My 2017 Playback # Electro #Diephuis #Dub #Techno #Ambient

This is a live recording, captured at Ego club in Düsseldorf, June 5 1999.  The music has been created with a self written step sequencer, the PX-18, controlling  a basic sample player and effects engine, all done in MaxMSP, running on a Powerbook G3. The step sequencer had some unique features, e.g. the ability to switch patterns independently in each track, which later became an important part of a certain music software.

I found the recording on a backup disk today. It has not been edited or mastered. During the first 20 minutes of the set, and before the 'encore' the Monolake CD 'Gobi' is playing in the background. 
 

Monolake Live at Ego Düsseldorf June 5 1999

Rrose has found her own niche in the American techno underground. Her hypnotic tracks incorporate ideas from ambient and minimalist music as prominently as they do the history of dance music, operating in the same fruitful cross-section between techno and the abstract as many other Further Records releases. Rrose’s debt to experimental music has never been more obvious than on September 20, 2012, when he performed James Tenney's "Having Never Written A Note For Percussion" live in Washington, DC. The simple yet colossal piece is one of that American composer's most famous works, requiring the performer to play one percussive instrument constantly, taking it from the quietest point to the loudest and back again. Done well, it's a fascinating exploration of tone, volume and decay, and a showcase for drone music's unusually transportive powers. 

"Never Having Written A Note For Percussion" has always been a personal favourite of Rrose's. He was struck with the inspiration to try it out after touring a disused trolley tunnel beneath downtown DC, where the possibilities of "seemingly endless and unpredictable reverberations" seemed like the perfect environment for Tenney's composition. He made a 32-inch gong played with two mallets the central device of his performance, creating a towering leviathan of sound capable of the softest highs and the deepest lows. It’s a vastness that comes across especially well on the live recording of that 2012 performance, a breathtaking 30 minutes that seems daunting at first but moves with a grace as easy as breathing in and out. 

What makes Rrose's take almost definitive is not only does he stretch out the piece to 30 minutes beyond its usual 8-12 minute duration, but even more importantly she offers two versions made in two very different settings. The A-side of the 12-inch features a performance recorded in a studio during his practice sessions. Dry and mic’d up close, its almost stuffy quality is the direct opposite of the live version, like it’s coming from inside your head where the live-recording B-side surrounds you with the booming sound of the gong. That duality makes for a valuable insight into the power of Tenney’s original composition and its wide-open potential for interpretation. "Never Having Written A Note For Percussion" is a powerful study not only in minimalist composition but the importance of the room and environment that a performance, or just pure sound, takes place in, and a potent example of the kind of experimental tendencies that make Rrose one of techno’s more fascinating figures.

Having Never Written a Note for Percussion (Studio Version)

Giegling Mix 02 - Prince of Denmark - this is not...

Download available here: http://boilerroom.tv/recording/dj-harvey/

DJ Harvey Ray-Ban x Boiler Room 007 Milan DJ Set

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Four

Buy 12"/DL

Ólafur Arnalds & Nils Frahm – Four

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Wide Open

Ólafur Arnalds & Nils Frahm - Wide Open

Solid Steel in association with Serato (1st January) We kick off the New Year with Seb Wildblood and a mix to ease you in after the night before. He told us;
"I run a small South East London based record label called Church, over the last three years we've released artists such as FYI Chris, Laurence Guy, Ishmael, Chaos In The CBD amongst others. The greatest joy for me aside from writing music is introducing people to music. Over the last couple of years I feel I've began to make exactly what i want to be making and am now comfortable playing some of my own tracks in DJ sets, this a new and really exciting feeling for me. With this in mind I decided to focus the mix mainly on my own productions and forthcoming material from Church, it also includes a few records of the moment I couldn’t resist adding in, featuring Ross From Friends, Leif, Mall Grab, Takuya Matsumoto & More. The mix was recorded at my home from home, Corsica Studios."

