About:
In 1956 the russian space agency launched a secret mission to altair inside the g-cloud, an interstellar cloud 16.7 light years away from the sun. three brave cosmonauts were launched on a one way journey to the distant star. Their objective was to seek habitable territory and investigate unidentified deep space radio signals emanating from the planet.

throughout their journey these deep space frequencies were intercepted, recorded and relayed back to planet earth where scientists baffled to decode them. with access to only primitive 1950's equipment the signals could not be deciphered - until now... 

cyberneticOhm is a technological performing arts + modular synth electronica collective from altair > based on  > planet earth > utilising science of communications and automatic control systems in both machines and living things we have developed a system through which translation > transcoding of distant radio wave signals from deep space is possible

Links:
http://www.cyberneticohm.org
https://cyberneticohm.bandcamp.com/music

Data Cult Audio 0220 - CyberneticOhm

About:
For Raul Duran aka Iteration and Discord is not a hobby. It’s possible the process of making music is meditation. During the production most of the daily toil disappears and he is left with an open mind ready to receive the spark of creation. Attempting to forget everything about music and let the subconscious decide what direction to take. Sound and developing tone are very inspirational. 
 
The track featured is over 30 minutes of live parameter tweaking. The performance is an unforgiving manipulation of a recorded modular synthesizer. The recorded synth part is further processed in real-time with Ableton.
 
Links:
https://iterationanddiscord.bandcamp.com/
https://open.spotify.com/artist/5oFIReTPzvmRvaJVn6yAal
https://www.youtube.com/channel/UCuMLJ9eoaXMAmzCYTYoLX8whttps://www.instagram.com/iterationanddiscord/

Data Cult Audio 0221 - Iteration And Discord

About:
Moxy Martinez, a self taught DJ & producer, has created, performed, produced, and contributed original music and DJ sets for a variety of  projects both nationally and internationally  since 2003. They have worked and collaborated with individual artists, art institutions, art galleries, dance studios, live music venues, and film projects throughout their career. Highlights of Moxy's career include DJing the Trans Musicales festival in France (2007), being hand selected by Tom Sachs for his show ‘Tom Sachs: Boombox Retrospective’ at the Contemporary, Austin providing a unique DJ mix which was played from inside his sculptures (2015), and contributing original music to Emmy nominated documentary Tiny Out Loud (2015).  In addition, Moxy has recently (2018- present) worked with the Columbus Museum of Art and The Wexner Center for the Arts providing live DJ sets, performing live synthesizer sets and mediating discussion forums with other artists. Most notably, in collaboration with The Wex and Counterfeit Madison,  Moxy produced the sold out show ‘Say A Little Prayer: An Aretha Franklin Celebration’ held at the Lincoln Theatre, February 2020. 


Moxy has also performed and released music as Osea Merdis since 2016. The Osea Merdis project is structured around ideas which are 100% created on analog synths (mainly Moog Mother 32 ecosystem). These ideas, paired with self captured field recordings, contort everyday life into a uniquely identifying audio personality. Moxy’s Osea Merdis project is very discerning, emotionally intentional, and based in the need to express the softer side of life even through struggles and sufferings.

Links:
https://oseamerdis.bandcamp.com   
https://moxymartinez.bandcamp.com

Data Cult Audio 0222 - Moxy Martinez

About
metajon is an experimental music project by Jonas Schröter. He tries to hide the grids and the characteristics of the everyday music and to ascribe pieces completely free of charge. The project is designed so that the songs can also be performed live. He only uses hardware devices and only to record, mix and master the computer.

Links:
https://metajon.bandcamp.com/
https://www.youtube.com/user/metajon
https://vimeo.com/metajon
https://www.instagram.com/metajonmusic/

Data Cult Audio 0228 - Metajon

About:
Dungeon Destroyah presents his upcoming concept entitled “Petit Mal”. A project whose sound became a never ending search to bring heavy frequencies back to the village. Playing with air to create ballistic sonics that simulate an insect shedding its exoskeleton or a primate discovering the subwoofer. It aims to stir the imagination rather than diluting it through a sound collage of field recordings, modular synthesis and analog/acoustic drums. Petit Mal is about following your intuition and never looking back.

