Name: Sunny Days (the_Sesame Street Jam) by dataf1ow
Duration: 4 min 15 s
Description: All samples taken from sesame street (Minus Drums and Bass.

respect! this track is way cool, great sampling! I love this!

Thanks for the listen and comments man. Sesame street is still awesome. 

@bensteed: Thanks ben! I appreciate you taking the time to listen to my sesame street experiment. 

Now this is some goood original music, awesome sampling. Keep it up!

I Love And I Lost - Ft. Jon Colman

the first single from our collaborative EP "hoping/waiting" with brittany lee moffitt, ENJOY!

brittany lee moffitt - lyrics & vocals
eli kahn - guitar/bass/synths/xaphoon
arthur schroeder - drumset & percussion

produced by eli kahn
engineered by eli kahn & conor o'toole
mixed by conor o'toole
mastered by jeff miller

even in the dark (ft. brittany lee moffitt)

the second single from our collaborative EP "hoping/waiting" with brittany lee moffitt, ENJOY!

brittany lee moffitt - vocals
eli kahn - lyrics/guitars/synths/backing vocals
arthur schroeder - drumset & percussion

featuring:

buddy pearson - 6-string bass
tom nania - lead guitar

produced by eli kahn
engineered by eli kahn & conor o'toole
mixed by conor o'toole
mastered by jeff miller

hoping/waiting (ft. brittany lee moffitt)

i had a great time working on this one, super fun! 

visuals coming soon.

comprised of:

tongue drum/beatbox/dog toys/guitar/synths/voice/xaphoon

the speech sample is from john cage's interview about his experience in the the anechoic chamber.

mixed by nick gunty
mastered by jeffrey miller
track artwork by jacob titus (@west.sb) x terrible tony (@terribletonyxx)

shadows

new single by Photay featuring Madison McFerrin.

Photay - Outré Lux (feat. Madison McFerrin)

Bass Improvisation 6:11:17

the indispensable senses

A collection of compositions and recordings attempting to emote subtle and notable occurrences caused by nature in winter in the format of a symphony.

(Available for sale on Bandcamp and eventually all major digital stores and streaming services.) https://theflashbulb.bandcamp.com/album/dormant-movement-1-through-7

Dormant (Movement 1 through 7)

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

Both @iamMTN and I are proud to present our first collab together, Penumbra.

This track really was a massive expression of our love for the some of the earlier styles of Electro House that had been so influential in my life. If you like Feed Me or Deadmau5, check this out.

Click to download: http://bit.ly/penumbra-download

Follow @re-straint
Follow @iamMTN

Artwork by Masha Kulago.

Penumbra (Original Mix)

Download

Restraint & iamMTN - Penumbra (Original Mix) - FREE DOWNLOAD

All samples taken from sesame street (Minus Drums and Bass. 

Sunny Days (the_Sesame Street Jam)

dataf1ow is the solo electronic music project of composer/producer/performer/
Evan Bogunia. 
Inspiration form a wealth of musical experiences, and the sounds that surround us everyday.
Interested in the fragmentation and recontextualization of musical forms, genres and idioms. 
Desiring to stir thoughts feeling and movements. 
 Follow me on facebook http://listn.to/Dataf1ow


Sunny Days (the_Sesame Street Jam)

dataf1ow

Recent comments

AUGUR DUENDE

180Degrees Of Sight

Super Awesome Music Time

dataf1ow

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