Name: Chunk by Dave Monolith in dave monolith
Duration: 4 min 27 s
Description: https://mnlth.bandcamp.com/album/absolute-dave

how do you get that one Pfffbbrrrt juicy sound?  Filter with an LFO or FM?

dave monolith

707ぜったいにさわっちゃダメ!!
https://mmwave.bandcamp.com/track/707-chikan
Made with Tr-707, Prophet 600, TB-3, Juno 106 and other stuff.

707 Chikan

Waxing Gibbous

Cover of "Phonatacid" from Analord 02 (Rephlex 2005)

Phonatacid (Aphex Twin Cover)

GAMUT INC – BREATH OF SEVEN BREASTS

PreLifepathFalterV.2

multiberry take3

DC Promo Tracks #1663: "Parking" by Global Aphasia is part of the release "Kulture Galerie Volume Four" on Kulture Galerie @msmkulturegalerie @msmkulturegalerie  

Buy Now: https://kulturegalerie.bandcamp.com/album/volume-four 

 Kulture Galerie returns with its fourth vinyl compilation, showcasing a futuristic collection of Techno and Tech House tracks infused with hints of Braindance, Electro, and Acid.

--

✉️ Join our weekly mailing list: http://eepurl.com/dN23Jw
🎶 More Promo Tracks: https://www.dreamchimney.com/promo
📻 Dream Chimney Radio: https://www.dreamchimney.com/radio

instagram.com/dreamchimney • https://dreamchimney.bandcamp.com • twitter.com/dreamchimney

⭐ More Dream Chimney: https://www.dreamchimney.com ⭐

DC Promo Tracks: Global Aphasia "Parking"

I’ve been experimenting further with re-tuning everything I own into Carnatic scales and using chance operations in my sequencing to control slides, accents and reverb and delay sends.

I used to use maxmsp to retune synths using midi guitar mode and pitch bend on each channel with a snazzy custom patch I built but now oddsound just does it all for me. I think they built weird scales into live itself now but oddsound MTS does it better. I've become slightly obsessed with the bhairavi raga scales, they're dreamy. 

Is anyone else really suffering with live 12? It crashes all the time for me when any project reaches over a few tracks in size...

Pang Remold

From:
Kessler V & friends - Kosmik Sludge
digital EP/LP, out Monday 11th August 2025
https://misc-works.bandcamp.com/album/kosmik-sludge
https://misc.works
/
vid - https://youtu.be/UgAx8zYOkFk

Datassette - 7 Bass Guitars In 7-4 (Kessler V sludge edit) [MISCWX011]

»La Traversée« (»The Crossing«) is Matthias Puech’s second album for Hallow Ground and follows up on 2023’s »Mt. Hadamard National Park.« Profoundly inspired by re-reading »The Odyssey,« the French composer, instrument designer, and scholar used a Eurorack modular synthesizer to create four pieces that are by far the most intuitive and emotionally charged in his ever-expanding catalogue. Puech’s masterful command of sound comes to the forefront with even more urgency on this record. A wandering meditation on the human condition, »La Traversée« is an album that is constantly in motion—complex electronic music at its most gripping and evocative.

The foundation for »La Traversée« was laid when Puech prepared a live set for a tour organised in collaboration with Hallow Ground in support of »Mt. Hadamard National Park.« Before writing the first three pieces—»Ennosigaios,« »Polyphármakos,« »Nekuia«—the 18½-minute-long »Ithâké« was composed in near-total isolation in the South of France at the end of 2023. Puech performed the material live several times before taking a step black from it for a while. He revisited the pieces when preparing them for a release. »I was struck by how the technical process and the intention behind the music had completely vanished from my memory,« he says.

What remained intact, however, was Puech’s association of the material with one of the most influential texts of Western literature. Reading a graphic novel adaptation of »The Odyssey« with his two four-year-olds, he noticed the effect that it had on them and himself. »Its themes of longing, fear of and attraction to the unknown, unresolved quests, and the struggle for control felt topical,« he says. »I was completely taken. Every story ever told seemed contained in this ancient tale; every story I have ever tried to tell as a composer seemed inscribed in this framework.« This also extended to formal motifs such as the repetition of incidents, narrative developments, or dramatic effects that also mark »La Traversée.«

Puech says that he perceived Homer’s writing as musical, »like an old Delta blues or a Renaissance counterpoint,« which inspired his writing process. »With a couple of knobs on my Eurorack system, I could control the unfolding of a story,« he notes. »This made me pass through different emotional states and led to moments in which everything made sudden sense—when you as an artist get a glimpse at something essential, can touch upon something universal.« This shines through »La Traversée,« a wildly imaginative album that is deeply personal while also telling a story far more wide-reaching than that of its creator.

Composed, recorded and mixed by Matthias Puech
Mastered by Giuseppe Ielasi
Cover: excerpt from J. M. W. Turner, Snow Storm: Steam-Boat off a Harbour’s Mouth (1842)
Drawing by Matthias Puech

La Traversée

Ennosigaios

Music by respected artists:
@cablepercussion
@collagist
@crypticclues
@ill-o-can-b-lo
@konstantinos-gkoumas
@levraisinge
@madebyitself
@mar-ric
@modul87
@ndorfik
@optionica
@qubic88
@sicnarf6
@samplequence
@suumhow
@trifory
@veelargo
@zyxt

[PCLVA 019] Nineteenth Listen (2025) teaser

https://mnlth.bandcamp.com/album/absolute-dave

Chunk

Dave Monolith

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