Dark Entries reissues archival and contemporary gems that prove to be crucial to our modern idea of bodily music that exists out of time. Electro, italo, cold wave, new beat, house, techno from a one-of-a-kind digger who visits dusty basements to rescue lost tapes.

Dark Entries NTS Radio Show

Josh Cheon Mixes

BUY VINYL: 
http://www.darkentriesrecords.com/store/dark-entries/victrola-maritime-tatami-12

For our 55th release we are launching a special series called Dark Entries Editions, dedicated to 12" singles made for the dance floor. The first release in this series is Victrola, the duo of Antonio "Eze" Cuscinà and Carlo Smeriglio from Italy. The band formed in Messina, but later relocated to Florence to join the rich musical scene there with Neon, Pankow, Alexander Robotnick and Diaframma. Beginning as a 4-piece combo (two guitarists, bassist, drummer) in 1979, they slimmed down to a synthesizer and guitar-based duo a few years later.
Their sole release was the "Maritime Tatami"/"A Game Of Despair" EP, from 1983. Using an array of now-classic Roland synthesizers (TR 606, TR 303 Bassline, Juno 6) plus a Korg Polysix and Fender Stratocaster, they crafted two darkwave ballads. "Maritime Tatami" engulfs the listener with trance-inducing synth lines and melancholic vocals over its epic 8 minutes. Oblique minor-key bass lines provide an anchor while snappy, brittle 606 rhythms propel the track along. The lyrics tell the story of Tatami, a boy from a fishing town who yearns for a new life in the big city. "A Game of Despair", on the flipside, is a haunting crawl through the eyes of a woman left by her lover. An angular guitar riff repeats hypnotically, as fragile icy synth lines chime emptily above it.
Each song has been carefully remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in an exact replication of the original jacket, and includes an insert with lyrics and never-before-seen photos. Victrola's only release is a truly singular and timeless masterpiece—it’s from a dimension of its own.

Victrola - Maritime Tatami

BUY VINYL:  http://www.darkentriesrecords.com/store/dark-entries/big-ben-tribe-tarzan-loves-the-summer-nights-12/

The next 12" in Dark Entries Editions is a hard to find Italo Disco club hit. Big Ben Tribe are a trio formed in Trieste, Italy in 1983. The line-up is: Ricky Persi (bass), Stefano Previsti (computers and drum machine), Renato Posani (guitar & D.J).Their name is taken from the Disco Club 'Big Ben' in Trieste, the place where Renato Posani worked every night.
"Tarzan Loves The Summer Nights" was recorded in Milan in the Spring of 1983 and released on Gong Records in 1984. The band created their signature sound using a Mini Moog, Prophet 5, Korg Synthesizer, LinnDrum, Alembic Bass and Fender Stratocaster. Guest vocalist Clara Moroni softly sings about a romantic jungle dream adventure where she is living with the handsome and brave Tarzan. Strong LinnDrum percussion serves as a counterpoint to the infectious vocal melody and catchy synth hooks. The B-side features an instrumental version with extended breaks and dubbed out bass lines. 
Both songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a glossy jacket with original artwork of a female model lying on the floor grabbing the leg of a mannequin. Each copy includes an insert with lyrics, photos and liner notes by Ricky Persi. "Tarzan Loves The Summer Nights" will transport you to a fantasy world full where you can find your own muscle man to love.

Big Ben Tribe - Tarzan Loves The Summer Nights

PRE-ORDER: http://www.darkentriesrecords.com/store/dark-entries/ski-patrol-versions-of-a-life-recordings-1979-81-lp/

Dark Entries is proud to release "Versions Of A Life", a collection of recorded works by London, UK post-punk band Ski Patrol. Formed in 1979 by singer Ian Lowery and guitarist Nick Clift, the band played moody, epic, angular music. Active until late 1981, Ski Patrol’s musical and lyrical output mirrored the dub-reggae influences of their Brixton and Ladbroke Grove home-bases, the civil unrest of post-punk Britain and the freedom to push aside the rock rulebook as had been done by their peers PiL and Gang Of Four. They self-released their first single in early 1980 with the help of Rough Trade and came to the attention of Malicious Damage, a label & management operation, formed to release the early works of Killing Joke. This association produced the band’s biggest success, the 1980 indie chart hit "Agent Orange" (featuring Killing Joke’s Jaz Coleman on synth).
 "Versions Of A Life" collects Ski Patrol’s recorded output in one place for the first time. This anthology also shines a light on the darkly comic, paranoid, often elegiac gutter poetry of the late Ian Lowery, who passed away in 2001.  Including the band’s first two singles, previously unreleased mixes of their third single and three unreleased songs from their last studio session. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a glossy jacket with an unreleased photo of the band. Each copy includes a reproduction of a promotional poster with lyrics from 1981 designed by Mike Coles, the Malicious Damage house artist responsible for the label’s iconic album and single covers.


Ski Patrol - Agent Orange

Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard. 
In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK.  Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982. 

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music.

