Brutal Nature Redux is a continuation of Rhys Fulber’s “Brutal Nature” album and art concept, featuring remixes by carefully curated artists.

Berlin’s Sarin leans into the future EBM style he also shares with Fulber but amping up the intensity and apocalyptic dance floor elements of Central State Institute.

Cat. No.: FREP002
Artist @rhysfulber x @sarinvx
Format: 12” / Digital
Release Date: July 14th, 2023
Pre-order: rhysfulber.bandcamp.com/album/brutal-nature-redux

Rhys Fulber - Central State Institute (SARIN Remix)

Sob Story is the new collaborative project of London-based producers and DJ duo Oliver and Vilhelm. Familiar faces within the city's clandestine corners,

The Sob Story project marries the oppressive melancholia of Vilhelm's body-music sleaze with Oliver's dystopian, steely EBM forming a crystalline palette of cold electronics, lacquered drums and gleaming synths.

With remixes from Harsh Mentor and ANFS

ORDER LINKS
https://khemiarecordslondon.bandcamp.com/album/sob-story-doghouse-k024

@khemia-records @oliver_gibson @vvvilhelm

PREMIERE: Sob Story - Doghouse [ Khemia Records ]

Irrelevant Modular Works #8
Early autumn flow

Irrelevant Modular Works #8

Super excited to strike back by announcing our 2nd installment to the label’s physical catalogue called “Code of Conduct”. An eclectic 12-inch compilation delivering fascinating sound sonics from bright artists across the world within the electro and techno sound spectrum.

On A side, Alonzo with “Jealous Eyes” proves once more why he is a key persona within electro scene with an eyes-down and fully optimized dancefloor tool. Betek builds on that through “The After March”, a tension-building track highlighting his characteristic atmospheres and arpeggio compositions.

On B side, Nina Indi with “East Wind” delivers on what she is known for, an impactful breakbeat-infused banger that for sure will create many memorable moments across dancefloors. Fobos Hailey follows with “Close Your Eyes” fusing aggressive syncopations and industrial soundscapes.

Enjoy!

Artists: Alonzo, Betek, Nina Indi, Fobos Hailey
Release: Code of Coduct EP
Catalogue: FERMAV002
Format: 200 ltd 12'' Vinyl
Release Date: May 16, 2024

Mastered by George Anyfantis
Artwork by Miro Taff

Tracklist:
A1. @alonzo902 - Jealous Eyes [5:32]
A2. @bernardobetek - The After March [6:59]
B1. @nina-indi - East Wind [5:13]
B2. @fobos-hailey - Close Your Eyes [5:28]

Distribution by Bordello

Available for pre-order through our Bandcamp page and usual online record stores.

ferma.bandcamp.com/

V/A - Code of Conduct [FERMAV002]

For those who dance under the purification light.
Enjoy this special, last hour before they kick your ass.

Tracklist
1. Flesh Style Feat Andi (Austher Remix)
2. Pasqua Panacrazi - Bernie (Original Mix)
3. New Hook - Manipulation (Curses Remix)
4. Silent Servant - M-87
5. Renato Cohen - Benzine
6. Komakino (Esprit De La Jeunesse) - Outface (Petar Dundov Remix)
7. Be Dellow - I Loved You
8. Magit Cacoon - Send Return (Ivory Re-Phone)
9. Interviews - Engine
10. Clear Memory - Hayter – Leicht Bewölkt, Sonst Hayter
11. Fobos Hailey - Broken Mind
12. Fever Ray - Shiver (Ivory Remix)
13. Extase Urbaine - Hide In The Light (Alpha Sect Remix)
14. Breach - Jack (Jonathan Kaspar Extended Remix)
15. Violet Poison & Dre Feat. Vic - Empty Truth
16. Boytronic - Hold On (My Boy Roy Edit)

Putzlicht /w DWAU @ Bauturm Achern

Welcome to DJ Lily aka Lilieskalla (Gothenburg, Sweden) founder of Lilies and BROR Records. @xodjlily 

▶︎ What motivates you to compose on hardware?
Working with hardware is amazing! If you listen to many of the productions of the 90s and 80s, there is no perfect programming or automating in the same sense that a modern computer can do. The machines are played as instruments and then they are recorded - what’s done is done. You use your hands to craft the sound, like Jeff Mills active and live approach to the 909, that’s what I mean

I attached that notion to what I do today - which also enabled me to create and motivate very minimalistic productions. Not minimalistic in the sense of clean soundscapes, but in the amount of sounding instruments that are going on throughout the sequences all crafted from scratch. I record on two to three mono channels and I grown to love the method of stepping right into the emotion of the track. To hear the soul of the sequence the very second you play it. In the midst of affairs so to speak.

The biggest inspiration from the early days of techno thus lies in how the different sounds move together, what two hands can do in the moment. I’m not m afraid of making things obscure or monotone - that is part of the process. About three years ago I discarded everything I made with my computer and started this journey by wanting to make new sounds with mostly the same equipment every day. It took a great deal of practice but it is has been very rewarding. I think everyone should try it at least!