Links:
https://dungeondestroyah.bandcamp.com/releases
https://www.instagram.com/dungeondestroyah/

Data Cult Audio 0229 - Dungeon Destroyah

About:
A.M. Filipkowski is fascinated by dystopian fiction. This is the starting point for his aural projects. He attributes this to growing up in inner city Detroit, and watching as the city seemed to die around him. Remnants of industry diminished into a barren wasteland engraved a mark on him that is expressed in the sounds he creates. He is also the founding mind behind Data Cult Audio.

Links:
FaceBook: https://www.facebook.com/DataCultAudio
Instagram: https://www.instagram.com/datacultaudio/
iTunes: https://itunes.apple.com/…/pod…/data-cult-audio/id1234835844
SoundCloud: https://soundcloud.com/datacultaudio
Twitter: https://twitter.com/DataCultAudio
Web: http://datacultaudio.com/

Data Cult Audio 0230 - A.M.Filipkowski

About:
Worst Night Ever uses a combination of found sounds, generated sounds, and really old sounds no one cares about anymore to create ambient tracks and noise suitable for dark journeys. This is what happens when you stay up so late your refrigerator starts to sound like music. From Queens and Brooklyn NYC.  

LINKS: 
https://worstnightever.bandcamp.com/
https://www.instagram.com/worstnightever

Unsilent Nights 2021

Data Cult Audio 0246 - Worst Night Ever

About:
Theodore  The Blacksmith is the main project of Recording Artist Theo Harper  (co founder of the noize project W.A.S.T.E. and long time member of the band Manufactura. the blacksmith project has a gravitational focus on mental health and darkness.. P M R (psycho motor retardation) is the brighter side of the spectrum with light hearted melodies with more subject matter driven motivations.

Links:
https://soundcloud.app.goo.gl/aiDgc
https://instagram.com/theodore_the_blacksmith

Data Cult Audio 0247 - Theodore The Blacksmith

About:
JacqNoise-
In her compositions, JacqNoise is looking for the spot where rhythms cross each other’s paths. She is deconstructing sounds in order to understand the symphony and the themes that are reflected in it.


Andreas Krach-
 Andreas Krach spends sleepless nights with crunchy electronic sounds, deriving from circuit bent instruments, no-input mixers and analogue synthesizers. Lots of analogue synthesizers. Besides creating exotic sound he also  built the bulky bleep machine "Krach der Robotter" that haunts clubs and venues on a regular basis.

Links:
JacqNoise-
www.facebook.com/jacqsbook/
www.instagram.com/jacqnoise/

Andreas Krach-
www.facebook.com/KrachDerRoboter
www.instagram.com/andreas_krach/

Data Cult Audio 0250 - JacqNoise and Andreas Krach

About:
"shrill thru worlds, the enereph calls!"

Connie Fu plays the enereph, one of many characters in her audiovisual universe. She weaves together sounds that remind her of home.

In this piece. Octatrack, Digitone, and Hydrasynth recordings are arranged with lap steel guitar*, modular, and soft synth sounds. Peking opera samples and recitations of her poetry offer a glimpse into the inner world.

She lives in Seattle with her rabbits Frank and Akemie and can be found working at Patchwerks, the local synth shop.

Split album 'premoniss / Bukimi no Tani Genshō' with Production Unit Xero set to be released 2/12/22 on Heterodox Records.


*gratitude to Maluhia Castillo for the lap steel > Night Sky jam on 12/21/21.

Links:
Heterodox Records: https://heterodoxrecords.com/
IG: https://www.instagram.com/_enereph/
Bandcamp: https://enereph.bandcamp.com/
YouTube: https://www.youtube.com/channel/UCwe8PraHAbLCutZkUoZ_NLQ

Data Cult Audio 0251 - Enereph

ABOUT:
Stefano Trezzi, sound engineer and musician, in 2018 approaches modular synthesis and experimental music. He explores and is guided by the various sounds that are generated consciously or not, building a changing story.
His sound is a walk through different atmospheres in order and chaos, created by synths, effects, samplers and sounds of the world. The result is a changing flow of ideas, sounds, instinct and emotions.

Stefano is a member of the family, Milano Modulare, a collective of musicians who keep the world of modular synthesis alive in the Milanese hinterland with events and unique live performances. 

As a bassist and guitarist, he collaborates in productions with different artists from the alternative-rock and hip hop scenes of Brianza and Milan.

About the track: Sunset is a live performance recorded during a live show in Milan, all sounds come from modular synths and pedal effects.

