A reworking of the classic 1950s instrumental featuring Dave Abramson on drums.  This version is unmastered. The final version will appear on my forthcoming 2016 album entitled "Bathing."  Thanks for listening! 

Sleepwalk

This song was written to demonstrate some heavy fuzz textures possible with the Basic Audio Bye-Bias fuzz pedal.  This pedal gets a huge, square wavey tone that blooms and spits depending on where you have your guitar's volume set. Thanks to the dude on youtube that I stole the drum track from.

Bye Bye Bias

A tribute to Coltrane's timeless melody. Interpreted via fuzz guitar and a general Pacific Northwest haze.  The main tone is a Fender Stratocaster with Lollar and Harmonic Design pickups going into a prescription electronics experience fuzz, delay and an old Princeton Reverb.

Lonnie's Lament

Wrote all these lyrics in the shower and put them to some nice chords.  Don't sing much, if you can call it that. Basic Audio Zippy fuzz on the leads.

This Is The Band

The Meris Ottobit Jr. does bit crushing, filtering, sequencing, and so much more.  This track was written around some of the crazy sounds it can produce.  I also used my trusty old Rat pedal and the basic audio Zippy fuzz for some leads.  The guitar was a homebrew with Lollar p90s and a MIJ Tele neck.  The amp was a 70s princeton reverb.  Hope some people dig and thanks!

Ottobitter

Old tears burning

Channel the joy that the idea of world peace brings.  Drums courtesy of Miguel Andrews (https://www.youtube.com/user/migsdrummer). The Meris Ottobit Jr. was heavily featured in this track.  Lollar P90s, basic audio Zippy fuzz, and a 70s Princeton Reverb were also used.

Raving About Peace

My take on the classic Mingus track.  Lead tones are a Stratocaster with Lollar pickups into an old Marshall 2204 and a  Flying V into a Soldano in a couple spots. Used the Meris Ottobit Jr. for some of the freaky sounds.  These chord changes are soooo deep.  Genius composition!!

Goodbye Pork Pie Hat

Been working on this melody over some changes that are a bit different for me. Copious whammy bar usage ala the great Scott Henderson who inspired this track.  Lead tone is a Strat with Lollar and Harmonic Design pickups into a Marvel Drive and a Princeton Reverb.  Drums stolen from the internet and doctored up quite a bit.  Fun fun!

Scotty's wang bar done got broke.

Interpretation of the beautiful and haunting Miles Davis / Hermeto Pascoal track from Live Evil. Featuring Michael Van Bebber on trumpet. Rhythm guitars are Gibson flying V into Marshall JMP 2204. Lead guitar is Fender Stratocaster with Lollar pickups into an old rat pedal into a Princeton Reverb.  Lots of delay and reverb.

Little Church

Arrangement of a Simon Henneman tune.  All guitars and synth by Dave Webb. Drums stolen from youtube and doctored up with a Meris Ottobit.

Beekeeper's Lament

Fright Cycle

This song is something of a tribute to Les Paul, done in my own Style.  Every sound was made using electric guitar.

Lester's Song

COVID-19

COVID-19 era remote collaboration between Dave Webb (guitar, bass) and Dave Abramson (drums).  Recorded early Summer 2020.

Gilded Cage

Guitar Obsessed in the Pacific Northwest.

Dave-Webb

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