the Peripheral - 周辺機器 

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from _error.0x17
https://detund.bandcamp.com/album/error-0x17

_error.0x17

20/07/2016

__pttrn.001 データコード

_error.0x17 

__pttrn.002 データコード

__pttrn.003 データコード

from _error.0x17
https://detund.bandcamp.com/album/error-0x17
more info: http://datacodenoise.tk

__pttrn.006 データコード

no programs
no post effects
hardware used: 1 mixer

ノー入力テスト (no-input test)

データ着メロ 

part of [disor''''der]] ]] f ]]u]] ]t ]]ur]e] release  Glitch Dreams [Layer 1]

Glitch Dreams [Layer 1]

サブネット

[DOWNLOAD] 
MAX/MSP サウンド/ノイズジェネレータ用のパッチを共有
MAX/MSP patch shared for sound/noise generator

ノイズ発生器パッチ[株]

vertex.protocol_

ノイズ発生器パッチ[株] // FINAL sound test

Dark Interpreter [ Test II ]

[DOWNLOAD]
MAX/MSP patch shared for データコンパイラ - data compiler

データコンパイラ

データコンパイラ [ data compiler ] DEMO

[DOWNLOAD]
MAX/MSP patch shared for 伝送失わ - transmission lost

伝送失わ [transmission lost] DEMO

遅延器 [delayer] - fx DEMO

[DOWNLOAD]
サンプラー003 - RT [resonance translator]

サンプラー003 - RT [resonance translator] DEMO

//データコードとITZOKORのコラボレーショントラック
//collaboration track of データコード and ITZOKOR

Off World EP

Black Box

[ Black Box ] - [ ブラックボックス ]

造粒機[Granulator]

造粒機[Granulator] DEMO

a MAX/MSP (.mxf file) download and upload net scanner and sound generator based on URL traffic
you can edit: URL in Download and Upload separately.

DOWNLOAD: https://www.patreon.com/posts/netsutosukiyana-23453017

ネットスキャナ [NET SCANNER] DEMO

a MAX/MSP (.mxf file) audio-glitcher 
you can edit: input source: can drop samples or using live input from your machine, change frequency of shatter, blur amount, margin portion, offset and feedback amount up to infinite quantity.
audio demo @ https://soundcloud.com/datacode23/shattered-demo

破壊されました [SHATTERED] DEMO

a MAX/MSP (.mxf file) stereo channels extender (stereoizer)
you can edit input source gain and width offset.
DOWNLOAD IT @ https://www.patreon.com/datacode

ステレオエクステンダ [Stereo Extender] DEMO

a MAX/MSP (.mxf file) audio-granulator

you can: read or Drag&Drop in audio files, change start and end granular size section, randomize granular section, transpose audio output, amount of amplitude, 3 envelope styles, 2 sequencer for start section and amplitude and rate amount change.

フラグメンター [Fragmenter] DEMO

https://soundcloud.com/enilylbmessa/sets/exotic-goods

非同期 - Async

データコンバータ [DATACONV] [DEMO]

raw sound demo from the ドローンメーカー  DR_1 max/msp patch

ドローンメーカー  DR_1 [DEMO]

明暗 [light_dark] //DEMO

/>p​.​type_01

データコード 〔Dētakōdo〕 - ::ＤＡＴＡＣＯＤＥ::
The project touches various genres and influences, analog and digital techniques for an extensive research in sound design.
"Post-digital Research" aims at exploring what, in the afterglow of digital art and culture, lies beyond the digital as a form of existence. We are witnessing fundamental changes: we no longer distinguish between online and off-line or analogue and digital practices. It has become embedded in almost every contemporary aesthetic practice. In this, our focus of attention somewhat shifts: we become interested in the renewed significance of the technologies we left behind (the role of print, magnetic tapes, floppy disks, etc.).
We do not wish to claim a research interest in a future predetermined by the digital, nor do we want to do away with the digital. Instead we will attempt to explore how to practice research in a culture where the digital has become a cultural residue that consumes resources, even producing new forms of trash and overloaded forms of existence. the aesthetics and politics of the digital "during the transition to new cultural forms are still unknown to us". With this call for "Post-digital Research" we do not wish to set a particular direction for research, but rather provide a speculative and experimental framework for research in a post-digital culture. We therefore invite proposals that take diverse perspectives to open up some of the paradoxes of contemporary thinking and technologically-informed artistic practice after the digital.
データコード tells of abstract ambient soundscapes, surrounded by residual datas, randomly memory allocations, transmission problems, video signals, h/v sync, interferences, distortions, glitch, granular techniques and no-input noise to access certain parts of the mind through contemporary and avant-garde experimental music.

for more info: https://encr.pw/datacode

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