Severed Heads - Dead Eyes Opened extended 12" mix

BUY VINYL: https://cristinalaveneno.bandcamp.com/album/veneno-pa-tu-piel
Veneno hits Dark Entries! Spain’s most loved transgender TV star arrives on the label in celebration of Madrid Pride on June 30th. Cristina Ortiz fled her home in Almeria at age 13. While working as a sex worker in the Parque del Oeste in Madrid, she was discovered by the TV program “Este Noche Cruzamos el Mississippi”. Her acerbic wit and candid descriptions of life as a sex worker (including graphic use of the microphone as a visual aid) struck program host and director Pepe Navarro, who recognized a star when he saw one. As a regular on the show, La Veneno (The Poison) became a TV sensation and an icon for the trans community. Her music career began in 1996 with the release of “Veneno Pa Tu Piel”, a sassy but mournful Eurobeat number about forbidden love with her johns. The flipside features “El Rap De La Veneno”, a house track over which Veneno improvises some of her famous catchphrases, including her iconic “Digoooo!”. The release was a hit, selling over 50,000 copies in Spain. Two different mixes of both tracks are included on this reissue. Each copy includes an insert with lyrics, notes, and a photo of La Veneno. Celebrate Madrid Pride with these ecstatic gay anthems!

Veneno Pa Tu Piel

Cristina La Veneno Veneno Pa Tu Piel SNIPS

BUY VINYL https://cristinalaveneno.bandcamp.com/album/veneno-pa-tu-piel
Veneno hits Dark Entries! Spain’s most loved transgender TV star arrives on the label in celebration of Madrid Pride on June 30th. Cristina Ortiz fled her home in Almeria at age 13. While working as a sex worker in the Parque del Oeste in Madrid, she was discovered by the TV program “Este Noche Cruzamos el Mississippi”. Her acerbic wit and candid descriptions of life as a sex worker (including graphic use of the microphone as a visual aid) struck program host and director Pepe Navarro, who recognized a star when he saw one. As a regular on the show, La Veneno (The Poison) became a TV sensation and an icon for the trans community. Her music career began in 1996 with the release of “Veneno Pa Tu Piel”, a sassy but mournful Eurobeat number about forbidden love with her johns. The flipside features “El Rap De La Veneno”, a house track over which Veneno improvises some of her famous catchphrases, including her iconic “Digoooo!”. The release was a hit, selling over 50,000 copies in Spain. Two different mixes of both tracks are included on this reissue. Each copy includes an insert with lyrics, notes, and a photo of La Veneno. Celebrate Madrid Pride with these ecstatic gay anthems!

Cristina La Veneno - Rap De La Veneno (House Mix)

Bay Area Retrograde (BART) Volume 2 is Dark Entries’ second compilation of underground music from San Francisco (and the greater Bay Area) made between 1978-1983. Towards the end of the 70s, San Francisco's experimental music scene clashed with the aftermath of punk and gave birth to a vibrant underground. By the early to mid 80s the DIY music scene of the Bay Area was a hotbed for experimental and quirky new wave, post punk, and synthpop, quite similar to New York’s No Wave scene and Berlin’s Neue Deutsche Welle. This compilation connects the (transit) lines between these varied musical offerings and tells the secret story of eleven forgotten Bay Area bands.

BART Volume 2 features slow, dystopian horror from pioneering industrial group Factrix; crushing, motorik noise from acid punks Chrome; amphetamine-driven synth punk from Red Asphalt; an early demo, never released on vinyl, from legendary post punk band Tuxedoomon; chilling atmospheric drone from Ki Di Me; leftfield new wave from Indoor Life featuring Patrick Cowley on synths;  Los Microwaves more sinister side project Baby Buddha; gay drag icon Timmy Spence delivering an unknown camp classic, a pure instrumental electro-pop workout from Human Being Men; TR-808 fueled synth pop from Menlo Park duo Wonders of Science, and a poetic yet somber and haunting song from the mysterious Zru Vogue. 

All tracks have been carefully remastered by George Horn at Fantasy Studios in Berkeley. Each LP is housed in a large 6-panel, 2-sided fold out poster designed by Eloise Leigh, featuring original photos and fliers from each band’s personal archive plus a 36”x24” print of a photograph by Ruby Ray from1978. BART is the acronym for Bay Area Rapid Transit, the main rail transportation system for the San Francisco Bay Area. This LP is by no means a definitive compilation but merely opens the tunnel to the underground of the Bay!

09 Human Being Men - Human Dub

A special mix of all Dark Entries releases to celebrate the label’s 15 year anniversary

tracklist:
Loveshadow - Power Melts Away
Patrick Cowley - Low Down Dirty Rhythm feat. Jeanie Tracy
Krootchey – Whatazzy
Angela - I Gotta Little Love
Nightless - Abemus Mind
Tom Ware - Road Trip
Code Industry - Fury
Virginia - Blue Pyramid (Khidja Remix) 
Bill Converse - Thank You
Savage Hymn - La Vida Sigue Igual
Patrick Cowley - Shakin’ All Over
East Wall - Ice of Fire
Velodrome - Capataz
Risqué III - Risqué Madness
Severed Heads - All Rights Resevered
Series-A - Evolution ⁵ Technology (JTC Remix)
Talking Drums - Courage

Tama Sumo & Lakuti - Dark Entries 15 Year Anniversary Mix

Q Lazzarus - Goodbye Horses CLIPS

BUY VINYL: www.darkentriesrecords.com/store/dark-entries/miss-kittin-the-hacker-lost-tracks-vol-1-ep/

Miss Kittin & The Hacker are the Electro duo of Caroline Hervé and Michel Amato from Grenoble, France. The pair met during the early 90s at a rave and soon after bought turntables and began DJing. In 1996, their collaboration began, writing music heavily influenced by the 80s post punk bands Fad Gadget, DAF, Liaisons Dangeuresues, Yazoo as well as Italo Disco. Bored by the techno scene at the time, the pair set out to lighten the seriousness and add a camp sexiness. Upon hearing their demos DJ Hell signed them to his Munich-based International DJ Gigolo label and released their first 2 EPs in 1998 and 1999. Their debut album ”First Album" is released in 2001 and pioneers the electroclash movement of the early 2000’s. 