▶︎ And what’s your set up as a DJ ?
When I started to DJ I had two CD players (CDJ 800 Mk2), which I bought just a couple of months after I turned 18. Shortly after I got my Technics 1200 really cheap and have been moving between vinyl and digital since. At the moment I play digitally, although I’m an avid vinyl collector and make sure to really use the records from the 90s in my repertoire. I play on three players to be able to continuously cue one track ahead.

▶︎ What inspires you most about the 90s?
The idea of techno growing as the music of the future! Although not only the music, but also the ideas of Juan Atkins, Underground Resistance, and Drexciya. All the interpretations of the music and the incredible communities and influences that grew out of the era. What’s not to love!

When the future was envisioned at the time when techno was being invented, the idea was probably different from what it might be when thought of today. I guess it’s possible to apply the idea of us being at the end of that future or in the beginning of the next future. Wherever we’re at now, we’re all headed into either something fantastic or something tragic, haha. But as far as techno is concerned, I myself really want to stick to associating it as a forward thinking genre. I feel that it’s also suited for me to soundtrack the urban decay we have through our current structures in society. Maybe a bit like Detroits economic decline back then - I cannot know!

▶︎ Do you think the techno tracks from 30 years ago are still relevant today?
They are the most relevant bar none if you ask me. If you don’t look back on how techno started in Detroit, it will be hard to motivate modern interpretations of it today. If it wasn’t for inventors like Juan Atkins, Derrick May and Kevin Saunderson we wouldn’t be where we are with this genre. They deserve respect, as well as the waves of techno that later came after them. The way techno was made 30+ years is an archetype.

▶︎ Thank you for this podcast and your words !

90s Podcast #04 - DJ Lily

Bandulu - Downward Glance [Infonet]
Simulant - Access Future Audio [Scopex]
Question - 7th Question [Question]
Anthony Lynn - Busted Track [Kobayashi]
Ø [Phase] - A1 [Cosmic ID]
Dusk - Shadow Boxer [Peacefrog]
The Exaltics feat. Paris the Black Fu - 10 Oseco ndstil lmidn ight (Lorenz.Orx RMX) [Clone West Coast]
Underground Resistance - Analog Assasin [UR]
Frequency - Darkheart Energy (Lenson Remix) [Repetitive Rhythm Research]
Aphrohead - Legion For We Are Many (Wataru Kishida Remix) [Bush]
Jeff Mills - Alarms (first mix) [Purpose Maker]
Deniro - Monsoon 2 [Tape]
DJ Stingray 313 - eRbB4 [Lower Parts]
Drexciya - Black Sea [Clone Aqualung]
Space DJz - Space DJz [Infonet]
Chaos - Afrogermanic [UR]
Mystic Tribe A.I. - Telephatic Seduction (on 33rpm) [Clone Aqualung]
Scape One - They Manufacture Humans [Electro Records]

@hoerberlin

Operating Modus at HÖR - 04-05-2024

Glasgow's Gavelman, head honcho at Lifeforms, hits Dead Channel with this raw blasted, blown-out acid electro future classic. Hot and hammered, this lo-fi seven track monster pulls no punches. Rumbling 808 kicks, dense decimating rhythms, and stretched out 303 insanity fuse for a head-spinning masterwork in mutant electronics. Don't miss it!

#electronic #premiere #electronicmusic #newmusic #hypnoticgroove  #gavelman #deadchannelrecords

Gavelman
Soundcloud: https://soundcloud.com/gavelman
Facebook: https://www.facebook.com/profile.php?id=100057392801711
Instagram: https://www.instagram.com/gavelman_lifeforms/

Dead Channel Records
Soundcloud: https://soundcloud.com/dead-channel-records
Facebook: https://www.facebook.com/dead.channel.records/
Instagram: https://www.instagram.com/dead__channel/

PREMIERE: Gavelman - Contagion (Dead Channel Records)

Spring Mix 24

Clivilles & Cole performed this powerful House Track (Original by Aretha Franklin) in 1991....  GORGEOUS!

A Deeper Love (Underground Club Mix - Let's Go Chanting)

Die Neue Deutsche Welle (NDW) ist die Bezeichnung für die deutschsprachige Variante des Punk und New Wave, die ab 1976 aufkam und Anfang der 1980er Jahre ihren kommerziellen Höhepunkt erfuhr. Die NDW stellte keinen einheitlichen Musikstil dar, sondern zeigte sich sehr mannigfaltig. Es lassen sich für viele der Künstler Attribute finden, die sie von der Masse anderer Künstler unterscheiden würden. Kennzeichnend waren jedoch vor allem die deutsche Sprache, die relative Kurzlebigkeit und die häufige Rohheit und Kühle. Letzteres war der Grund, weshalb sich manche Bands gegen den Trend dieser Zeit davon distanzierten, jede deutschsprachige Popmusik der NDW zuzuordnen, wie z. B. Spliff. Aber auch ein Minimalismus der Darbietungen ist oft Stilmittel gewesen. Viele der Künstler waren nur damals musikalisch aktiv oder erfolgreich, einige hatten um 2000 ein Comeback.

Putzlicht /w DWAU @ Bauturm Achern

Dark waves above us

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