The Solid Steel website http://solidsteel.net/ for track lists and archive shows.
You can follow Solid Steel on  facebook.com/pages/Solid-Steel/175027509192663
instagram.com/solidsteelradio
twitter.com/SolidSteelRadio

Hour 1 - Seb Wildblood  https://twitter.com/sebwildblood

Tracklist unavailable 

Solid Steel Radio Show 1/1/2016 Hour 1 - Seb Wildblood

Lane 8 - Midnight

http://www.littlewhiteearbuds.com/podcast/lwe-podcast-152-prince-of-denmark

LWE Podcast Series

LWE Podcast 152: Prince Of Denmark

@rossfromfriends is the emotionally-charged house producer making an Impact

Q+A and tracklist: http://mixmag.net/feature/impact-ross-from-friends

Full Impact feature

Impact: Ross From Friends

@churchuk, @allmythoughts, @coastal-haze, pals & i

100% forthcoming material (2017)

Giegling Takeover at Dublab. Any problems with this being here, please message me and I will take it down.

Dublab | Giegling Takeover 08 02 2017 & Vril ‎| Anima Mundi

DJ Dustin for The Bunker NY on RBMA radio. 

Any problems with this being posted, just drop me a line and I will take it down.

Tracklist
1 Kettenkarussell – Derive Giegling
2 Leafar Legov – Untitled Giegling
3 Christopher Rau – Untitled Giegling
4 Prince Of Denmark – Untitled Giegling
5 Prince Of Denmark – Untitled Giegling
6 Vril – Haus Giegling
7 Vril – Regulus Giegling
8 N/A – Untitled Giegling
9 N/A – Untitled Giegling
10 Traumprinz – Believe Giegling
11 Edward – Birds Giegling
12 Edward – Miracle Steps Giegling
13 Kettenkarussell – Untitled Giegling
14 Prince Of Denmark – PeaceForum
15 Kettenkarussell – Untitled Giegling
16 Kettenkarussell – Your Hands Giegling
17 Kettenkarussell – Everything Giegling
18 Jacques Bon – See & Feel Giegling
19 Leafar Legov – Walk With Me Giegling
20 N/A – Untitled (Edward Remix)Giegling
21 DJ Metatron – Where Is Home Giegling

Planet Giegling | DJ Dustin Bunker NY Feb 2017

More info: https://www.youtube.com/watch?v=wovUXXfmVBU

Vril - Untitled [Giegling]

Reprezent are proud to present the full live and uncut epic 6 hour DJ set that Jamie xx undertook on March 12th 2017 as part of the 'Night + Day Brixton' festival that accompanied The xx's record-breaking 7 night residency at London's award-winning Brixton Academy.

Reprezent broadcast the whole show and this is the full recording from the event.

Listen to a selection of radio shows from 'Night + Day Brixton' from Reprezent's Soundcloud /reprezentradio

Follow us on Twitter @reprezentradio
Follow us on Instagram @reprezentradio
Follow us on Facebook /reprezentradio

Jamie xx | Live from Brixton Academy | Reprezent 107.3FM Part One

Here's the recording of the first 3 hours of my all night dj set at Pickle Factory last may in London. It was a great Sunday party event.
Pt . 2 will follow soon.

Thanks
JT

John Talabot @ Pickle Factory (14-5-2017, London)Pt. 1

LIVE CUT (3h Sunday Lake Closing Set)
hi5 to the nachti fam ❤  @hw-rhapsody, @strichkreis, @steffenbennemann and all good people 
￣￣­­­­­­￣￣­­­­­­￣￣­­­­­­￣￣­­­­­­￣￣­­­­­­￣￣­­­­­­￣￣­­­­­­￣￣­­­­­­￣￣­­­­­­￣￣­­­­­­­­­­­­￣­­­­￣­­­­￣￣
MANAMANA AT NACHTDIGITAL 20 (AUG 6 - 2017)
__________________________________________­­­­____­­­­­­­­__
Download: http://bit.ly/2vV8lwe