“Lost Tracks Vol. 1” contains 4 previously unreleased demos recorded between 1997 and 1999.  Distancing themselves from the hard techno produced in Europe at the time, the duo fused 80’s European New Wave/Italo Disco with 90’s Detroit Electro acts like Le Car and Dopplereffekt. Somewhat unorthodox, their sound has a song-like format, based on the verse-chorus pop schema of the 80s music they grew up listening to. Song arrangements are direct, spontaneous, seemingly unplanned, and mainly generated with some synths, a beat box and a microphone. Their studio set up at the time was a Korg MS-20, Roland SH-101, TR-606, TR-808, Siel DK80, and Boss DR-660 drum machine. Distinguished by Miss Kittin's French accented voice, full of derision, she sings about falling in love with an alien, sexy nightlife in Berlin and explicit S&M leather play.

All songs have been transferred from the original DAT tapes by the band and mastered for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in glossy jacket featuring a never seen before black and white photo of the duo taken in 1996. Each LP includes a postcard with liner notes from Miss Kittin and The Hacker designed by Eloise Leigh. As Miss Kittin says of these demos, “We were naive, innocent, adventurous and we didn’t expect anything in return”. 

Miss Kittin & The Hacker - Leather Forever

BUY VINYL: http://www.darkentriesrecords.com/store/dark-entries/miss-kittin-the-hacker-lost-tracks-vol-1-ep/

Miss Kittin & The Hacker are the Electro duo of Caroline Hervé and Michel Amato from Grenoble, France. The pair met during the early 90s at a rave and soon after bought turntables and began DJing. In 1996, they began writing music heavily influenced by 80s synth and post-punk bands like Fad Gadget, DAF, Liaisons Dangeuresues, and Yazoo, as well as Italo Disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. Upon hearing their demos DJ Hell signed them to his Munich-based International DJ Gigolo label and released their first 2 EPs in 1998 and 1999. Their debut album ”First Album" was released in 2001.


“Lost Tracks Vol. 1” contains 4 previously unreleased demos recorded between 1997 and 1999.  The duo fused 80’s European New Wave/Italo Disco with 90’s Detroit Electro acts like Le Car and Dopplereffekt. By utilizing verse-chorus structures, they playfully shook up the loop based hard techno and electro that was popular at the time. Their studio set up at the time was a Korg MS-20, Roland SH-101, TR-606, TR-808, Siel DK80, and Boss DR-660 drum machine. The songs are direct, spontaneous, seemingly improvised in places. Miss Kittin sings about falling in love with an alien, sexy nightlife in Berlin, and explicit S&M leather play, all in her cheekily derisive French accent

All songs have been transferred from the original DAT tapes by the band and mastered for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a glossy jacket featuring a black and white photo of the duo taken in 1996. Each LP includes a postcard with liner notes from Miss Kittin and The Hacker designed by Eloise Leigh. As Miss Kittin says of these demos, “We were naive, innocent, adventurous and we didn’t expect anything in return”.

Leather Forever

Dark Entries reissues archival and contemporary gems that prove to be crucial to our modern idea of bodily music that exists out of time. Electro, italo, cold wave, new beat, house, techno from a one-of-a-kind digger who visits dusty basements to rescue lost tapes. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/dark-entries-record/episodes/dark-entries-record-26th-june-2025

DARK ENTRIES w/ Josh Cheon 260625

Dark Entries reissues archival and contemporary gems that prove to be crucial to our modern idea of bodily music that exists out of time. Electro, italo, cold wave, new beat, house, techno from a one-of-a-kind digger who visits dusty basements to rescue lost tapes. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/dark-entries-record/episodes/dark-entries-record-24th-july-2025

DARK ENTRIES w/ Josh Cheon 240725

Dark Entries reissues archival and contemporary gems that prove to be crucial to our modern idea of bodily music that exists out of time. Electro, italo, cold wave, new beat, house, techno from a one-of-a-kind digger who visits dusty basements to rescue lost tapes. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/dark-entries-record/episodes/dark-entries-record-21st-august-2025

