A structured improvisation for percussion and live electronics created by Max Riefer (percussion) and Peter Ivan Edwards (electronics).

Schwarze Sehnsucht

When you contemplate the waters
at daybreak, you can hear
the lotus blossom.
—Kyokusai

For those working to rebuild, following Typhoon Haiyan

Performed by the Yong Siew Toh Conservatory New Music Ensemble
Chan Tze Law, conductor
13 November 2013, Esplanade Recital Studio, Singapore

When You Contemplate the Waters, for chamber orchestra (2013)

A piece for Shakuhachi flute and my set of percussion; part of the recording of 11 tracks for the album of Shiho Yabuki. Japan, february 2013.

風の戯れ

46_P_5

Text Autorin: Gina Mattiello
Copyright reserved to La Petite Ecurie. 
Premiered SWR Kultur Radio Germany
27 May 2025 

This work reflects on agape—unconditional love—through sound, language, and play.
The sarunay, a toy metallophone from the southern Philippines, sings in bright, bell-like tones. Its
voice is delicate yet resonant—childlike, joyful, and unburdened. In its simplicity, a quiet
emotional clarity emerges, echoing love that gives without condition.
German and Spanish voices form the main spoken texture. Alongside them, a Filipino crowd is
heard at play. “Bato, bato, pik”—rock-paper-scissors—begins the game. “Dirediretso na 'yan”—
there’s no turning back. “Final na 'yan, hindi na trial 'yan”—this is no longer a test, but a truth.
Here, agape is not pronounced. It is sensed. In metal and voice. In play and promise. In the quiet
plea: listen to me with your eyes.

Taya for electronics

"This Is My Story"
Composed by Jungee Marcelo
Arranged & Produced by Marvin Querido
Vocals by Elke Saison-Ortiz & Thor Dulay
Guitars by Ardie de Guzman
Recorded, Mixed & Mastered by Angelo M. Rozul

This Is My Story

Drew Alexander Forde, viola
Joshua Cerdenia, piano

http://joshuacerdenia.com/music/air-for-viola/

Excerpt: Air, for viola and piano (2015)

NEITHER HERE NOR THERE. Composed 2017 for Marilène Provencher-Leduc.

Performer:
Marilène Provencher-Leduc (alto flute)

Recorded on 08 August 2017 at the Centre for Interdisciplinary Research in Music Media and Technology, Montréal.
Recording engineer: Takuto Fukuda

Photo: Vincent Doré-Millet

Ni ici, ni là-bas (for alto flute) [2017] - studio recording

Pronto 2 MIDI

Danny Imson

Orchestra Reading Rehearsals
Conservatory Orchestra: Yong Siew Toh Conservatory of Music
Orchestra Hall, YSTCM, Singapore
February 2012
conductor: Danny Imson


Daluyan (Channels)

An experiment with 6 sine wave oscillators

Waves 1

Danny is a Singapore-based Filipino composer whose music blends contemporary techniques with inspiration from Filipino traditional materials. His works have been featured at festivals including the Cheltenham Music Festival (UK), Impuls Academy (Austria), Donaueschinger Musiktage (Germany), and the Synthetis International Summer Music Course (Poland). He was recognized among the top winners by the Goethe-Institut at the Young Composers in Southeast Asia Competition and Festival.

Trained in composition at the Yong Siew Toh Conservatory of Music, National University of Singapore, Danny is currently pursuing MA/PhD research at the University of Birmingham. In Singapore, he performs with the Sari-Sari Philippine Kulintang Ensemble and conducts the award-winning Psalmideo Chorale, bringing Filipino traditional and choral music into contemporary contexts.

Taya for electronics

Dannyimson

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