped into soundscapes,” says Berlin producer and audio-visual artist Max Dahlhaus about his new EP, which takes a different sonic paths than previous releases 'Short Morrow' (Infinite Machine, 2021) 'Be A Glitch' (Hyperboloid Records, 2021) or 'Glacier' (self-released, 2022) and which was also heavily influenced by the series of lockdowns.

MAX DAHLHAUS - STYMIED CYCLE (T5UMUT5UMU REMIX)

MAX DAHLHAUS - STYMIED CYCLE

We bring you Supreems' Being EP for AM005, a  masterful and moving 5 tracker encompassing many different tones and moods. 

LISTEN/ BUY:
https://airmilesrec.bandcamp.com/album/being-ep-am005
https://ffm.to/being

Vinyl coming soon x

https://soundcloud.com/supreems <3

Buy Digital

AM005 // Supreems - Being EP

Premiering "Yes Track" by HomeSick taken from "Bolt" EP out on June 13th on bandcamp and June 17th globally via Defrostatica Records.

Pre-order: https://homesick89.bandcamp.com/album/bolt-ep

Calgary’s HomeSick is a Red Bull Music Academy alum. He toured around the world as an advocate for Canada’s cutting-edge music and arts movement, appearing at Sonar Music Festival in Barcelona as well as Canadian festivals Shambhala and Bass Coast. In 2020 he turned to using machine learning and AI in his work which were championed by Boiler Room. This led to support from the Canada Council for the Arts and CBC in developing Isolation Tape, an AI-powered exploration of liminal spaces. With the Bolt EP he follows up his then DJ Mag praised Burnout 2099 EP on Defrostatica and presents 3 new heavyweight bass tracks in the tempo range of hip hop and drum & bass.

Defrostatica Records is home to artists as Sinistarr, HomeSick, Detroit’s Filthiest, Greazus, Sun People, Kiat, Digital, Anna Morgan, BSN Posse, Kabuki, Yazzus, Dispondant, Jon1st, Agzilla, Maltin Worf, Arcane, Champion Sound, DjBadshape, Schmeichel, Jermaine Soul and others. While the Leipzig based label is determined to blur the boundaries between jungle, footwork, juke and drum and bass from a DJ point of view – the artists from USA, Canada, UK, Austria, Spain, Germany, Iceland and Singapore are each representing a refined sound identity within their cultural and musical context. This dynamic of diversity, inclusivity and mutual influence marks the DNA of Defrostatica.

Links:
HomeSick
https://soundcloud.com/foreverhomesick
https://linktree.homesick89.com
Defrostatica
https://soundcloud.com/defrostatica
https://defrostatica.bandcamp.com
https://www.instagram.com/defrostatica
https://twitter.com/defrostatica

Bolt EP / DEFR007

Bolt EP

bandcamp

[Premiere] HomeSick - Yes Track (Bolt EP out on now via Defrostatica Records)

B1. A Dream Called Life

A4. Transmission

Hiding nowhere, there is supposed to be more...
ljj555998 aka moremore
One of FunctionLab's resident DJ.
moremore is good ep coming soon

releases June 24, 2022

moremore is good

Pre-order

[FL022][Premiere] ljj555998 - moremore is good

Isolation 2022
001
B E N N - Mazu Pilgrimage

https://soundcloud.com/bedoublensound
https://bedoublensound.bandcamp.com/
https://twitter.com/bedoublensound
https://www.instagram.com/bnnw_tw/
https://ra.co/dj/benn
https://www.facebook.com/bedoublensound

Artwork by phhhyu 
https://www.instagram.com/phhhyu/
https://www.phhhyu.net/

exp2022

DANY$AL$VS