DARK ENTRIES w/ Josh Cheon 210825

BUY VINYL: evelynemasao.bandcamp.com

Evelyne/Masao bring Testpattern to Dark Entries for the label’s first foray into vintage Japanese electronics. Masao Hiruma and Fumio Ichimura’s project Testpattern is known for their release Apres-Midi, a cult slab of synthpop perfection released by Yukihiro Takahashi and Haruomi Hosono’s legendary Yen Records in 1982. While Hiruma and Ichimura parted ways following Apres-Midi, Hiruma’s musical endeavors would continue after meeting French/American model and vocalist Evelyne Bennu in 1984 at a café bar where she would sit and write poetry. Their collaborative efforts as Evelyne/Masao were fruitful, and the duo first performed together in June 1984 on a television program called TOKYO ROCK TV. The album Testpattern comprises seventeen songs recorded in Hiruma’s home studio, which have never been released previously. The Evelyne/Masao duo continues building on the soundworld of Apres-Midi: lush, sophisticated electronics with intricate yet minimalist production. Tracks like “Sakuramochi” and “Bird Island” bear influence from Hosono most clearly, their soaring melodies revealing a subtly ironic redeployment of East Asian musical tropes. But Testpattern is more than homage to Yellow Magic Orchestra. “Tabac” and “Le Soleil Se Leve” display oddball sensibilities closer to Sky Records icons Asmus Tietchens or Cluster. Elsewhere, the project shows affinity for the punkier ethos of continental DIY electronics, like on the quirky “Alien Go Home” and a positively skewed cover of “Singin’ in the Rain.” Bennu’s vocals provide a common thread through these explorations, as she alternates deftly between New Wave deadpan and unhinged chanson singer—check her waxing maximally Francophone on “Au Clair de Lune,” based on an 18th century French song. Testpattern will be available on both double LP as well as CD, and includes a fold-out poster with liner notes with lyrics. This album is dedicated to Masao Hiruma, who passed away in 2011. 

Evelyne / Masao - Testpattern SOUNDCLIPS

BUY VINYL: brown-angel.bandcamp.com

Brown Angel descends upon Dark Entries with Pure Brown Energy, an EP featuring 6 tracks of gloom-laced electro-funk and retro house. Pure Brown Energy was born when San Francisco-based producer and Hard French collective member Brown Angel was faced with a gift and a loss: an original Roland TR-808 was given to them around the same time that their father passed away. To process their grief, they set about making an album that showcased the many facets of their being, in their words:  “my gay tío side, my Latin goth side, my cruising down the boulevard side, and most of all my soft vulnerable side.” From slamming vogue/ballroom house to cumbia-inflected freestyle, Pure Brown Energy channels club sounds both contemporary and timeless, while centering the most eternal electronic instrument of all: the TR-808. Opener “Miel” grooves with the effortlessness of peak-era Masters at Work or vintage Kevin Saunderson, while “Dame Más” dials up the energy even further. The influences of Miami bass and West Coast electro shine through on “Maya” and “Love Me Right,” which pair razor-sharp beats with a flurry of samples culled from Brown Angel’s record collection. “PBE” and “En Movimiento” take the Planet Rock vibes to another level, combining influences from contemporary cumbia and reggaeton sounds with Brown Angel’s Latin goth flair. Each copy comes in a sleeve designed by Ricardo Diseño featuring illustrations inspired by Teen Angels, a popular 1980’s Chicano magazine. Pure Brown Energy brings a sense of urgency to the dancefloor, unreluctantly examining the crossover between creation and loss, between celebration and sorrow. But don’t forget: these cuts also slap.

Brown Angel - Pure Brown Energy SNIPS

Dark Entries reissues archival and contemporary gems that prove to be crucial to our modern idea of bodily music that exists out of time. Electro, italo, cold wave, new beat, house, techno from a one-of-a-kind digger who visits dusty basements to rescue lost tapes. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/dark-entries-record/episodes/dark-entries-record-18th-september-2025

DARK ENTRIES w/ Josh Cheon 180925

Bézier - Decompose SOUND CLIPS

Dark Entries reissues archival and contemporary gems that prove to be crucial to our modern idea of bodily music that exists out of time. Electro, italo, cold wave, new beat, house, techno from a one-of-a-kind digger who visits dusty basements to rescue lost tapes.

From host: _"Tribute to Keith McIvor"_ 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/dark-entries-record/episodes/dark-entries-record-16th-october-2025

DARK ENTRIES w/ Josh Cheon 161025

BUY VINYL: clawsisthebastard.bandcamp.com/album/splat-city-ii
C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts. Things kick off with “Route 505” and “One Tear,” a duo of rompers that vibe like Tom Ellard and Chip E locked in a room with a vial of liquid. Next up, Bay Area deckmaster Tyrel lends his editing chops to “Vigilant Slimy Monsters,” sculpting a moody space disco beast. Squirrels on Film co-founder Solar teams up with Hock for “Black Magic Carpet Ride III,” a cavernous downtempo banger. The slow-mo pace continues with “Wild Slugs United,” which features the no wave-esque clarinet work of Paul Costuros. Closer “Don’t Flip the Crystal Ship” pays homage to Bayview venue Bay Area 51 with melancholic strings and a quartz-solid electrofunk bassline. Splat City II comes in a sleeve with artwork by Bert Bergen, which features a vampiric cat and sci-fi cityscapes. 


C.L.A.W.S. - Splat City II CLIPS

BUY VINYL: https://vox-populi.bandcamp.com/album/sucre-de-past-que
Legendary French industrial pioneers Vox Populi! arrive on Dark Entries with a reissue of Sucre De Pastèque. Vox Populi! was founded in Paris in 1981 by Axel Kyrou, a multi-instrumentalist of Greek, French, and Palestinian roots. He soon recruited his future partner, Mitra, and her brother Arash Khalatbari, who were born in Iran and came to Paris in their teens, as well as bassist Fr6 Man (Francis Manne). Their sound was motley, combining elements of musique concrete and early industrial with horns, flutes, and traditional Persian instrumentation. Improbably prolific and ceaselessly divergent, Vox Populi! found their way onto dozens of cassette compilations during the heyday of the 1980s DIY tape music scene, including releases on era-defining labels like Insane Music, Cthulhu Records, and their own Vox Man. Sucre De Pastèque, the band’s sixth full-length release, came out in 1986 on Unlikely Records. Like most of Vox Populi!’s output, Sucre is a scattershot endeavor, encompassing psychedelic dirges, cosmic drones, hypnotic chants, and fractured machine-funk. The mood is understatedly bleak, but Vox Populi!’s genre agnosticism and curious sense of wonder prevent things from feeling oppressive or heavy-handed. The cover for Sucre De Pastèque was designed by Eloise Shir-Juen Leigh, and features a collage by Vox Populi! member Fr6 Man. This is deeply fried material, perfectly capturing the obscurantism that characterized much of the 80s DIY cassette scene.

