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Introduction

The Day the Clocks Went Silent is a progressive concept album that explores humanity’s fragile relationship with time — and what remains when that relationship collapses.
Across twelve interconnected songs, the album follows an emotional, philosophical, and sonic journey through silence, chaos, awakening, and acceptance.

It begins with a single moment: the instant the world’s clocks stop ticking.
From that frozen second, the story unfolds through dreamlike reflections, surreal landscapes, and the inner echoes of a civilization learning to live without measurement — discovering the pulse of life beneath the tyranny of time.

Each track represents a stage of this collective awakening, blending field recordings, ambient soundscapes, orchestral textures, and expressive guitar work reminiscent of Pink Floyd, King Crimson, and Steven Wilson.
The album moves from tension to release, from disorientation to catharsis — ending in peaceful infinity, where time and sound merge into one.

The Concept & Narrative Arc

The album is divided into three conceptual movements — Collapse, Awakening, and Transcendence:

I. Collapse (Tracks 1–4)

Time stops.
The opening tracks (“Prelude,” “Fractured Hours,” “The Weight of Seconds,” “Ghosts of Routine”) depict a world unraveling.
Mechanical ticking fades into silence as people struggle to live without rhythm — haunted by routines that no longer have meaning.
The music is tense, surreal, filled with field recordings and experimental time signatures, symbolizing a fractured world.

II. Awakening (Tracks 5–8)

The silence deepens into introspection.
Songs like “A Silent Parade,” “The Sun Forgot to Rise,” “Chronos Sleeps,” and “Voices Through the Static” explore the psychological and metaphysical collapse of human order.
Time’s god, Chronos, dreams — and in his sleep, reality bends.
These pieces blend psychedelia and ambient textures with philosophical lyrics and cinematic spoken-word passages, evoking a trance-like descent into the subconscious.

III. Transcendence (Tracks 9–12)

From silence, understanding emerges.
“Beyond the Ticking Sky,” “The Return of Sound,” “The Clockless Dream,” and their motifs reveal a rebirth — humanity realizes that time is not a prison, but a pulse of existence.
The ticking returns, but now as the heartbeat of life, not as a chain.
The final track dissolves into complete stillness, suggesting enlightenment — or perhaps the final moment before the dream ends.

Philosophical Core

At its heart, The Day the Clocks Went Silent asks:

“If time stopped — would we finally begin to live?”

It questions our dependence on structure, measurement, and routine — suggesting that true consciousness may emerge only when the illusion of time collapses.
The silence between seconds becomes a metaphor for awareness, presence, and the rediscovery of meaning beyond linear existence.

Sound & Aesthetic

Musically, the album fuses:

Progressive Rock’s narrative ambition and shifting time signatures.

Psychedelic textures — reversed sounds, ambient drones, field recordings.

Art Rock’s cinematic scope, with orchestral and electronic arrangements.

Classic Rock emotion, featuring expressive guitar solos in the tradition of David Gilmour and Steve Hackett.

Experimental and cinematic production, blending organic and synthetic soundscapes into one continuous experience.

The album is designed to be listened to in full — a single arc that transforms sound into silence and back again.

Closing Statement

The Day the Clocks Went Silent is not just an album — it’s an existential reflection disguised as sound.
It captures the collapse of order, the beauty of uncertainty, and the rebirth that follows.
By its end, the listener stands where the journey began — but changed, hearing the world anew.

“In the silence, we finally heard ourselves.”

The Weight of Seconds

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Two Stars ✦3 | Alternative Rock

Canción principal del nuevo album "Pura Sal" por Redimi2 con Funky y Alex Zurdo

Pura Sal   Redimi2 Feat Funky  Alex Zurdo (2017)

Be Alright

Since winning over millions of hearts on season 8 of American Idol in 2009, Grammy nominated Christian singer singer/songwriter Danny Gokey has been soaking up the essence of the human condition and pouring it into various musical expressions across five studio albums, starting with his 2010 debut album, My Best Days. 

Known for the “grit” in his expressive vocals that fuse “soulful, hopeful, pop,” the one-time truck driver from Milwaukee has amassed Billboard chart success, toured the country with big band acts like Sugarland, and earned numerous awards and accolades that confirm his mainstream appeal.

For the follow-up to his 2017 acclaimed album Rise, the Capitol recording artist released Haven’t Seen It Yet, on April 12th, 2019. The album debuted at #1 on the Billboard Top Christian & Gospel Chart.

Inspired by his father’s collection of Motown records at a young age, Gokey found his voice “when I was making my ‘Hope in Front of Me’ record in 2014.” Today, the accomplished musician stands stronger and wiser than he was when he recorded his debut album, and the heartbreak and rejection that tend to colorize the life of an artist also helps shape the experiences that “play into knowing what people like and what they don’t like” and how to translate that into songs and storytelling. 

“When you have a lot more experience, you have the ability to talk about more things from an experiential place. I think that’s what makes songs good, experience and telling stories, and I applied that to this record. Music that makes the most impact is when you are thinking about the listener, and you are thinking about how can they relate to the subject I am talking about; and all that growth has gone to the album.”

The married father of three with another baby due in August 2019 bounced back from tragedy in 2008 when his first wife died four weeks after his American Idol audition, and life after the music competition series proved quite challenging. Gokey achieved yet another milestone with his first number one single for the resonating song “Hope in Front of Me” - and it came 5 1/2 years after hitting the American Idol stage. 

“I can only credit God for making me get this far today.”

Gokey used his unwavering devotion to Christ to explore a different direction for his latest effort, which arrives in April; choosing to convey a wider array of emotions to “keep people motivated who feel like they are in a situation that’s tough.”

“Haven’t Seen It Yet is saying, hey, you are closer to the change than you think you are, so don’t give up yet. Don’t go bitter. Don’t get discouraged. There’s things happening that you can’t even see, and you are going to come out on top.”

“Fighter” is another track on the album which encourages those “going through a tough time” to keep the faith and never give up. 

This new project also explores for the first time “my love for my children, my family and my wife” which Gokey had not done on a previous album. 

“The sentiment of the record was to entertain and to bring hope.”

Gokey lends his free time to bringing “hope” to homeless families through his Better Than I Found It foundation. The organization is a “massive part of my career,” as is his eyewear line, Danny Gokey Eyewear. 

“My biggest inspiration has been life itself. Walking through circumstances and being around people who have just kept positive attitude to evolve through tough times.”

Gokey is currently on tour previewing his new material for fans while “starting to look at life from a different place because I want my children to have a good life. I want to be a good voice for people to follow when it seems pretty dark.”

Be Alright

Danny Gokey

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