Name: Dubphonic feat.Céu | Afronauta by daninaativa in Eclectic
Duration: 4 min 47 s
Description: Versões da cantora brasileira Céu que você não encontra em qualquer lugar!

A playlist mixing trip hop, electro, dub, psy and other

Eclectic

The twelfth record in our Brazil 45s series - http://www.mrbongo.com/products/elza-soares-mas-que-nada-elizabeth-vou-falar-lhe-francamente-7

A. Elza Soares - Mas Que Nada
AA. Elizabeth - Vou Falar-Lhe Francamente

Elizabeth - Vou Falar-Lhe Francamente

why do u think of me*

Unreleased track from the album Drop A Three.

Download it for free !

Ouhlala

BRZ45.042 – http://www.mrbongo.com/products/claudia-jesus-cristo-ossain-7

Another double A-side from leading lady of the Brazil 45’s series, Claudia.  Two more big hitters from her Jesus Cristo LP:

‘Jesus Cristo’ is the title track from LP. Brazilian Gospel-funk-soul at it’s finest; uplifting piano, organ, bass, drums and claps, with Claudia’s lead vocal and backing harmonies from a full choir. Also originally released on an Odeon 7” in 1970, backed with the mighty ‘Com Mais De 30’ that we released on Brazil 45, 26.

‘Ossain’ is a beautifully unique MPB/samba-rock work out, featuring one of the most distinctive vocals hooks in Brazilian music. This is the first time the song has been released on 7”

BUY VINYL

Claudia - Jesus Cristo

BIXIGA 70 (2011)

01. Grito de Paz (Mauricio Fleury / Ben Lamar) 04’26”
02. Luz Vermelha (Mauricio Fleury) 04’26”
03. Tema di Malaika (Mauricio Fleury) 04’07”
04. Mancaleone (Marcelo Dworecki / Kika) 04’58”
05. Zambo Beat (Décio 7 / Kika) 06’16”
06. Balboa da Silva - homenagem a Nilson Garrido (Cris Scabello) 04’19”
07. Desengano da Vista (Pedro Santos - EMI) 06’45”
08. Balboa Dub (Victor Rice / Bixiga 70) 04'25
09. Dub di Malaika (Victor Rice / Bixiga 70) 02'53"
10. Dub Vermelho (Victor Rice / Bixiga 70) 05'02"
(Tempo Total 47'40")

Décio 7 - bateria;
Marcelo Dworecki - baixo;
Cris Scabello - guitarra;
Mauricio Fleury - teclado e guitarra;
Rômulo Nardes - percussão;
Gustavo Cecci - percussão;
Cuca Ferreira - sax barítono e flautim;
Daniel Nogueira - sax tenor;
Douglas Antunes - trombone;
Daniel Gralha - trompete.

Produção musical: Victor Rice, Decio 7, Cris Scabello e Mauricio Fleury - Produção artística: Thiago Cury - Gravado no estúdio Traquitana e Mixado no estúdio Copan por Victor Rice - Masterizado no

Tema di Malaika (Mauricio Fleury e Bixiga 70)

Artiste : R;ZATZ
Titre : Cruel Summer 
Format  : Digipack / Digital - FX103
Sortie  : 27 Février 2012
Genre : Indie / Trip Hop
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http://www.myspace.com/rzatz
http://www.facebook.com/pages/RZatZ/49509013273
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Forte de deux productions, de collaborations et d’expériences scéniques nombreuses et variées, R;Zatz revient en force en cette fin d’année avec son nouveau projet, « Cruel Summer ». Après « Will we cross the line ? » (2008) et « Vagina Rush » (2010), le projet d’un nouvel album mûrit donc dans les esprits de Takeshi (Guitare), Marilou (chant / basse), Mathieu (batterie) et Céline (claviers / choeurs).

Sur «Cruel Summer», peu d’invités, mais 4 musiciens en accord parfait. Loin de la froideur de «Will we cross the line ?», ce nouvel album est définitivement plus mélodique, flirtant avec une certaine simplicité qui sublime chaque intervention de ses protagonistes. Si les influences trip-hop, indie sont indéniables, une certaine sérénité se dégage . Il fait chaud cette fois. Pj Harvey, Shannon Wright ou les guitares rétro de The Notwist auraient elles eu raison du groupe ?