Vox Populi! - Sucre De Pastèque SNIPPETS

Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while always looking for new sounds and styles to explore. During this period, Taylor also partnered with his soulmate and musical collaborator, Michael Ely. They were part of a wave of bold, young, gay couples living openly together in the years immediately following the Stonewall Riots. In the early 80s, while working at the West Hollywood gay sex club Basic Plumbing, Taylor met Al Parker, the legendary pornographic actor and director, who recruited Taylor to produce the soundtrack for a film he was working on. Parker’s partnership with Steve Scott running Surge Studios produced some of the most popular all-male films of the era. Spider’s music was a natural fit for Surge, and throughout 1985 and 1986, he composed the soundtracks for five films produced by the iconic studio. Assisted by engineer Steve Conrad and armed with a drum machine and some synths, Spider’s compositions for film veer from the expansive, reverb-drenched “Rainforest” to the Miami Vice-esque chugger “Tech.” While Spider thought of this work as little more than a gig, tangential to his real craft, enthusiasts of VHS-era nostalgia and vintage erotica will be brought to bliss. Surge Studio Music will be available on both LP and CD, the latter of which includes a 20-minute version of “Strange Places…Strange Things!” as a bonus track. The album’s cover art was designed by Gwenael Rattke, and features stylish images from Surge Studios releases. Also included is an insert featuring liner notes by Will Lewis, a longtime friend of Spider. The music is released from Spider’s estate by Michael Ely, Spider’s partner of 43 years. The shadow of AIDS lingered over Surge; Steve Scott passed from AIDS-related illness in 1987, and Al Parker succumbed in 1992. In 2014, when it became legal for same-sex couples to marry in Arizona, Spider and Michael finally became wedded. Spider would pass away from liver cancer six months later.

Spider Taylor - Surge Studio Music SNIPS

BUY VINYL: brandydalton.bandcamp.com/album/fallen-angel
Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. In the late 80s, Brandy teamed up with friends Robert Woods and John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses, chock full of crunchy digital drum machines and wailing FM synths. This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as on CD, which features 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Fallen Angel provides a hardcore BDSM ride, in contrast to the lush, analogue sounds that Dark Entries has released on previous archival soundtracks. All proceeds from this release will go to AIDS Project Los Angeles.

Brandy Dalton - Fallen Angel SNIPS

Recorded live at Dark Entries Records on December 7th, 2025
Celebrating our record shop’s 3 year anniversary 🎉

Selwa Abd, professionally known as Bergsonist, is a Moroccan-born, New York City–based interdisciplinary artist, composer, and design researcher specializing in time-based media, performance, and sound art. Her multimedia practice reconfigures evolving archives of field recordings, live video, and electronic sounds into immersive, intuitive environments. Informed by Deleuze’s interpretation of Bergson, Abd uses intuition to explore complex questions of post-colonial identity, techno-futurism and the psychological effects of virtuality on contemporary societiy.

Bergsonist at Dark Entries Records 12-7-25

Recorded live at Dark Entries Records on December 7th, 2025
Celebrating our record shop’s 3 year anniversary 🎉

G. ZIFCAK is a musician and audiovisual artist living in NYC. He has been a steady presence in various scenes stretching from late 90s Portland raves through 2000s Bay Area experimental club and noise shows in warehouses and basements across the US and Europe and beyond. 
A preoccupation with de- and re-contextualized music and production equipment motivates his approach to audio, video, and lighting systems. This deconstruction of mechanism led him into DIY electronics early on, and he continues to build and modify much of his gear. 


G. ZIFCAK at Dark Entries Records 12-7-25

Dark Entries digs deeper in to the archives of Severed Heads, one of the longest surviving bands to emerge from the Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. In 1986 the band released the 12” single “Petrol” on Nettwerk Records. We’ve decided to shed light on the evolution of “Petrol” with this EP showcasing four earlier incarnations of what became an instant synth pop classic. 

“Petrol”, originally titled “Lamborghini”, was written by Garry Bradbury and Tom Ellard in 1981. The first version of the song featured vocals by Finoa Graham and music by Tom Ellard.  “Lamborghini” was featured on a compilation of Experimental Australian bands titled “Entrave Et Étouffement, From Australia...” released by L'Invitation Au Suicide in April 1982. DJs in Chicago discovered the import compilation and “Lamborghini” became a proto-House secret weapon, traded on mix tapes. In July 1982, the band was invited to record several songs on Metro TV in Sydney to demonstrate the video synthesizer, a new piece of equipment played by Stephen Jones. The video synthesizer was installed into Metro's control room above the main studio to process the performance in real time on two cameras while recording to video. Tom Ellard and Garry Bradbury were using analog synths and tape recorders along with the screaming guitar work of Simon Knuckey, while Garry took over vocal duties. In 1984 Tom took another stab at the song, re-recording and singing “Petrol” for the compilation “Beyond The Southern Cross”, a double compilation album of Electronic and Post-Punk bands from Australia and New Zealand. Finally in 1985, the band went into the Terse Tapes studio with producer Robert Racic to record “Petrol” for a 7” single release on Volition Records. Featured here is the B-side of the 7”, a cut-up dub “version” remixed by Racic and packed full of intensity. 

