One of the best tracks i've heard on soundcloud in a while. That bass line is fantastic, the synths are amazing. Love the brightness of the guitar playing.  Very atmospheric. The palm muting is a really good touch ,and all of the transitions are great. I thoroughly enjoyed  this track. Great ending as well.

What drum computer do you use? Sounds very natural...

This is a movie soundtrack - incredible work!

@taigerbery: Vladimir, Thank you for your support!

@clemright: Thank you! I'm glad that you really enjoyed:) Cheers!!

Great passage, wobbling sound in the background is amazing!

The Return

I threw out all your balloons 
I can’t believe all the things I did for you 
I burn all your balloons 
Can’t believe what I did for you 
All that I stayed for 
All that I begged for 
When you knew 
I’d never be enough for you 
When you knew 
I’d never be enough 

I can’t afford to hate myself anymore
Just make it stop Lord Nrsimhadev 
Just make it stop
Make it stop
Stop

The most painful part is that I abandoned myself
Happiness and distress arrive and depart 
And when it comes I’m drowning slowly 
Suffocating 
Do you know what it’s like to be terrified of yourself?

What?
Just serve
I deserve good
I deserve love 

Don’t doubt yourself 

You think you’re not good enough? 
I’m telling you you’re good enough
You are more than enough 

Hare Krishna Hare Krishna  
Krishna Krishna Hare Hare 
Hare Rama Hare Rama 
Rama Rama Hare Hare

ॐ

In A flat minor (A440) 
Written, performed, recorded and pre-mixed by Viola Moonshape in 2022
Mixed by Brahma in October 2022
Mastered by George Konings (worldwidemastering.org) and Brahma in November 2022
Copyright © 2023 Viola Moonshape

ॐ

Burn Your Balloon

Rehearsal Video

The music can speak for itself, sonically, if you prefer.

But if you care to understand what's going on, here it is in brief.  The durations in the cello are 2, 4, and 8 8th notes; the durations in the bass line of the piano part are 3,5,6, and 7 8th notes.  Any rhythm of any duration of the former sort admits a translation into a rhythm of the latter sort, and vice-versa, indeed a translation that preserves the overall duration (to within a fixed few beats anyway).   I expect that this fact hardly seems obvious!  But the violin part is the intermediary, along with the other voices in the piano part.   Attend to the relationship between cello and violin; and between piano and violin, and, with some concentration, the logic indeed reveals itself.

Elegy for Piano Trio (High Phi II)

Live from last summer gig. 
This track represents somehow the end of a chapter for us, since lots of things are happening right now that are re-shaping our lives and our work. We won't be performing live again for some time, so, in the meantime, enjoy this! 
We also filmed a videoclip for this one, you can watch it on Youtube: http://bit.ly/atertrip_the_diarist

Lyrics:

I must find a place representing me
a photograph a memory
or maybe just a little bone
Last night I thought that a starry sky
could be a part of me
Am I so pretencious?
I really don’t know...
all my words run so fast
but I am motionless
The truth is that I’m building
Your thoughts and all you think
representing me

You build me wings
but than you change
your ideas
and turn all in horns
All words will change
their sense
in a minute
because I’m on building

The past is my present
the future is my memory, a big hole
I can’t stop thinking...
about the past
things are gone
every single day
It’s like a little trip
in the gone future
So I let the people and the things that
condition my person
be a condicion

You build me wings
but than you change
your ideas
and turn all in horns
All words will change
their sense
in a minute
because I’m on building

CC License - Free Download

ATERTRIP - The Diarist (live) - Free Download

<p>4 Stones (From the Sun)
<p>..Crossing Jimi Hendrix's Music..
<p>Debora Bettoli on Voice, Effects
Stefania Guerra on Piano, Rhodes
Milko Merloni on Double Bass, Effects
Simone Cavina on Drums
<p>


Third Stone from the Sun  (Planet Earth)

Spark

Closure

missing you 
leads me to 
drying out
how do you feel now my dear
you are 
my necessity
all of the time

ॐ

part 1 in f minor (a=440)
part 2 in f major (a=440)
written, performed, recorded, and mixed by viola moonshape in april 2019
mastered by christofer stannow @ cosmos mastering, stockholm
copyright © 2019 viola moonshape

ॐ

yamaha reface cp (clv) > tascam (track 01)
fender squier precision bass > deluxe big muff π > tascam (track 02)
yamaha clp 575 (slow strings) > line 6 dl4 (analog mod) > tascam (track 03)
yamaha clp 575 > tascam (track 04)
yamaha clp 575 (fretless bass) > tascam (track 05)
lowden f–25 > sm57 > tascam (tracks 06–08)
fender squier precision bass > boss rc–505 (filter) > tascam (track 09)
vocals > sm57 > tascam (reverb) (tracks 10–12)

ॐ

cover by brahma
photography by pushki
copyright © 2019 viola moonshape

ॐ

Feel

The Music Video

Feel (video on youtube)

Not to disseminate.

Emotionally iridescent has been the path that led us to craft and shape this record. We want to express our universal gratitude for this production to have been made possible. This a turning point, an end and a new start.

All songs composed and arranged by SUPERNOVOS

Recorder at Vacuum Studio (Bologna, Italy) between October and December 2018

Produced by Bruno Germano
Engineered and mixed by Simone Padovan
Mastered by Carl Saaf (Saaf Mastering - Chicago, USA)

Photo by SUPERNOVOS
Artwork : 7OI

Personnel on NAHTLOS:

Alessandro Turrini - Electric guitar & effects, upright piano, vibraphone, shaker
Filippo Batisti - Electronic keys, Farfisa compact, flutola, upright piano, vibraphone
Gianfranco Prestifilippo - Drums, gong
Erica Biolcati - Electric bass & effects, tibetan bowl, voice

The Return

Darturus

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