Il suffit de poser l’oreille sur le titre éponyme, qui ouvre l’album pour appréhender les contours du nouveau chemin tracé par la formation. On imagine la beauté charnelle d’un paysage aux couleurs pastel (Cruel Summer, Dark Brown Eyes). L’émotion est palpable.
Les riffs de guitares, lancinants, relèvent parfaitement la voix de Marilou, sensible, fragile (Stormy). Les nappes synthétiques, les xylophones en demie-teinte, les textures électroniques réapparaissent comme autant de clichés usés par un soleil brûlant. Puis la pâleur de ce matin estival laisse place au noir, au rouge sang (Flower in the Heaven), la résignation, la nostalgie s’estompent face à la détermination, la colère (U Got Me, Take a Look in the Mirror...).
La voix de Marilou devient puissante, prégnante, comme possédée (Ordinary Chronicle).

R;Zatz a des choses à dire, des comptes à régler. Cet album en est le manifeste. Au fil de cette histoire épique, la proie devient prédatrice. La batterie, tantôt claire et lointaine prend toute sa place, le beat devient lourd. La basse que l’on connaissait ronde et omnisciente devient entremetteuse des interventions de notre chanteuse.
La guitare, les claviers se font evanescents. Black Sifichi s’invite sur «Dark Brown Eyes» (morceau également disponible sur FX100), devenant ainsi l’icône fantasmée de cet été cruel. «Cycles stream», (invitant Takeshi au chant) nous emporte au coeur de l’entité R;Zatz, comme pour mieux en comprendre l’essence, rappelant avec justesse l’univers décalé de Leïla, où l’excellent Juniper de Filastine y La Bamba.

Très homogène, cet album est donc un subtil dosage des individualités du collectif. Aussi tendue qu’inattendue, R;zatz sera prête à défendre cette nouvelle oeuvre sur scène pour une tournée en mars/avril 2012.


R;Zatz - Cruel Summer - 02 - U Got Me

Mulatu astatke

From "Underground Wobble"

In 2005, the album Wave Digger paves the way for two years of tour in France and worldwide, multiplying encounters and collaborations (Wangtone with Wang Lei, Zentone with Zenzile, Re-Processed remixed by their mates) and diffusing their tribal electro-dub, blending heavy breaked bassline and nervous scratches. They come back in 2007 with "Underground Wobbles" : their fourth opus seems more calm, far from Jungle, Hip Hop, Electronica or Dub experimentations, typical of Wave Digger. Entering more downtempos spheres, machines and programmation left space for instruments. Narrative and often complex compositions absorb the listener in a psychedelic and misty trip (Understellar, Round Trip...), highly-seasoned here and there by nervous and fickle tracks (Freakency, Ask The Dust, Speed 110).

As far as harmonies and melodies are concerned, they evolved too, taking High Tone to a sound more accomplished than ever, recognizable anywhere, possessed by teeming influences... To cut a long story short, with his so personnal style, High Tone mixes with a disconcerting talent electronic musics, ethnic samples and surgical scratches. Underground Wobble assert itself as the cornerstone of the works, in constant evolution, of a group tirelessly guided by clearing up new horizons, by the opening of new ways, with as line of sight the willing to never paraphrase oneself. That state of mind is the privilege of the great and the good. 

High Tone - Glowing Fire

Faixa de 2010 lançada no álbum "Geração SP" e produzida por Gustavo Ruiz.

Luísa Maita - Neblina

First track of the new album Think About Your Future Now available on January 2013

The way of samouraï

Stream and download https://backl.ink/junglebrownikoja

Taken from the forthcoming album, 'Full Circle', on Mr Bongo https://www.mrbongo.com/products/jungle-brown-full-circle-vinyl-lp-cd

Full Circle

Stream/DL

Jungle Brown – Ikoja ft. Eldé & Ka(ra)mi

Supafuh invited JoBee to collaborate on some music he made, and this song WORDS is the fruit of their meeting in studio in Orleans already 2 years ago! 
Little preview of what you can expect to come on SupAfly Mixtape *

www.supaflycollective.com

JoBee Project
www.jobeeproject.com
*
Supafuh
http://flavors.me/supafuh/
*
Visual by Maria Rutkowska (Poland)

http://mariarutkowska.com/

Credits : 
------------ 
Composed & Scratched by Philippe Denni a.k.a Supafuh 
Written and Performed by JoBee Project 
Electric Bass by David Hazak 
Recorded, Mixed and Mastered by Supafuh@Polysonik

Release date: Nov 20, 2012 


Supafuh & JoBee Project - Words [Album Version]

Criolo e Mulatu Astatke

Versões da cantora brasileira Céu que você não encontra em qualquer lugar!

Dubphonic feat.Céu | Afronauta

daninaativa

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