LINKS:
https://www.instagram.com/stefano_trezzi/
https://open.spotify.com/artist/7lYEm3Kc3uETMi8Ak0jvsa
https://www.youtube.com/channel/UCP0VPmkhtFlu6bL_L5gh_Zg
https://soundcloud.com/user-746849781-448050630
https://www.facebook.com/stefano.trezzi.3
https://www.mixcloud.com/MilanoModulare/

Data Cult Audio 0252 - Stefano Trezzi

About:
James Staub has spent the last ten years composing music through the design of electroacoustic systems and processes. Pieces are constructed from a tapestry of recorded improvisations for guitar, upright bass, cello and a vast toolkit of original interactive music software. Staub’s work as a music technologist and programmer centers on the development of real-time human-computer improvisation. These tools employ machine listening and synthesis techniques to interpret and play along with instrumental improvisations. The incidental and the imperfect nature of his custom made audio programs create a dynamic, texture-rich interplay between acoustic and electronic voices. This mix for Data Cult Audio contains selections from several of James’ albums (released under the name Muddy Wires), as well as unreleased studio material.

Links:
https://muddywires.bandcamp.com/
https://soundcloud.com/jamesstaub
https://www.instagram.com/j_a_m_e_s__a__s_t_a_u_b/

Data Cult Audio 0255 - James Staub

Luca Francini is a music composer and producer for media. 

In his quest to find new sounds he discovered the Eurorack world; being able to establish a direct connection between me and the sound in its rawest form is what he find fascinating and inspiring.

When Luca is in front of his modules and synths he enjoy creating experimental, generative soundscapes where the listener can loose themselves, meditate or just relax.

Links:
www.youtube.com/lucafrancinimusic
www.Instagram.com/lucafrancinimusic

Data Cult Audio 0257 - Luca Francini

About:
[moos] is an electronic music producer from the Netherlands. 
“I’ve been making music for over 20 years: electro, dubstep, techno, dub, ambient. For three years now I’ve been focussing on modular synths, which I find truly inspiring. I did live modbap sets (modular + hiphop beats), glitchy tracks and lofi ambient pieces. 
Something that’s always present in my music is a feeling of melancholy. When I create stuff, I start with an idea, start patching and develop it further. In that process the modular always brings me to new unexpected sound territories. Everything is recorded straight to stereo, no overdubs or edits on the computer. This is challenging but also very rewarding - once it’s done it’s done.” 

For Data Cult Audio [moos] created and recorded a new modular set. Enjoy.

Links: 
BandCamp ► moos4.bandcamp.com/releases 
Instagram ► instagram.com/moosdohmen
Spotify ► open.spotify.com/artist/69IMlvgP7PXhl3TXyCgoR5?si=AcRwv6NIQXeTvzD-tmHPhw
All music, videos ► linktr.ee/moosdohmen

Data Cult Audio 0258 - [moos]

About:
Analog Monoxide is frequently mistaken for being the name of a group, but is in reality a working alias of Stian Høyberg, musician and producer from Norway.

The music released under this banner is typically a huge mix of various influences over the years, ranging from experimental electronica to acoustic jazz, and anything in between.
Composition usually happens in his home studio, and is a very free-form process.

He started out as a piano player at an early age, and has worked for over 30 years honing his skills on guitars, vocals, drums, percussion, keyboards, synthesizers, and other instruments along the way. 
While studying music, learning to play jazz, and working with an analog studio recording to 8track tape, he also discovered computers and their increasing capabilities as music tools, while also allowing access to sampling and software emulation of synthesis. 
The workflow has undergone changes over time, with the development of technology and better tools, but it's essentially the same today. 
Currently heavily into the combination of Eurorack and various other hardware integrated with Bitwig, and loving this new workflow.

About this set:
These tunes are all either from recent live performances on various hardware/software combined, or done in studio within the last few weeks, as hardware/modular jams multitracked into Bitwig, then given some post production. 

Links:
https://linktr.ee/analogmonoxide
https://www.youtube.com/analogmonoxide
https://www.instagram.com/analogmonoxide/
https://analogmonoxide.bandcamp.com/
https://soundcloud.com/analogmonoxide/

Data Cult Audio 0259 - Analog Monoxide

About:
Glinca is Tazio Iacobacci, a composer from Sicily, Italy.
In the early ‘90’s he started making music as a drummer with several noise bands.
In 2002 he joined a band called “Tellaro", a slow core project signed to 2nd Records which put out four releases. At the same time he developed his interest in composing music ranging from acoustic to electronic soundscapes and he mainly did this under the moniker "Pola" (three records, the first released on Ionik Recordings).

