dope track bra keep it hundred 🔥🔥🔥🔥🔥🔥

why you have to do em like that!!! omg 🔥

Flow is off the chain man. Serious skills✌️

Man, quality is on point, sounds really good💯

🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🎶🎶🎶🎶🎶🎶🎶

👏🏼🔥🔥 sick stuff gang keep creating and stay inspired

Yeah you bodied bro i cant cap❄️😮‍💨

Make sure you create your own bug out backpack to clap back for the "Pandemic Payback"!

Pandemic Payback

⛑Blane Bent - Pandemic Payback (feat. NY Bangers)⛑

This is a fire track . Fully produced by Robec the Genius . Wicked talented rapper and producer . If you look at the title of this song and listen to our words it’s rap poetry at its fucking finest . Y’all check out Robec .. he is cold . 🫡 thx bro . 

Robec the Genius-https://soundcloud.com/robec-277309038?ref=clipboard&p=i&c=0&si=C2D6943B27CD4FE194B91AD09790A2CF&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Prey - Feat. Robec (Prod.Robec the Genius)

A jokey tune about a journey with some odd characters

Easy Train

Intermissions (Prod. By Yung Nab)

Master Robot

The Mission (Prod. By Yung Nab)

GOING UNDERCOVER

FTB Mar ⚓️ - FTB Mar - colder than a freezer Ft. FTB Bovice

(English translation above)

CUEILLE LA NUIT

Qu'il est bon, tard le soir, avant de s'endormir
De laisser sa pensée vagabonder, s'enfuir,
Nous prendre sur ses ailes et, sans avis contraire,
Portée par un soupir, nous renvoyer en l'air :
Bien calé, bien au chaud de notre dormeveille,
Le temps suspend le viol de notre vie privée.
S'il est vrai que, souvent, la nuit porte conseil,
C'est peut-être, en partie, grâce à cette envolée.
		Dans le ciel étoilé de nos paupières closes,
La vie s'ouvre en pétales inondant notre esprit
De mille folles envies que d'habitude on n'ose
Divulguer au grand jour, tant on en est épris.

Tout est vraiment possible, on est seul maître à bord.
Pour cette traversée, l’équipage est en bas. 
Et la réalité du jour n'est plus alors
Qu'un lointain souvenir dans notre célibat.
Là, l’étoile filante d'un mot traversant
Une idée s’évapore en laissant derrière elle
La bienfaisante clé du problème en suspens
À nos yeux décillés par la clarté nouvelle.
On butine une idée, pivote sur un mot
Qui nous fait rebondir sur une idée voisine
Ou lointaine, attirée par le son crescendo
D'un scrupule infamant qu'un fantasme assassine.

On s’étonne à sourire, on est plein de brio.
On a au bout des doigts du monde la puissance,
Du moins le pense-t-on, jusqu’à l'ultime mot
Emportant avec lui notre ultime conscience.
Tous les temps se marient dans ce présent de trêve.
Le corps n'y est plus rien, et l'esprit, terrassé,
Réclame en paradis la liberté du rêve
Dans une chaude nuit que le jour a chassé.
C'est une drogue douce où l'on revient toujours,
La revanche assurée de pouvoir toujours vivre 
Une seconde vie, en fait, un contre-jour
Aux ennuis les plus lourds, comme un vin qui enivre.

Cueille ta nuit, ami, car avant de faner,
Si tu le veux vraiment, d'elle, tu peux apprendre.
C'est bien plus qu'un conseil, c'est un laissez-passer
Pour l’hygiène mentale, avant que de se rendre.
Car la nuit est l'appel de la grande aventure
Où l'on refait son monde, où l'on règle ses comptes
Sans provisions, sans lendemain, mais qui rassurent ;
Donnant de la mort un avant-goût, un acompte.
Mais, du calice à rêves bu jusqu’à la lie,
Un réveil insomniaque nous tire du lit,
Pour nous dire que la vie ne peut s'embellir
Qu'en bêchant notre terre, où nous irons dormir.

Paroles et musique Myckaël Marcovic, © le 24 09 97

Berceuse pour adultes en réponse à Horace/Ronsard.
La dormeveille est un vieux mot du Moyen-Age désignant le moment entre la veille et l'endormissement où nous croyons pouvoir tenir le monde entre nos mots.

Approximate translation :

PICKING AT NIGHT

How good it is, late at night, before falling asleep
To let his mind wander, run,
Take us on his wings and, without notice,
Carried by a sigh, we return in the air:
Well poised, well warmed up in our sleep,
Time suspends the rape of our privacy.
If it is true that, often, the night carries advice,
It may be, in part, thanks to this flight.
In the starry sky of our closed eyelids,
Life opens in petals flooding our minds
A thousand crazy cravings that we usually don’t dare
We’re so in love with it.

Everything is really possible, we are the only one on board.
For this crossing, the crew is downstairs.
And the reality of the day is no longer
Only a distant memory in our celibacy.
There, the shooting star of a passing word
An idea evaporates leaving behind
The key benefactor of the outstanding problem
In our eyes dimmed by the new clarity.
Take an idea, turn on a word
That makes us bounce back on a neighboring idea
Or distant, attracted by the sound crescendo
Of an infamous scruple that a fantasy kills....

Cueille la nuit

Springtime For An Autumn King

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - I. Twist and Shout

Born in Elgin, IL the wonder at the young age of 12 decided hip hop would be the main thing to focus on! His journey has taken him on a power trip like no other!

Intermissions (Prod. By Yung Nab)

D.A.R.E.I.S.

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