Girls

Memory

It is a brief improvisation on a real grand piano. The serene track, with its well-placed pauses, allows the resonance of the piano's harp to fade before the next soft chord. A simple piece performed with sensitivity that faithfully reflects the Modern Classical genre of the ad21 label.

Imagiro

Realms

1084 Ballad

Between Worlds

Piano Music Collection 19

Music: Roman Wróblewski
Recorded in Radio Gdańsk, Poland - December 2019
Mix and mastering: Piotr Pawlak

Into Shadow

Sometimes I can't tell if my mood is driving the music I'm playing, or if the music is influencing my mood. I think it's a little of both. But this Saturday morning, I'm waking up to another gentle day. The city is peaceful just behind my curtains, like a frozen postcard from a moment stuck in time. Only the clouds seem to move, announcing the passage of hours. I turn back to music, to feel something 'changing', and with it, emotions, perceptions and senses are all that I know that are signs of my 'life'. Today's soundtrack to the imaginary narrative is a piece by Richard Luke appropriately titled "Silent Story". This track originally appeared on Luke's 2019 release on Moderna titled Glass Island, and today we are honoured with a rework, this time accompanied by short thumping bass, and gorgeous string passages courtesy of Amira Bedrush-McDonald. This piece is taken from an upcoming EP, featuring additional reworks by Daigo Hanada, Aisling Brouwer, Jakob Lindhagen, Halftribe and Anna Pluto. I hope that it starts off your quiet May weekend, as it has revealed all that's real in mine.

Glass Island (Reworked)

Silent Story

TRACK PREMIERE : Richard Luke - Silent Story (Rework)

A track from my debut album "Moonlight Stories". Listen now: open.spotify.com/album/0lMZO837Md…NcS6m07-LtWOV9Lg

Hopes and Doubts

My name is Sacha Hoedemaker, and I am a Dutch composer. I have played the piano since I was eight years old; honing my craft bit by bit. I got picked up quite early in my career by successful directors and producers. They offered me to work behind the scenes, which was a tremendous opportunity for me to work on my songwriting-skills. 



I started working on numerous projects; I wrote compositions for commercials, shows, and indie-movies. It dawned on me that my work mainly helped other people excel in their career — which isn’t necessarily a bad thing. But whenever I wrote a great composition, the producer got the credits. Over time, my job left me unfulfilled; it felt like I was not living up to my true potential — in other words, things had to change. 

And luckily for me, change came earlier than I expected. I always say, “You never know how things will turn out. Whatever happens, happens. The important thing is that you followed your gut.” And I did. It still feels a bit unreal to me, but I am so proud to announce my music to you.

Somewhere Else

Dario Crisman

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