He joined several productions as a drummer, guitarist and programming electronic stuff.
Actually he started making music with modular synths under the “Glinca" moniker and put out three records, the last one on Werra Foxma Records.
  
"In general, the way I compose does not follow a pre-determined path.Sometimes I search for a sound.Melodic lines are often extrapolated by a process of subtraction:
I make a pattern of 16 random notes, I keep 4 or 5 of them, just to make things clear.
I leave a lot of room for randomness and in this particular respect, modular synths are perfect. I am into the idea of preserving as much as possible the random melodic line I get from the overall modular process. Lately I've been trying to write music with just a few lines, no superstructures. For instance, the tracks I'm writing right now are compositions with two oscillators and only two melodic lines.
No overdubs, pretty stripped down and minimalistic."

Links:
https://glinca.bandcamp.com/
https://open.spotify.com/artist/5Cn6XI5iZOGTvJkU8f272T
https://www.instagram.com/glincamusic

Data Cult Audio 0260 - Glinca

About:
(As per Aelk Minsur)
I’m blessed to be able to do what I love for a living. As an industrial and commercial electrician, I spend my days with badasses building badass stuff. It’s incredibly fulfilling to be a part of large scale projects and build things that get put to use everyday. Each construction site has a strong energy - energy from the site itself and especially from the people that work there. It’s a loud and in-your-face energy that has a positive, forward momentum. This recording is a distillation of that energy. Some of the beats are brand new and some are taken from my album, "Everything is a Nail". Shoutout to the Data Cult Audio crew for inviting me back. Be sure to support them at their Patreon. I hope you enjoy this set. Turn it up to 11 and bang your head!

Links:
https://linktr.ee/aelkminsur

Data Cult Audio 0261 - Aelk Minsur

About:
Rodrigo Passannanti is an Italian-born electronic musician based in London UK at the forefront of numerous productions and world-wide releases including bespoke compositions for Sync-music, Caprisar Productions, Media music manager and Warner/Chappell Music as global publisher.

Links:
https://rodrigopassannanti.bandcamp.com/music
https://www.facebook.com/rodrigo.passannanti
https://music.apple.com/us/artist/hypercube/159239163
https://soundcloud.com/rodrigopassannanti
https://www.instagram.com/rodrigo.passannanti/

Data Cult Audio 0262 - Hypercube

About:
Dexba, in his awkward first attempt at talking about himself in the third person, is an Italian musician in love with big soundtracks, ambient noise, and chants coming from the rocky steppe.
He started his journey as a cellist, swore he would never work in an orchestra, and decided to move on to synthesizers in order to play more than one note at a time.
Born too late to own property, too late to be La Monte Young, and even too late to be a YouTube star, Dexba is trying to find his way in music and maybe this podcast is a sign he is on the right path.

Links:
https://www.youtube.com/c/Dexba
https://www.instagram.com/dexbasynth
https://dexba.bandcamp.com
https://www.facebook.com/dexbasynth

Data Cult Audio 0263 - DEXBA

About:
A.M. Filipkowski is fascinated by dystopian fiction. This is the starting point for his aural projects. He attributes this to growing up in inner city Detroit, and watching as the city seemed to die around him. Remnants of industry diminished into a barren wasteland engraved a mark on him that is expressed in the sounds he creates. He is also the founding mind behind Data Cult Audio.

Links:
Bandcamp: https://datacultaudio.bandcamp.com/
FaceBook: https://www.facebook.com/DataCultAudio
Instagram: https://www.instagram.com/datacultaudio/
iTunes: https://podcasts.apple.com/us/podcast/data-cult-audio/id1234835844
SoundCloud: https://soundcloud.com/datacultaudio
Twitter: https://twitter.com/DataCultAudio
Web: http://datacultaudio.com/
Patreon: https://www.patreon.com/Datacultaudio

Data Cult Audio 0264 - A.M.Filipkowski

Bio: 
Ecotech is a solo electronic music project started by Zachary Sedefian
in January 2021. Ecotech often releases dub techno or deep house tracks, but he also records a lot of other music. His submission to Data Cult Audio is an amalgamation of experiments he made in Upstate New York and Lima, Peru. The first half is an exploration of the MengQi Wing Pinger as an instrument, accompanied by a Ciat-Lonbarde Cocoquantus, Lorre-Mill DoubleKnot, and eurorack modular synthesizer. In the second half Ecotech used a Charango (traditional Andean instrument), iPhone, and Cocoquantus to make contemplative grainy soundscapes. This recording combines an interest in the limits of frequency modulation and ping with time-stretched garden sounds and false nostalgia.