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring brightly colored, distorted, VHS graphics output by Stephen Jones' video synthesizer created by Tom Ellard video piece “Kato Gets The Girl” in 1985, designed by Eloise Leigh. Each copy includes a postcard with notes and original hand-written lyrics by Garry Bradbury. More than 30 years later Severed Heads are still paving the way for powerful imaginative challenging music far and wide.

Lamborghini (Petrol 1982)

BUY VINYL:  http://www.darkentriesrecords.com/store/vinyl/the-frozen-autumn-time-is-just-a-memory-ep/

he Frozen Autumn is an Italian darkwave band, formed in May 1993 in Turin, Italy. Originally the solo project of singer, keyboardist and synth programmer Diego Merletto, guitarist Claudio Brosio joined on during early studio sessions and live performances. Together they recorded and released two albums, “Pale Awakening” in 1995 and “Fragments of Memories” in 1997. In 1998, Claudio left the band and Diego recruited Arianna (aka Froxeanne) who sings, programs and composes. After 18 months of work, The Frozen Autumn's third album, “Emotional Screening Device”, was released in April 2002.

“Time Is Just A Memory” is a 6-track overview of songs from The Frozen Autumn’s first three albums. Characterized by a blend of melancholic vocals, atmospheric gothic-wave and 1980s-style electropop, the duo call their style "frozen wave”. The Frozen Autumn have stated that labelmates Clan of Xymox have been their main source of inspiration over the years. Other influences include Dead Can Dance, Cocteau Twins, The Sisters of Mercy, Xmal Deutschland, David Sylvian and Depeche Mode. These six tracks stand out for their rich melodies, from the  guitar-laden early tracks “Dusk Is Like A Dagger”, “Wait For Nothing”, “There's No Time To Recall”, and “This Time,” to the  electronic sheen on later songs “Is Everything Real?” and “Silence Is Talking”.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The release is housed in a custom-made jacket by Peer Lebrecht, from German electro/synthpop band The Dust Of Basement, incorporating a photograph by Diego over a textured background that recalls early 4AD designs. Each copy comes with a double sided 11x11 insert with lyrics and notes.

Dusk Is Like A Dagger

Is Everything Real?

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/wolfsheim-the-sparrow-and-the-nightingales-12/

Wolfsheim are a synthpop duo from Hamburg, Germany consisting of Markus Reinhardt (music) and Peter Heppner (lyrics and vocals). The band was founded in 1987 by Markus Reinhardt and Pompejo Ricciardi and was named after Meyer Wolfsheim, a fictional character from F. Scott Fitzgerald's novel ‘The Great Gatsby’.  Ricciardi soon left the band and was replaced by Peter Heppner, a childhood friend of Reinhardt's. Together they produced their first demo tape, “Ken Manage”, in 1988.

After making a second demo tape, “Any But Pretty”, in 1989, Wolfsheim applied at various labels until they caught the attention of independent record label Strange Ways Records. They are best known for their debut breakthrough single, "The Sparrows and the Nightingales”, the first single to be released on Strange Ways in 1991. The band's musical style takes cues from the 1980s New Romantics, new wave, synthpop, and darkwave. The track's sombre synths were produced by Carlos Peron of Yello. Reinhardt says the lyric was inspired by ‘The Great Gatsby’, "in the 'onomatopoeic tension' between predator and security."  Over six minutes, the narrator describes being lost, unsure of where his life is heading, using highly metaphorical language. On the flip is a brand new remix by German producer Ancient Methods, a pseudonym of Michael ‘Trias’ Wollenhaupt, who provides a driving, EBM-leaning, amphetamine-laced club ready cut.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Designer Eloise Leigh has updated the record's original design with two sparrows enclosed in a blood moon circle against a deep black purple backdrop. Each copy comes with a black and white photo postcard notes by Carlos Peron and the song's lyrics. This release comes in time to celebrate the single’s 25th anniversary.

Wolfsheim - The Sparrows And The Nightingales (Ancient Methods 'Ode To The Night' Remix)

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/deux-filles-silence-wisdom-double-happiness-2xlp/

The short, mysterious career of the female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule's mother died of an incurable lung disease and Forque's mother was killed and her father paralyzed in an auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers. The short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo's albums betrays no hint of the sorrow that framed their personal lives.

