yesh

gonna be posting mad larry beats

flipped  @smavs

feel (larry flip)

Fixed the mix (kinda,,) and reuploaded, coz, why not.


I feel this aint main-account worthy.    :0 so I reuploaded it here.

6pm [reupload]

got me all up i-i- feeeelz
in all kind of ways
i-i- tryna wait but
lately i jus wanna keep it real
no more playin safe letz
ta-take- all the way
i’m jus sayin 
i jus wanna make time for u
swear its jus right for u
like this pussy designed for u
10 outta 5 on yuh
know i would sign on dat line for yuh
bet i look nice on yuh
open my mi-mind for yuh
don’t wanna wait on it tonight i wanna get nasty
what u waitin for
u-u-u waitin for
don’t wanna wait on it tonight
i wanna get nasty
u-u- waitin for?
don’t wanna wait on it tonight 
i wanna nasty
(mixed by @mastr_g teehee)

nasty

motion (snippet) (smavs)

freudian slip

beats from the old days  i dont make money from these tracks btw im just make beats to make beats

BACK WITH THE SOUNDSCAPES revival 2018

UNTER OBSI TYPE BEAT _ REGENWETTER (prod.wtftoby x prodbymalik) _ instrumental

【This beat is free for NON-PROFITABLE USES ONLY, and i must be credited in the title. You don't have the rights to copyright my work and monetize it for your benefit under any circumstances. Purchase a lease or exclusive rights by contacting me via email, or instagram.】

────────────────────────────────────
✦ 👥 Production by Flexxed

✦ 💰 Purchase the beat via contacting me by email or socials

✦ 📬 Email: prodbyflexxed@gmail.com
────────────────────────────────────

Buy / Lease

[FREE] Trap Type Beat - "JUMP" (prod. Flexxed)

Two voices in the dark. A cold lead circles E minor, then the floor tilts into B minor—same palette, different gravity. Sparse drums and air between hits keep the vocal lane wide; low, ominous synth beds glue the switch. Eerie, hypnotic, minimalist at 140 BPM.

Track facts
• Tempo/Keys: 140 BPM • E minor → B minor (dominant pivot)
• Palette: two synth leads (call/response), sub/808, tight kick, dry snare, minimal hats, small-room verb tails
• Structure: 8-bar intro (Em) → 16-bar verse (Em) → hook (Bm) → verse 2 (Em) → alt hook (Bm, thicker bed) → outro

Notes on the key change

Use F# as a common-tone pedal to sell the pivot.

Let C → C# motion announce Bm without adding clutter.

Keep drums identical across sections so the harmony shift feels bigger.

motion (snippet) (smavs)

larry

Recent comments

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