In A Sunday Mood

Psychic

Golden Arrow

Go Out

Float (Lonely Lava Lamp)

PART 1

(dropped the pitch of vocals btw, no co-vocalist, aint nobody got tym fo dat)

Long Way Home

Station

iTunes: http://po.st/BanksBrain
Spotify: http://open.spotify.com/track/1ryZH6Cu7CTEArHpPWUFC2

www.facebook.com/hernameisbanks
twitter.com/hernameisbanks
@banksbanksbanks
www.hernameisbanks.com

https://www.facebook.com/pages/Shlohmo/215424843565
twitter.com/shlohmo
@shlohmo
http://shlohmo.tumblr.com

BANKS "LONDON" EP Now Available - PURCHASE HERE: smarturl.it/banksep

UK HEADLINE TOUR // COACHELLA // GOVERNORS BALL and more tour dates up at: http://hernameisbanks.com/shows

Goddess

Brain

Buy on Itunes

For Busha
<3

https://www.facebook.com/yosoyianewing

Boosh, Vol. 1

4Boosh

SupportttMee

I hope that you all enjoy this. Let it chill you out and take you some beautiful place. Thanks for listening and please share it.

Follow for more updates and music:

Facebook: www.facebook.com/loftylows

Twitter: twitter.com/LoftyLows

Free Download

LoftyLows - Shapes & Sounds

'Two Bodies' first single off our debut album Down to Earth 
Download now: http://smarturl.it/DownToEarthiTunes
http://flightfacilities.com/

iTunes: http://smarturl.it/DownToEarthiTunes
Amazon: http://smarturl.it/DownToEarthAmazon

:::Lyrics:::

I didn't understand it at the time. I fail to achieve any degree of understanding in the ensuing years, which are three in number. I presume Herb means that inherently you cannot be commercial and artistic. You cannot be commercial and quality. You cannot be commercial concurrent with have a preoccupation with the level of storytelling that you want to achieve. And this I have to reject. I don't think calling something commercial tags it with a kind of an odious suggestion that it stinks, that it's something raunchy to be ashamed of. I don't think if you say commercial means to be publicly acceptable, what's wrong with that?
As long as you are not ashamed of anything you write if you're a writer, as long as you're not ashamed of anything you perform if you're an actor, and I'm not ashamed of anything.
This is the area I know. But I think innate in what Herb says is the suggestion made by many people that you can't have public acceptance and still be artistic. And, as I said, I have to reject that.

Just two bodies
Just two bodies

I've been so ready to dim my mind

Come over or not, I've 
Been so ready to dim my mind
Your body a drug, for mine
Two bodies moving in
Time and space to try and heal me
I know what I want, so come over and

CHORUS:

Hold me, I won't ask for anything more
I'm hurting, use now when I'm vulnerable
It helps me fake some love for a little while
I know what I want, so take advantage of me 

You're closed, you're a book. No lines
Can't read you if I try
And if that's the way you want it
That's fine I'll just close my eyes and
Try to ignore you, a free ride for you to

Just two bodies
Just two bodies

(CHORUS x3)

Two Bodies feat. Emma Louise (Extended Version)

▶Cézaire - Fantasmagorie:
Always diggin' the sexiest and grooviest tracks.
▶ facebook.com/cezairemusique / twitter.com/cezairemusique

➫ Cover by Aymard/ Picture by Manon Cornieux
➫ Other tapes: soundcloud.com/c-zaire/sets/c-zaire-feelings-tape

▶Tracklist:
01. Thriftworks - Someone ft. Oriel Poole
02. Tajan - Beautiful (Esta Edit)
03. Prince - Erotic City
04. Oscar Key Sung - Holograms 
05. Future Wife - It Gets Better (Roma Remix)
06. Alina Baraz ft. Esta- Paradise (Jarreau Vandal remix)
07. IAMNOBODI- Maputo Dance
08. XXYYXX - Overdone (Anneka Remix)
09. Principal Dean - Wine tho
10. Toro y Moi - So Many Details
11. Nina Sky - Stoners
12. 100s - Ten Freaky Hoes (Feat Redinho)
13. ???? - Cool It Ruff 
14. Vanilla - Girl




#3 Cézaire Tape - Fantasmagorie

https://www.youtube.com/watch?v=jGJoUQXGTEo

Sea Breezes

Artist: Lilacs & Champagne
Title: Roses & Kisses
Album: Midnight Features Vol. 2: Made Flesh
Release Date: March 17, 2015

Instrumental psychedelic hip-hop hybrid Lilacs & Champagne spent their first two albums shining a light on the darkest corners of vintage European cinematic oddities. Their eponymous debut album and the follow-up, Danish & Blue, were warped, psychedelic takes on damaged funk and b-movie film scores. With their palette now thoroughly smeared, coconspirators Emil Amos and Alex Hall are flirting with the makings of a masterpiece in Midnight Features Vol. 2: Made Flesh. From the mournful opening breaths of “Roses & Kisses” – a new career high point for the band – it’s obvious they are charting a dynamic new course that simultaneously pays tribute to and explodes the legendary beatmakers that came before. Midnight Features Vol. 2 skins traditional hip-hop to its bones, then builds it back up with the flesh of Eastern European private press psych records, obscure film soundtracks, indistinguishable radio broadcasts, library tapes, and who knows what else from who knows where else. The most remarkable feat of Midnight Features Vol. 2 is not the impressive array of sound sources, but how Lilacs have managed to orchestrate so many seemingly disparate genres into one cohesive future music. They execute sudden changes in mood and tone with uncanny dexterity and grace – a feat made more impressive by their newly expanded line-up that includes Jay Clarke (Ash Black Bufflo) and Zac Reno. They’ve clearly found their groove, and they’re just starting to dig in.

