menino brinca no serviço não !!! bye Dark sideTattoo

essa daqui n tem palavras n p descrever...

All channels recored in Sony Px240 


Master by Akuma
https://soundcloud.com/akumaaa

Forbidden Fruits
Painting by Wess Loudenslager (United-States)

Ferem Fructum

listen and buy the full record at https://pyromaniacwitchcult.bandcamp.com/album/s-v-a-r-t-k-o-n-s-t

SinneSjukan - Under Månens Sken (S V A R T K O N S T EP)

01 -Sucubus inferno - Krugger - 189  ( Morbid Tales )

Undefined Infected Hills

Shadow Of Ideas

Late night wednesday session, Sleeping is secondary

@suronlemon rätt in bara S2

KnoLt S2 M As In Mmmmmmmm S2 [LIVE]

Atmik Shastra - Ritual Will Grant Them What They Want (EKM)

Epitaph

…in the end, even stars choose destruction over life…

𝐭𝐡𝐞 𝐁𝐥𝐚𝐜𝐤𝐦𝐞𝐭𝐚𝐩𝐡ø𝐫 (@xblackphillipx & @nementia-astrophe)

Mixing & Mastering by: Nementïa Astrøphe

Memory and the process of interpretation and representation

Memory is a curious quality, for it shadows the reflection of the image that we hold in our minds, a plastic nature of associative thought experience that is subtracted from its context and that mutates each time it is recalled upon. This capacity of recalling the past becomes itself in a sort of relative necromantic experience, as it summons upon the dead, the banishing shadows of an event that is no longer present, and it uses it to pay tribute to the fulfilment of our needs. 

The transgression of time is the capacity of memory, the liability in which we sustain the very essence of our ego-based personality, as it gathers a notion of identity structured by contextual culture, which implicitly inherits certain models of relation on how to remember things and why to remember certain events (not meaning sociologically, but rather in a phenomenological experience), inquiring deeply into the reasons on why and how is it that we are triggered to this flashback of imaginary and scenarios and how does memory interact or interfere with the perceptual reality of an individual paradigm.

The conscious act of memory is triggered by a stimuli of sensorial quality, a thing on which we react rather than act upon. We decide to externalize the emotion, but for that suspense (that can become eternal or pass as unperceived) between receiving sensorial information and choosing to react accordingly, there is a physiological reaction pulls the body to want to assume certain expressions and gestures. Overwhelmed by an inner abstract force build from the core unconscious nature and expelled through associative/mimetic experience to our own endocrines, muscles and nerve systems. 

Nevertheless, scenarios within the art-related experience, there can be a places of conscious, conducted memory playfulness, as the individual not only lets itself be affected by the experience but also wonders on the sensations caused by the experience and by so, it applies dialogue into the thing that perceives the phenomenological experience, a volitional jump through the atemporalities of time that are being revived in flesh and sometimes even shared socially. The thing with playfulness though, is that it mediates error, it acts upon a model of imagery resemblance and it variates as it is being processed by different backgrounds that ultimately traces a web into the collective subconscious.

The Blackmetaph​ø​r

Mnemosyne Complex

Donate

the Blackmetaphør - Mnemosyne Complex

microstates

galdraz

more music at 

https://blackphillip.bandcamp.com/album/dantes-inferno-inferi
https://akumalive333.bandcamp.com/

https://kamakhyarecords.bandcamp.com/

Shadow Of Ideas

Dante's Inferno

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