Links: 
https://ecotech.bandcamp.com/
https://www.youtube.com/c/Ecotechnologist
https://www.instagram.com/ecotechnologist_/

Data Cult Audio 0265 - Ecotech

About:
Yates is an Atlanta native artist. He spent his early years on drums and guitar in metal bands before discovering synths in the early 90’s. He has an avid love for the sonic artistry of early industrial acts and how they performed. He currently finds himself in a few musical pathways from creating songs for Internet personalities, scores and sound fx for local film makers, and also a long time musical partner and he are developing a "band" based around live electronics inspired by how Author and punisher and Skinny Puppy plays instruments. He, like many others in the synth world, found himself deep in the modular wormhole. Yates Has a firm belief that his rig knows what he is feeling and knows how to spit it back out at him in ways you wouldn’t expect. This session was recorded while under the thumb of chaotic life happenings during the month of sept 2022. It represents a lot of emotions from anger to peace. A sonic pallet swirling inside a black hole millions of light years away from earth. 

Links:
https://yateszaldevour.bandcamp.com

Data Cult Audio 0266 - Yates Zaldevour

Data Cult Audio 0267 - Blakmoth

About:
Sleep of Eons is the glitchy electronic modular/computer based audio visual work of Jorge Bojorquez from Tucson, AZ. In 2018 a shift from guitar based drone music to modular synths provided a long sought after solution to creating generative, slowly changing, self evolving soundscapes which could still be controlled by the player. With the aid of a/v programming languages like Max/MSP and Processing the project now is taking on a visual manifestation as well.
RGB Riot was an EP released in early 2020 that showcases the opposite of these ideas and focuses on minimalism and what can be done with nothing but a couple of Pocket Operators and a delay pedal. The range of glitchy to drone and anywhere in between is welcome territory. At his core Sleep of Eons is inspired greatly by science fiction and the seires Rendevous with Rama and hopes to capture some of that monolithic, alien, otherwordly yet familiar feeling in musical and visual form.

Links:
https://www.instagram.com/sleepofeons/
https://sleepofeons.bandcamp.com/
https://soundcloud.com/sleepofeons
https://facebook.com/sleepofeons

Data Cult Audio 0268 - Sleep Of Eons

About:
PTNA aka Justin Olson began his music journey with the Violin at age 3. By the time he was in college, Justin shared his songs in live performances and open mics building confidence as a performer, and learn the satisfaction of sharing his creations with the world.  As an artist, it is easy to become lost in your head and process, live performance is a very important tool to receive feedback and input that guides your creative output and can give you the needed confidence to share it with the world. 
In 2014, Justin began his journey into Synthesizers, Electronic Drums, Samplers and Drum Machines. Since 2014, Justin has focused on creating musical projects, performances and albums on his Eurorack Modular.  He has released 20 + albums of music during this time-frame and has enjoyed the process of patching a song over hours to days and then performing it live and capturing the performance. 
Justin has performed around the state of Arizona including: Tempe Center for the Arts “ Singer Songwriters Showcase” in partnership with PBS, “Knock the Blues out of Hunger” Blues Festival, Glendale Folk Festival, Weekly “Fun Fridays” at the Tempe Center for the Arts and most recently, a live Eurorack Modular Performance at , “ Wireheads” in downtown Phoenix. 
Justin enjoys introducing people to Modular synthesis and being a knowledgeable resource to expose and bring students into the area of study and creation.  His mission is to help guide newcomers through the vast market of gear, resource material and introducing them to basic skills that build on each other and provide a strong foundation to continue their very personal journey of building their own Modular instrument.  Justin is currently a modular Synthesizer instructor and has taught at the Academy of Modern Music Production (AMMP) in Mesa, AZ. 