This would be a terribly sad story if a word of it were true. In reality, Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and his mate Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue another musical direction. Turner claims that the idea of Deux Filles came to him in a dream, and he and Tucker strictly maintained the fiction throughout the duo's career. Not only did they pose in drag for the album covers, the duo once even played live without the audience realizing that the tragic French girls on-stage were actually a pair of blokes from south London. Deux Filles released two albums through Turner and Tucker's Papier Mache label, 1982's “Silence & Wisdom” and 1983's “Double Happiness”. Both albums are included here and  blend watery piano, occasionally ghostly vocals, sheets of synthesizers, heavily processed guitars and the barest minimum of percussion. Drifting and wistful, they’re a pair of lost ambient gems from a time when the genre had yet to mature, an excellent example of post-Eno, pre-Orb ambient music.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in gatefold sleeve with original front covers of both albums, and a centerfold of archive images and the original liner notes.  Each LP includes a sticker of the Lino cuts by Adrian Gill that was included with the original pressing. “Like an early French film soundtrack with melodramatic overtones, the sound is jagged and disjointed but never harsh. Lilting guitars and ample use of echo smack of Vini Reilly, relying on the hypnotic qualities of the sound rather than abrasive noise" (Sounds, 03/1983)

03 Drinking At A Stream

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/the-pool-dance-it-downjamaica-running-ep

Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960’s in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of "Pool One," a sixty minute home-produced cassette. "Pool Two" followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music.

In 1983, “Dance It Down/Jamaica Running” 12” EP was released on Moment Productions. Based on response from D.J.’s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. "Jamaica Resting" was sped-up, extended, and reconfigured as "Jamaica Running". The whirlpool synth-strut of “Dance It Down” came out of the studio as “Dance In Dub”, with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we’ve added two bonus European remixes from the 1984 12” of “Dance It Down/Jamaica Running”, released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool's spartan, self-assured songs are experiments you can dance to.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes housed in a newly designed jacket by Eloise Leigh, updating the magenta and blue grid and Pool logo of the Moment Productions release. Each copy includes a 12-page booklet with a never seen before photos, press clippings and notes.

Dance It Down

Dark Entries boss Josh Cheon gives us a taste of what's to come with a mix of unreleased and exclusive tracks from the catalogue.

For more information head here: http://www.factmag.com/2017/05/15/dark-entries-josh-cheon-fact-mix/

FACT Mixes

FACT mix 601 - Dark Entries (May '17)

patrickcowley.bandcamp.com/album/afternooners

Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12″ singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.

In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in between 1979 and 1982. Some of these recordings are demos from the album "Mind Warp".  All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.

Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.

Afternooners

Patrick Cowley - Surfside Sex

Josh Cheon selects the sound of Dark Entries. 

Read the feature: https://www.residentadvisor.net/features/3078

RA Label of the month

Dark Entries - RA Label of the month

Dark Entries is proud to present the debut album of Linea Aspera on vinyl. Linea Aspera is the London duo of Ryan Ambridge (Synths/Programming) and Alison Lewis (Vocals/Synths). They began as a project in November 2011, technically drawing inspiration from electronic music from the early 1980s. Within the duo, Alison writes and performs all vocal elements, while Ryan is responsible for the writing and performing of the electronics, recording and mixing of the final recordings.
A small, simple analogue synthesizer set up was used not only for the first demos, but also for their debut self-titled LP. Linea Aspera's sound includes clear influences from early electronic body music, classic synth-pop and, in some instances, industrial and noise.  Lyrically the band tackle science of anatomy and archeology weaving a new medical language around themes of despair and isolation.  Linea Aspera serve up an icebox of dark doom riding on Alison's powerful vocals with a soft but sharp touch. 
All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. Each LP is housed in a specially designed jacket by Dovile Shapiro and includes a full sized insert of all lyrics. 


Fer-De-Lance

Malarone

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/violet-bed-of-roses/
We are honored to release the debut album from @Violet, the alias of Inês Borges Coutinho, Lisbon born and raised DJ, producer boss of Naive records, co-founder of Rádio Quântica, and mina resident. Violet began producing music in 2012 and has released music on One Eyed Jacks, Love on the Rocks, Paraíso and Naive. Inês uses her seemingly boundless energy to amplify other artists all the while progressing her own creative practice. 
‘Bed of Roses’ contains 10 songs made as a sort of childhood-teenage memories diary, a return to things Inês liked then and also the difficult things she’s been through. The feeling behind the album is self forgiveness in an optimistic way but also in an adult way, aware of the bruises (thorns) but also of the invaluable love and life experiences (roses). The title comes from the Bon Jovi song that Inês loved as a 9-year old and doubles as an intent of positivity paired with the inescapable darkness of life. Inês says, “I wrote this music as a healing device that I hope can somehow help heal others too.” All songs have been mastered by George Horn at Fantasy Studios. The jacket features an original design by Eloise Leigh that incorporates themes of self-inspection and hope mixing a teen bedroom girly vintage scrapbook aesthetic with contemporary 3D mapping techniques. Each LP contains a postcard featuring a childhood photo of Inês with notes.

Bed of Roses

Violet - Bed of Roses CLIPS

Before his death in 1982, Patrick Cowley produced some of the American gay underground's most thrilling dance music, from chart-topping disco to radical club tracks. In recent years, San Francisco record label Dark Entries has devoted itself to released Cowley's lost art, from porn soundtracks to original albums and erotic journals. 

