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Däschno Häbbschn 01

Ruhig - A2. Eddying

https://www.discogs.com/Prince-Of-Denmark-8/release/9401170

Prince of Denmark - GS

Official Vidéo by Gëinst  https://www.youtube.com/watch?v=zoMj-Qu_6-M

The canopy is the upper stage of the forest, directly influenced by solar radiation. It is sometimes considered as a habitat or an ecosystem as such, especially in tropical forests where it is particularly rich in biodiversity and biological productivity.

ACCENTVA002 released on Accents Records 2017
get the whole VA on Bandcamp

https://accentsrecords.bandcamp.com/album/accentva002-various-artists-002

Canopée (ACCENTVA002)

On Dekmantel 10 years compilation - 07
https://shop.dekmantel.com/release/5801/dekmantel-10-years-07

Dekmantel 10 Years - 07

Time As A River

MZ006_B1: Cio D'Or - Psst

Tresor Records are pleased to present S_W_Z_K, the new project from David Brown aka Swayzak. Whilst the name remains identifiable, S_W_Z_K presents a clear departure from his work with James Taylor who recently left the legendary production duo. Taking cues from the outfit’s heavier live material, Brown — with the sporadic help of long time collaborator and friend Richard Davis — steers S_W_Z_K into deep and spacious techno on this eponymous debut album.

	Before taking different paths in July last year, Taylor and Brown had been producing together since 1997. A union that spawned five studio albums, two high profile DJ comps and stack of genre-spanning EPs, Swayzak became one of the leading figures of !K7 Records, as well as appearing on labels like Force Tracks, M_nus and of course, their own Swayzak Recordings and 240 Volts. But it’s their legacy as a formidable live act that lays the groundwork for Brown’s new direction as S_W_Z_K, turning the pair's chaotic, experimental and textural live aesthetic into a recorded signature that’s energetic, raw and unrestrained.

“The project was to make sonically powerful music that would work in clubs without necessarily making "club music". The tracks are very minimal in the sense that no more than ten sounds were used, giving each track space to breathe.” comments Brown.

	S_W_Z_K is an Intelligent Dance album with Berlin sensibilities. It balances the more pensive, introverted Warp moments like “Elsenstr. 171” and progressive closer “End of the Line Old Boy” with plenty of floor friendly cuts. From the shimmering Basic Channel-hailing opener “31 Techniques” the album plunges into steelier, hydraulic recesses with “Dimanche Noir” before Artificial Intelligence and the Tresor basement collide in “Neukölln Mon Amour”. The remainder of the album continues to reinvent itself, working over a restricted sound pallet and yet culminating in a diverse, rich and intriguing long player. 

S_W_Z_K deftly showcases Brown’s 20 years of electronic craftsmanship, with tracks like the morphing “Marianne F” and multi-tiered “The Last Drop” flaunting a particularly inventive approach to sound design. It’s a stunning juncture in an already prolific and venerable career, and one Tresor Records look forward to fostering in the future.

01. S_W_Z_K - 31 Techniques

Having only a scant few releases to its name, L.B. Dub Corp, one of Luke Slater's lesser used guises, slinks in and out of the scene, dropping off quality EP's and remixes when you least expect it. Finding a new and appropriate home on Ostgut, the Take It Down (In Dub) EP has two spacey hitters. A slappy bass, a noise wash, and a growling kick are what kick off the title track, slowly giving way to a slightly pitched down vocal drop of "take it down." 

Not nearly as high in the BPM's as Slater's Planetary Assault System productions, "Take It Down" is a slyly warping beast. It has a pristine sludge to it that begs for an eyes-closed demonic shuffle, its brooding drone perfect for early hour madness. More than halfway through, though, the entire thing shifts to reveal a grimey, rinsed out synth that opens the entire 11+ minutes of the track up to a new feel and intensity. 

Where things really get interesting is on flipside "It's What You Feel." One of the most inviting basslines in a while partners with a steady synth pad for a cleverly produced house track. A steady groove paves the way for a classic piano line summoned from Chicago. This B-side monster is the perfect counterpart to the A, and makes this one of Slater's best efforts since his PAS EP on Ostgut last year. 

http://www.residentadvisor.net/review-view.aspx?id=7702
http://www.ostgut.de/label/record/53

L.B. Dub Corp - It's What You Feel - Ostgut Ton

Support the label and buy Cavallina ep digital here:
https://danzatribale.bandcamp.com

Cavallina Ep / ADIEL & DONATO DOZZY 

A1. Cavallina _ Adiel & Donato Dozzy
B1. Cavallina Matta_ Donato Dozzy

Written and produced by Adiel & Donato Dozzy
Mastered at Enisslab Studio by Giuseppe Tillieci
Graphic Design: Koto Hirai
www.newsdistribution.be
Cat. no. DNZT005 – all rights reserved
℗ & © Danza Tribale 2019

Cavallina Ep

ADIEL & DONATO DOZZY_ CAVALLINA [DNZT 005]

DSC013
https://www.delsinrecords.com/release/5864/artefakt/the-radiant-city

The Radiant City

http://eaux.ro/album/waterfall-variations

Rrose 'Waterfall' (Lucy Remix) [EAUX491]

The willpower to guide the eye to the dreamlike. A profound devotion through research and music. A continuous trip the one into sound. and by whom decides to undertake it, made to build a productive space where a creative need finds its expression.

ADIEL & DONATO DOZZY_ CAVALLINA [DNZT 005]

DANZA TRIBALE

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