Links: 
https://ptna.bandcamp.com/ 
http://m.soundcloud.com/ptna

Data Cult Audio 0269 - PTNA

Data Cult Audio 0006 - Venus Dawning

CINEMA is the audio project of Dallas based audio/visual artist Evan Henry. His performance and music as whole are complex and deeply meditative. He describes his sound ‘Like looking into a microscope at a simple human hair, only to find small subtleties growing into new forms, and only to be deeper degraded in physical form.’ An ever-evolving set variables infused with rich harmonic structure and sonic disintegration is what Henry focuses into the sound of  CINEMA. His goal is to remind us all, that everything here is temporary, and to perhaps not take it for granted.

"FORMULA"

Data Cult Audio 0007 - CINEMA

Beginning fresh somewhere late in 2016, Lithe is the pet solo project of Alice Blunt, and is a mixture of introspective feelings and fuzzy memories of transient sensations.
She takes influence from bangy UK techno acts, and the hedonistic shadowy parts of the Berlin techno scene with the occasional nod to trippy ambient and IDM sonic magic.
She primarily uses a mixture of modular and desktop hardware, with frequent use of sample mangling for percussion, texture and rhythm.

https://soundcloud.com/iamlithe
https://www.instagram.com/importjingles/

(Be sure to check out her upcoming debut EP release on VLSC)

Data Cult Audio 0047 - Lithe

Over the past few years the Synth Witch (Julia More) has been a constant top act in the Pacific Northwest. Primarily focused on synthesis at an epic scale she enjoys performing with a combination of modular and keyboards all completely live. Most known for her use of Moog Sub37 and Mother 32s, she branches into modular with sound sources from Noise Engineering and lot of sequencing from Malekko Heavy Industry. 

As a trans woman she is focused on centering female and non binary voices in synthesis, the Synth Witch coordinated the Modular on the Spot PDX: Women's Takeover in Portland, OR. She also facilitates at the S1 Synth Library teaching synthesis on a regular basis.

Links:
http://thesynthwitch.com
https://www.instagram.com/thesynthwitch/

Data Cult Audio 0055 - Synth Witch

About:
Sarah Belle Reid is a performer-composer who plays trumpet, modular synthesizer, and an ever-growing collection of handcrafted electronic instruments. Her unique musical voice explores the intersections between contemporary classical, experimental and interactive electronics, noise music, and improvisation. She has been recognized for her innovative work in expanding the "possibilities of the humble trumpet into new territory by the application of innovative sensing technology and sound processing” (Sequenza 21), including the development of her augmented trumpet, called MIGSI. Reid's debut album for trumpet and interactive electronics, "Underneath and Sonder," was released on pfMENTUM in October, 2019. 
 
Links:
Bandcamp: https://sarahbellereid.bandcamp.com/
Patreon: https://patreon.com/sarahbellereid
Website: https://sarahbellereid.com
Instagram: https://instagram.com/sarahbellereid
Youtube: https://youtube.com/sarahbellereid

Data Cult Audio 0146 - Sarah Belle Reid

About:
As Snakes of Russia, Los Angeles based producer Joseph Holiday works hazy, dark sound design, heavy low end rumble, and slow rolling hip hop beats into tracks that evoke a dystopian landscape, creating instrumental music that feels as timeless as it does current.
His new EP, “At Home Alone With Lions” is out now.

Links:
www.snakesofrussia.com 
https://www.instagram.com/snakesofrussia https://bit.ly/SnakesofRussiaSpotify https://bit.ly/SnakesofRussiaYoutube

Data Cult Audio 0175 - Snakes Of Russia

About:
Yumi Iwaki is an electric sound artist and lyricist based in Tokyo. 
She layers sound with her sampled voice, modular synthesizers and small synthesizers particularly OP-1 and OP-Z. 

Links:
https://muzaneditions.bandcamp.com/album/living-distances 
https://iuwerecords.bandcamp.com/album/connected-1 
Instagram: https://www.instagram.com/iwakiyumi/?hl=ja 
Soundcloud: https://soundcloud.com/iwakiyumi

Data Cult Audio 0194 - Yumi Iwaki

Broadcasting electronic music without borders. Data Cult Audio maintains an interest in creating a platform for music, sound sculpture and noise artist pushing boundaries, and reshaping the sonic landscape.

Popular tracks by Data Cult Audio