thia is like the minimal psy-trance from the 1999

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Nosferatu / DTZ143

Prismode & Solvane - Nosferatu (Niconé Remix) - DTZ143

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Stream & Download

PREMIERE: Phonique & Fairplay — Zatar (Spieltape Remix) [Bar 25 Music]

Dark and hypnotic deep minimal techno with cinematic tension, rhythmic drive, pulsating sub-bass, and layered cello and clarinet textures that keep the atmosphere intense yet danceable.

Euphoria

Moonrise

Dreamscape

Random Fact - Rooted (Microlot Rmx) [Superordinate Dub Waves]

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MYNTH - LOLA (OBERST & BUCHNER REMIX)

Hoffmannstrasse - Black Bird

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Olsvangèr - The New Pollution (Curses remix)

Freaky Secret - Complete Control

On his debut album Melt, Stevie R brought us the sounds of rebetronica, his very own fusion of the rebetiko music he was raised on during his childhood in Greece with the latest in forward-looking off kilter house and techno music.
Allying himself with the Egyptian poet and glitch producer CERPINTXT and Turkish singer/songwriter Djanan Turan, he delivered a wonderful LP. Now, through the Editions of Kincaid, Simple Symmetry and Martin Buttrich, the album is presented in a new light with a set of fresh and powerful remixes. They do not disappoint. Londoner Kincaid (Aeon, Anjunadeep, Futureboogie) reimagines Botsa Botsa into a killer starry, widescreen slow disco cut powered by a hypnotic acid line.

Melt {The Editions}

PRÈMIÉRE: Stevie R - Botsa Botsa feat. Djanan Turan (Kincaid Edition) [Chapter 24 Records]

@avemsdream


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AVEM . Reflections
51°44'30.3"N 4°45'22.3"E . 14 ° . reed beds in red . red and blue . willow swamps . caltha palustris . winking beetles . begin to open golden eyes . cettia cetti . silken songs . pastel chalk skin . nescimus unde sumus . must continue our search . late at night .

URSLINT037

URSLINT037 I AVEM - Reflections

House, Tech House, Deep Tech, Minimal Tracks & Mixes.

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Olsvangèr - The New Pollution (Curses remix)

Data Transmission

Recent comments

Malyshev

da future we pursue is 100 mill years in the past.

da future we pursue is 100 mill years in the past.

Peter Kijken

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