©2015 Temporary Residence Ltd.

Pre-Order iTunes

Lilacs & Champagne – Roses & Kisses

Train Yards EP

€ or $

06 Whiskey Tower

Artist: Lilacs & Champagne
Title: Made Flesh
Album: Midnight Features Vol. 2: Made Flesh
Release Date: March 17, 2015

Instrumental psychedelic hip-hop hybrid Lilacs & Champagne spent their first two albums shining a light on the darkest corners of vintage European cinematic oddities. Their eponymous debut album and the follow-up, Danish & Blue, were warped, psychedelic takes on damaged funk and b-movie film scores. With their palette now thoroughly smeared, coconspirators Emil Amos and Alex Hall are flirting with the makings of a masterpiece in Midnight Features Vol. 2: Made Flesh. From the mournful opening breaths of “Roses & Kisses” – a new career high point for the band – it’s obvious they are charting a dynamic new course that simultaneously pays tribute to and explodes the legendary beatmakers that came before. Midnight Features Vol. 2 skins traditional hip-hop to its bones, then builds it back up with the flesh of Eastern European private press psych records, obscure film soundtracks, indistinguishable radio broadcasts, library tapes, and who knows what else from who knows where else. The most remarkable feat of Midnight Features Vol. 2 is not the impressive array of sound sources, but how Lilacs have managed to orchestrate so many seemingly disparate genres into one cohesive future music. They execute sudden changes in mood and tone with uncanny dexterity and grace – a feat made more impressive by their newly expanded line-up that includes Jay Clarke (Ash Black Bufflo) and Zac Reno. They’ve clearly found their groove, and they’re just starting to dig in.

©2015 Temporary Residence Ltd.

Lilacs & Champagne – Made Flesh

Sunday Son (feat. Heems)

Summer Storm by Fox + Sui

Blackbird Blackbird - All 
Available on iTunes: http://bit.ly/ReWZI2 
Available on Beatport: http://btprt.dj/QvXNIG

Blackbird Blackbird shows off his pop sensibilities in "All", thick with echoing guitar plucks and soothing, lightly-treated vocals. Chiming synths and fluttering clicks splash color on top of a melancholic tone. Clean four-to-the-floor beats and a lovely synth lead dissipate into dreamlike samples of incomprehensible speech and smooth, lapping waves. Distal remixes Blackbird Blackbirdʼs "Keep It Up" into a dark, barreling techno track. Blackbirdʼs crooning vocals stab into the rolling kick drum, complete with frenetic bubbling effects. The beat is broken up with touches of two-step futurism and at the very end, a playful flute appears to brighten the fade out.

http://www.facebook.com/BlackbirdBlackbirdSF 
http://twitter.com/blckbrdblckbrd

http://www.lavish-habits.com 
http://www.facebook.com/lavishhabitsmusic 
http://www.twitter.com/MrLavishHabits

Released by: Lavish Habits 
Release/catalogue number: LH-009 
Release date: Sep 25, 2012 

Lion (Jamie xx remix)

download here: http://olliemckendrickness.bandcamp.com/track/from-nowhere
excuse my shitty guitar playing plz.

From Nowhere

Pre-sale:
decks.de http://www.decks.de/t/adam_port_here_is_why-our_fate/c1h-u5
deejay.de https://www.deejay.de/Adam_Port_und_Here_Is_Why-Here_Is_My__123715

Adam Port & Here Is Why - Our Fate 
Release date: 17.05.2013

As you might remember, the last keinemusik release has already seen some significant vocal support from friendly countries. Itʼs been a modus operandi, Adam Port is extending quite a bit on his kM018 edition. The friendly country being Leipzig for that matter and input coming courtesy of Here Is Why, the synthy Wave-Pop-moniker of Good Guy Mikesh. It is in fact an almost inevitable cooperation. There have been quite a few partynights, where crossfaders were shared and the Here Is Why sound has been celebrated within the keinemusik camp since day one.

On A1 youʼll find the clubversion of Here Is Whyʼs new single “Our Fate” in an unmistakable Port-ish condition. The beat stoically marching, escalating into a loop-excess, taking in some of the dirt that made Ports last tune “Black Noise” such an irresistible weapon. The lusciously chopped bassline is aiming in but one direction (the floor), the vocalpart evolves from craving in the background to full bloom within the break, until some field recordings and percussive ornaments throw your feet back into this fateful goose-step. A banger, again. 

The flipside consists of the original and the bonustrack “Tonight”. It is Here Is Whyʼs first single-release since their highly recommended full length debut “HRSY”. At the same time, itʼs their first works coming to life in full on band-mode. “Our Fate” is classic Here Is Why-material factoring in catching and heartwarming vocalhooks, gently orchestrated synth-tension and all those knowing 80ies hints. “Tonight” comes along in a way more spaced out mood, riding a wave, that might surge somewhere within the Atlantic and then pour out whether into the black nothing of the Galaxy or a subtly scored dancefloor.

In A Sunday Mood

darkiris