About pooing and shitting  and pooing and shit

big red car

mixed by Sam Rosson
mastered by Connor Gilmore

Do Right

Doubt

That’s a picture of sawyer dust and omar

Sawyer Dust - unscrew (creatures of comfort edit)

3:00am

somewhere six feet deep
I’m having trouble sleepin
I’ve been tryin to find a way to get away from me n
I haven’t had much luck
it’s harder to believe in
somethin you hear but you can’t see I close my eyes n breathe in

you’re turning strangers into friends
people you don’t know with potential
I’ve been tyin up loose ends tryin to not be sentimental
you kicked up the sediment 
I got dirt inside my nose
I blew it into your tissue
Now it’s remnants of your ghost
I’m left with remnants of your ghost
And I’d throw it all away!

If I was capable enough

capable 4.21.23

until adventurers come in search of treasure, what do skeletons do all day in their caves? maybe they didn't want to be created as an neutral-evil NPC, you know? maybe they want to, like, wander the face of the earth, or fall in love, or whatever living people normally do.


lyrics:

i'll sleep on the sandy floor tonight 
if i'm on my own 
it's not all that easy being me 
with the sand in my bones 
i'm not going home 

the mouth of my cave is yawning 
it's whispering lonely words 
i can't seem to shake them from my head 
like a skeleton living in darkness 
i'll never feel warm again in my life 

i'll sleep on the sandy floor tonight 
if i'm on my own 
it's not all that easy being me 
with the sand in my bones 
high tide washes over me 
and it fills in the holes 
i'm not going home

sandy dungeon (lonely bones)

Mirage

Becoming your true self is a game often played in inches. Pockets of discovery and growth can appear behind the obscurity of frustration, leading to stretches of brilliance. It’s a visual Evan Brock ties to his latest project. Speaking about the records in its canon (debut Slowly Spiraling Towards the Light and the forthcoming I can feel an ending), “moments of Laika Songs are supposed to sound like when you look up through the trees and can see a little sky peeking through, and the light hits the leaves just right.”

The intersection of the natural and the artificial is where Laika Songs gains most of its inertia. Fragmented synth lines intermingle with everything from lumbering acoustic guitars to luxurious saxophones, bridging the gap between environmental zen and digital confusion. I can feel an ending expands the search for meaning first dispatched on the first LP by collaborating with a wide variety of musicians and friends to divine some clearer answers.

Emboldened by post-pandemic connectivity and the power of letting control fall to chance, Evan reached out to potential players with nothing but demos and deep knowledge of their musical histories. Stems would serve as signposts, but finished products diverged from original designs. The result accidentally mirrors Evan’s...  more
credits
released December 5, 2025

Laika Songs is…
— Evan Brock - songs, vocals, guitars, piano, synths, mellotron, harmonica, sampler, percussion

Additional musicians…
— Dominic Angelella - bass (1-11)
— Dan Bailey - drums, percussion (1-11)
— Meg Duffy - guitars (1-6, 8, 10, 11)
— Abby Gundersen - violin, viola (4, 5)
— Kris Hayes - guitars (7, 9)
— Chanele McGuinness - vocals (1, 3, 6, 10)
— Heaven Schmitt - vocals (2, 5)
— Joseph Shabason - saxophone (6, 10), flute (10)

Produced by Evan Brock

Engineered by Dominic Angelella, Evan Brock, Dan Bailey, Meg Duffy, Abby Gundersen, Kris Hayes, Chanele McGuinness, Sean McVerry, Heaven Schmitt, Joseph Shabason,

Mixed by Philip Weinrobe

Mastered by Josh Bonati

Cover painting by Pat Perry
Design, layout, and self-portrait by Evan

Buy Vinyl

Arpeggiator

boone on bass 

see you later 
fine then 
go 
slow 
bye then 
go home 
bye then 
wanna go home 
wanna go home 
wanna go home now 
see you later 
bye then 
bye then 
wanna go home now 
wanna go home now 
wanna go home

It Matters

Max

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