FOTOGRAFIE: Anke Guderle 🙂
BYE BYE SEE YOU NEXT YEAR

Manamana - Live At Nachtdigital 2017

Check out this mix's track list and our interview with @cocoonrecordings boss Sven Väth here: http://bit.ly/GrvCD76

Groove CD 76 - Mixed by Sven Väth

Tracklist

miss u
Ø Festival (Denmark) 
<3  subs.dance / giegling

DL: https://bit.ly/2r3Zd3Q

Manamana - ø - 09/2009

Ancient Methods [ Ancient Methods / Downwards ] Germany

1.Philip Jeck – All That’s Allowed (Autofact)
2.Kevin Drumm – Grace (Hospital Productions)
3.Chris Korda – Save The Planet, Kill Yourself (Gigolo)
4.Deecoy – Abide (Udek Music)
5.Khixxbrr  - Digeridont (Northern General)
6.Fishermen – Dhow (Skudge White) / Villalobos & Lodebauer – Rekondakion (ECM)
7.Vromb – Variation (Hymen)
8.D.Carbone – (Metem Psychosis) (Repitch)
9.Mike Dred – Phelix (Marguerita) / Shelley Parker – Power Station (Structure)
10.G-Man – Northern Tribes (Swim) / Surgeon – Posture (Ideal Trax)
11.Fangshi – No Living Thing Paul Damage Remix (Round Records) / Mondkopf – 33000 12.Bells (Perc Trax)
12.BBS – Joyride BBS Remix (R&S) /Teatro Satanico – Ulrike Meinhof (Treue um Treue)
13.Ultradyne – War Drum Live (SCSI-AV)
14.Northern Structures – Session02 (Sonic Groove)
15.Henry & Hazel Slaughter – Sideways Gas Washer Track3 (American Tapes) / Pete Swanson – Punk Authority (Software)
16.Sole Tech – Jit The Anthem High Density Mix (Detrechno)
17.BMB – Dead Sun (Liberation Technologies) / Alberich – Idealogically Weak (Hospital Productions)
18.Polar Inertia – Major Axis (Dement3d)
19.Container – Refract (Spectrum Spools)
20.Max Duley – Raw (Knee Deep)
21.Traversable Wormhole – The Wormhole Nexus Monolith Remix (Traversable Wormhole) / Ondo – Forrest (Paradigms)
22.Radial – Caveman Sawf Remix (Audio Assault) / Bad Sector – VLBI (Old Europa Café)
23.Vainqueur – Lyot Maurizio Mix (Maurizio) / Regis – Broken On The Wheel (Downwards)
24.Mass-X-Odus – Gang Wars (Foundation Sonore)
25.Keith Fullerton Whitman - Twin Guitar Rhodes Viola Drone  (Kranky) / Rome – The Night Born (Trisoil) 
26.Bocksholm – Forging Hammers (Wrotycz) / DRH – CRS 4.0 (Curse)
27.Sosak – Editorial (Overlee Assembly) /  Andrew Lewis  - Mirror Fragment (Blackest Ever Black)
28.Forward Strategy Group – Mandate Sawf Remix (Perc Trax)
29.Paula Temple – Cloned (R&S) / Atom TM – The Sound Of Decay (Raster Noton)
30.Tomohiko Sagae – DSPS (HueHelix)
31.AFX – Isopropophlex (TVT)
32.Burial Hex – Final Litany (Cold Spring)
33.Flutwacht – Rostgeschmack (Steinklang) / EDMX – Cerberus (Power Vacuum)
34.Shifted – Unveiled (Our Circular Sound) / Maria Zerfall – Toten Zone (Membrum Debile Propaganda)


www.ancientmethods.com
www.facebook.com/SmokeMachineOfficial

My 2017 Playback # Electro #Diephuis #Dub #Techno #Ambient

DANNY- AFCA cbs