As the label celebrates what would have been his 69th birthday with a new compilation, DJ Mag discovers how Cowley is finally being recognised as an icon. Meanwhile, Dark Entries' Josh Cheon serves up a 69 minute mix of his biggest and boldest tracks

Read the full feature: https://djmag.com/longreads/patrick-cowley-gay-genius-hi-nrg

Tracklist:
Patrick Cowley - Mechanical Fantasy Box
Patrick Cowley & Jorge Socarras - Robot Children
Patrick Cowley - Mind Warp
Sylvester - Do Ya Wanna Funk
Patrick Cowley - Primitive World
Patrick Cowley - Megatron Man
Donna Summer - I Feel Love (Patrick Cowley Mega Mix)
Patrick Cowley - Menergy
Patrick Cowley - Lift-Off
Paul Parker - Right On Target
Patrick Cowley - X-Factor
Patrick Cowley - They Came At Night (Remix)
Patrick Cowley - Sea Hunt
Patrick Cowley - Big Shot
Patrick Cowley - Tech-No-Logical World (feat. Paul Parker)
Patrick Cowley - If You Feel It
Patrick Cowley - Get a Little
Patrick Cowley - Goin Home (Remix)
Patrick Cowley - Somebody To Love Tonight
Patrick Cowley - Thief Of Love
Patrick Cowley - Primordial Landscape
Patrick Cowley - Menergy (Reprise)

Patrick Cowley at 69, mixed by Dark Entries' Josh Cheon

BUY VINYL: https://tvout.bandcamp.com/album/dusk-till-dawn

Tel Aviv born, Berlin based duo TV.OUT @tv_out make their Dark Entries debut with a 6-track EP titled ‘Dusk Till Dawn’ out Black Friday 2019. Doron Mastey Charly & Ori Itshaki have made a name for themselves the past few years putting on impressive live sets, DJing around the world, and running Parallax Records releasing various strains of rugged, well informed electronic music. Clocking in at 36 minutes this collection moves in hot pursuit of their two previous EPs for L.I.E.S. Side A opens with the metallic hi-hats of “Morning Light” that echoes early Euro/Goa techno-EBM sound to the 8-minute sleek, pounding industrial darkroom vibes of “Sun” and closes with the titanium-tipped 808 warped electro of “War Zone”. Side B leads off with the heavy New Beat scorcher  “Lord”, a song we first heard on a mix from Cardopusher and knew we had to release. Then comes “Product Of My Environment” a slow-motion mutant menace that flows into the final song “Slippery Slope” a classic  West Coast of The Hague ‘90s style electro  perfectly suited for complete dance floor drama. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in jacket designed by Eloise Leigh with black-white-red apocalyptic vibes and bold type.

Dusk Till Dawn

TV.OUT - Lord

NTS asked me to contribute a mix of my favorite club tracks Arthur Russell wrote or was involved with. Broadcast Nov 14, 2019 celebrating the life & work of this composer, musician and cultural icon with a special day of shows, archive recordings curated by Audika.

Bonzo Goes To Washington - 5 Minutes (B-b-b Bombing Mix)
Arthur Russell - Make 1, 2
Lola - Wax The Van
Arthur Russell - Springfield
Arthur Russell - Hop On Down
Arthur Russell - Arm Around You
Dinosaur L - Clean on Your Bean #1	
Loose Joints - Is It All over My Face? (Larry Levan Female Vocal Version)
Felix - You Can't Hold Me Down (Test Pressing Version) 
Felix - Tiger Stripes (Extended Version) 
Loose Joints - Tell You (Today) [12" Vocal]
Dinosaur - Kiss Me Again (Version)
Arthur Russell - See My Brother, He's Jumping Out (Let's Go Swimming #2)
Arthur Russell - Let's Go Swimming (Gulf Stream Dub)
Loose Joints - Pop Your Funk (Single Vocal Version)
Dinosaur L - #5 Go Bang! (Francois K Mix)	
Dinosaur L - Go Bang! (Thank You Arthur Edit)
Arthur Russell - That's Us/Wild Combination

Arthur Russell Day Mix for NTS

BUY: https://sepehr.bandcamp.com/album/shaytoon
We are proud to welcome back San Francisco based DJ and producer @sepehr-a
Sepehr Alimagham for his debut album ‘Shaytoon’. Drenched in nostalgia from his upbringing, ‘Shaytoon’ pays homage to 1970s Iranian albums that were on rotation throughout his youth. Eight tracks of twisted acid, left-of center electro, sludgy psychedelia, and things-you-can-maybe-call-techno are a few of the sonic elements found within. Regular listeners will find Sepehr’s signature perspiratory dance-floor vibe, but some songs also showcase a low-slung, cerebral approach. Sepehr's unique sonic palette carves an interesting space in the dance music world by harnessing the spirit of his cultural ancestors. The artwork pays tribute to ‘70s Iranian pop and funk albums with bold Farsi calligraphy and portraits by Sahra Jajarmikhayat. In relation to the music, the album cover creates a dichotomy much like Throbbing Gristle's ’20 Funk Jazz Greats’. Berakhs (Dance).

Shaytoon

Sepehr - Neophyte Delight

first time ever playing an all Cure set for an unforgettable global gathering of music appreciation, The Mosaic. thanks to @the-nation for inviting me and inspiring me to push harder! 🤛 💕

Josh Cheon Cure set for The Mosaic 11/29/20

San Francisco-based DJ and Dark Entries label head, Josh Cheon, joins us for the 18th edition of the Off The Record Mix Series. Full feature, tracklist and interview over on Off The Record 🙌 http://bit.ly/OTRMIX18

Full feature

Off The Record Mix Series 18: Josh Cheon

The Dark Entries Record Label : Resuscitating the 80s Underground

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