long time no hear.. missed it.. :) awesome..

really good! did you record those samples at the sea?

Nice one Constantinos - been too long, must catch up with your music :)

deep and dark.....and ever so emotional! thank-you

It's good to see you back, even if just for a little while.

No tommorow music

00:00-01:00
Excerpt from 'Without', performed by Erik Carlson (violin) and Greg Stuart (percussion), composed by Clara de Asís. Released in October 2018 on Elsewhere.

01:00-02:00
Excerpt from 'Comme de loin', 2020. Commande de l’Etat du Ministère de la Culture, France. Produced by GMEA - Centre National de Création Musicale d'Albi-Tarn. Électroacoustique sur support seul. Released on Blank Mind as part of the homonym compilation.

02:00-03:00
Excerpt from 'De ce côté-ci', from the album 'Sans Nom Ni Forme'. Recorded in Berlin, 2019. Released on Pilgrim Talk, 2020.

03:00-04:00
Excerpt from 'double points; reflected', Clara de Asís & Rebecca Lane, 2021.

04:00-05:00
Excerpt from 'Present Omission', from the album 'Repetition of the same dream' featuring works by Clara de Asís & Mara Winter. Released on Another Timbre, 2020.

Excerpts 2018-2021

Heterotopia

Growth

Lo Sintético De Los Pájaros 'Variations
include excerpts:

8.pájaro-sintético
9.learning the structure of speak
10.lead on to a lower pitch trill
2.synthetic whistle
6.between two notes of different pitch
2.synthetic whistle
1.lower pitch
3.cracking notes and whistles
11.squeaky twiddle


FULL Album/ Sample Pack!** https://syntaxerika.bandcamp.com/album/lo-sint-tico-de-los-p-jaros

Obsessed with Kraftwerk, Wendy Carlos, the futuristic vision, science fiction texts from JG Ballard, Issac Asimov, Dylan Dog and some other writers, I compose 'Lo Sintético De Los Pájaros' .
Using a Moog synthesizers, Make Noise, and intellijel modules,
I explore the sound patterns of birds and how to be uniquely impressive machines.
The project tracks down the constant sound patterns of birds that is a reminder of how much wildlife is outside your window.
Although there are usually many waiting for their big solo!** 

Artwork by Syntax Erika 
https://www.youtube.com/watch?v=jLEaC3PT1LM
**Soon in cassette! 
limited copies to 50.

Lo Sintético De Los Pájaros 'Variations

(Konstantinidis | Sharbaugh)
DarkStar83 [Konstantinos Konstantinidis] [ https://soundcloud.com/darkstar83 ]: [software] synthesizers
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: guitar [feedback], synthesizers, samplers, and sequencer programming, and 'found sounds'
Composed and Recorded ca. July 25, 2022 to March 11, 2023.
sm13 [2023 (1st) MASTER] [eM 01] [24WAV].

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Damoclesian Demons

"Damoclesian Demons" [2023 (1st) MASTER] --- <|> --- DarkStar83 + Michael Ash Sharbaugh

(Sharbaugh)
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: synthesizers and 'found sounds'
Composed and Recorded ca. April 23 to April 24, 2013.
sm6 [2023 REMASTER] [eM 01] [24WAV].

-+-

"Inspired by, and dedicated to, the Man and soundscapes of the musical artist known as ÐѦRḲϟ✞ѦR83 [DarkStar83] -- Konstantinos Konstadinidis [ https://soundcloud.com/darkstar83 ]."

~ Michael

-+-

Ebony Starlight Beckons [2023 REMASTER]

"Ebony Starlight Beckons" (for DarkStar83) [2023 REMASTER] - Michael Ash Sharbaugh

Auto-fragmentaciones

www.darkstar83.net 

💀"Far and away,above and beyond"💀
credits
released September 17, 2018 

Written and performed by DarkStar83(2014-2018) 
Photography By: Darkstar83 
Design By:Darkstar83

Isolatuion from The Outside World

Death Toll

This track was made with a Ciat Lonbarde Cocoquantus, Serge 73-75, Novation Mono Station and a Les Paul Special... Mixing and effects where all done in Ableton...

Somewhere To Elsewhere

Unheimlich –
When mismatching modes of intelligence, cognition and communication confront one another.

As Mark Fisher writes in The Weird and The Eerie, it’s not a simple case of 'enjoy[ing] what scares us'. Rather, ‘it has … to do with a fascination for the outside, for that which lies beyond standard perception, cognition and experience', an affect that involves terror and distress, but isn’t wholly described by them. 

Freud's believed that what we find the most eerie or scary originates not from the exotic or foreign, but from what was originally familiar then repressed and subsequently remanifested in an uncanny/ unheimlich guise.

It is not often that we come by experiences that threaten to disturb these patterns. Given the choice, most of us would deliberately avoid them. ‘It makes sense’, writes Freud, that ‘repetition, the re-encountering of identity [or sameness], is itself a source of pleasure’ — for pleasure, as Fisher helpfully glosses, ‘alway[s] refer[s] to previous forms of satisfaction’ — it is defined by familiarity. But what if this situation were inverted — the heterogeneity and diversity that can be sustained by rhythm preceding the necessary homogeneity of the tempo? What if objects didn’t work how you expected them to? What if the framing logic of time and space was different? What if the beat was … eerie?

Unheimlich

ухо

Darkstar83 is the moody and minimalistic, ambient work of Konstantinos Konstadinidis from Athens, Greece,Drawing melancholic atmospheres from feelings of the mind, Darkstar83 paints a dark and spacious soundscape with his work

Death Toll

DarkStar83

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