Deadline: 20th April 2022

All submissions to Haiku 432:
https://www.naviarrecords.com/2022/04/13/naviarhaiku432-spring-blossoms-fading/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us

haiku #432: Spring blossoms fading / Magnolia petals fall / The world grows older

This is an orchestrated version of the 2nd movement of a string quartet I wrote. I was able to have the FAMES orchestra in Macedonia record it for me and I am so happy with the results. Hope you enjoy it...

Adagio for Orchestra

Adagio For Orchestra David S Bateman 2021

for violin and chamber orchestra - in three movements

1. Infamous Rhythms
2. Ancient Signs
3. The Green Linnet

to Miranda Cuckson

Miranda Cuckson, violin and Yoko Hagino, piano

NOT FOR DISTRIBUTION - This is a demonstration recording made without rehearsal and only lightly edited

CHASALOW: Violin Concerto (Ancient Signs & Infamous Rhythms) - piano reduction

This piece was inspired by the haiku for this weeks Naiver Haiku challenge (https://www.naviarrecords.com/2022/04/13/naviarhaiku432-spring-blossoms-fading/).
The piece has three layers: 1) A series of 10-note chords, no two alike.  2) A slow, deep bass line, and 3) A slow melody made of rapidly repeating, filtered plucked sounds.

The World Grows Older

The World Grows Older [navierhaiku432]

Music created for

NAVIAR HAIKU 432
"Spring blossoms fading
Magnolia petals fall
The world grows older"

Haiku by John Hinks, aka FlownBlue https://soundcloud.com/flownblue

Cover by Nelson Brodon

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Layering

Naviar Records

Nelson Brodon - Layering (NaviarHaiku 432)

This track was created for the Naviar Haiku group.
4312week haiku
https://www.naviarrecords.com/2022/04/13/naviarhaiku432-spring-blossoms-fading/

2022-04-15

Spring Blossoms Fading  ( Naviarhaiku 432 )

An electronic sequence, sounds created in Pure Data.

Petals Fall (naviarhaiku432)

Made for Naviar Records 432nd haiku Challenge.

See https://www.naviarrecords.com/2022/04/13/naviarhaiku432-spring-blossoms-fading/ for details and more inspirations.

Fading world [naviarhaiku432]

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

Shadow ( disquiet0622)

Deal With It

Blooper reel for the audiobook of Staying Composed. Recorded Fall 2019 at Ableton Studios, Pasadena, CA.

Staying Composed - Audiobook Blooper Reel

Orbit's edge for chamber ensemble (2024)
Orbit's edge takes its inspiration from the phenomenon known as the Roche limit, with particular attention to Saturn's ice moons. Saturn previously had many more smaller celestial bodies surrounding it, but these have been lost as they became too close to Saturn and reached their Roche limit. Once this threshold is crossed, the gravitational forces holding them together are overcome and these moons are pulled apart and disintegrate to beomce the planet's iconic rings. In the future, Phobos - one of Mars' two moons - will similarly reach its Roche limit and will be torn apart to form rings around Mars. This work explores this phenomenon, swirling around orbits that become ever closer before a destructive transformation of its original form leads to the material becoming something new, more crystalline but still forever circling and orbiting.
c.15 mins
Angela Elizabeth Slater
*This is a commission from The Aspen Music Festival and School for the 2024 season.

Performance by Aspen Contemporary Music Ensemble conducted by Tim Weiss in the Harris Hall on 14th August 2024

ANGELA ELIZABETH SLATER Orbits edge

Poems by Edna St. Vincent Millay

The Happenstancers (Toronto, ON) 
Reilly Nelson, soprano
Simon Rivard, conductor

Song of the Prophet-Liar  |  Song of the Sleep-Thief (2024)

More on the 679th weekly Disquiet Junto project, Ice Age — The Assignment: Record the sound of ice in a glass and make something with it — at https://disquiet.com/0679/

Ice Forms (disquiet0679)

Commissioned by the Scottish Chamber Orchestra as part of their 21/22 Season. Premiered by Scottish Chamber Orchestra, conducted by Sir James MacMillan on 11th November 2021 at Queen's Hall, Edinburgh. This excerpt was recorded and broadcast by BBC Radio 3 and performed live by Scottish Chamber Orchestra, conducted by SCO Principal Guest Conductor Andrew Manze on 1st November 2024 as part of the Nordic Music Days Festival 2024 at City Halls, Glasgow.

Death in a Nutshell is inspired by Frances Glessner Lee’s “Nutshell Studies of Unexplained Death” which are a series of 20 re-creations of real-life crime scenes that she intricately fashioned in minute detail within dollhouse-sized rooms. These macabre miniature death-scenes were painstakingly handcrafted by Lee throughout the 1940/50s as a learning tool in forensic and crime scene investigation, and often depict a domestic scenario furnished in 1940s décor in which the body of a doll (or dolls) can be found. Each diorama presents a set of clues regarding the events that led up to the doll’s demise including witness statements and important details about the time of year and even the temperature of the room; all of which offer clues to the solution of a puzzle that can be solved from the objects found within each room. These studies have proved so successful that they are still used today and are housed at the Maryland Medical Examiner’s Officer in Baltimore, where the true solutions are kept firmly under lock and key.

This piece focuses on 6 of Lee’s grisly Nutshell Studies in an attempt to represent 6 different crime-scenes as musical miniatures that hint at a variety of elaborate clues and evidence which form their potential solutions. The work is constructed like a house in which we promenade from room to room, starting in the parlour and wandering all the way to the attic, where we find a deceased doll (or dolls) in each room as well a new mystery to be solved. This morbid tour unfolds as follows:

1. Malleus Dei (in the Parsonage Parlour)

2. The Colossus (in the Kitchen)

3. A Drowned Sorrow (in the Dark Bathroom)

4. Interlude pour l’esprit de l’escalier (on the Stairs)

5. The Family Plot (in the Three-Room Dwelling)

6. Hanging upon your every word (in the Attic)

Leave no stone unturned, no note unscrutinised, “convict the guilty, clear the innocent, and find the truth in a nutshell”, in this macabre collection of miniature pieces inspired by a dollhouse unlike any other.

Death in a Nutshell for Chamber Orchestra (Excerpt) - 1.Malleus Dei (in the Parsonage Parlour)

luscinia, for orchestra and live electronics
performed live by the La Jolla Symphony, Steven Schick conducting
Tina Tallon, electronics
December 10th, 2017

luscinia (2017)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Born and raised in Southern California, Douglas studied composition at U.C.L.A, Indiana University, and Columbia University.  Among his teachers were Paul Reale, Frederick Fox, Jack Beeson, Chou Wen-chung, and Mario Davidovsky.

The World Grows Older [navierhaiku432]

dascott

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