can i use you sound trak for my video on youtube ?

My Synthwave/Outrun Guitar Covers

L'Enfant De La Forêt - Rust

Youtube video showing live recording: http://youtu.be/ECFY6AnPA_g?list=UUhqrREDX4W-1n6eIr4pLGag

Decided to recreate Lazerhawk's 'Fight to the Top' composition from his Skull & Shark album. Apart from programming the drums, I took apart each instrument and recreated them on guitar and bass.

Produced with Logic Pro 9 using Waves & TH2 Overloud plugins.

Guitars used are:
Modded Fender Precision Bass(tuned down a whole step)
Jackson DK2M
Schecter Hellraiser Special (tuned down a whole step)

Lazerhawk - Fight to the Top (Cover)

Youtube video showing live recording: https://www.youtube.com/watch?v=OpEYf6CwKcw&feature=youtu.be

Decided to recreate Lazerhawk's 'Interstellar' composition from his Redline album. Apart from programming the drums, I took apart each instrument and recreated them on guitar and bass.

Produced with Logic Pro 9 using Waves & TH2 Overloud plugins.

Guitars used are:
Modded Fender Precision Bass(tuned down a half step)
Schecter Hellraiser Special (tuned down a half step)

Lazerhawk - Interstellar (Cover)

liz  remix_20.wav

Growling Nightmares

A haunted anthology of dark pop and lo-fi horror instrumentals, where silence feels heavier than sound. Nightglass drifts through flickering tape hiss, trembling 808s, and detuned acoustic ghosts. Every track breathes like machinery remembering warmth—bass pulsing under broken neon, strings sighing through static, turntables whispering in the dark. Built from restraint and distortion, Nightglass is less an album than a slow haunting: twelve rooms of sound that never fully sleep, reflections trembling in black light.]  


Mirror Bloom

Youtube video showing live recording: https://www.youtube.com/watch?v=vSdgL1TBTdY

Decided to recreate Miami Nights 1984's 'Ocean Drive' composition from his Turbulence album. Apart from programming the drums, I took apart each instrument and recreated them on guitar and bass.

Produced with Logic Pro 9 using Waves & TH2 Overloud plugins.

Guitars used are:
Modded Fender Precision Bass
Schecter Hellraiser Special (tuned down a half step)

Miami Nights 1984 - Ocean Drive (Cover)

Youtube video showing live recording: https://www.youtube.com/watch?v=79oVqNCHp94&feature=youtu.be

Decided to recreate Lazerhawk's 'The King of the Streets' composition from his Skull & Shark album. Apart from programming the drums, I took apart each instrument and recreated them on guitar and bass.

Produced with Logic Pro 9 using Waves & TH2 Overloud plugins.

Guitars used are:
Modded Fender Precision Bass (tuned down a half step)
Schecter Hellraiser Special (tuned down a half step)

Lazerhawk - The King of the Streets (Cover)

Youtube video showing live recording: https://www.youtube.com/watch?v=mOl4DTz-Q4E&feature=youtu.be

Decided to recreate Carpenter Brut's 'Turbo Killer' composition from his EP III. Apart from programming the drums, I took apart each instrument and recreated them on guitar and bass.

Produced with Logic Pro 9 using Waves & TH2 Overloud plugins.

Microphone is a Rode NT2A

Guitars used are:
Modded Fender Precision Bass (tuned down a half step)
Schecter Hellraiser Special (tuned down a half step)

Carpenter Brut - Turbo Killer (Cover)

Sadistic [Free DL]

Timelapse

Uh Oh

This is a remix of Succubus by Scattle
Download Here: https://electricdragonuk.bandcamp.com/album/remixes-vol-i

Electric Dragon - Succubus (Scattle Remix)

All tracks written, performed, produced and mastered by James Kent. 
Artwork by Johan Barbara. 

Vocals on track 03 by Joshua Strawn.
Saxophone on track 05 by Quentin Dubarry

14 - You Will Never Be Good Enough

High Ft.UZA

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
____________________________________________________________

In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

____________________________________________________________

Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Exit Wounds

A page for my productions & covers.
For the moment, focusing on Synthwave/Outrun music covers.

Lazerhawk - The King of the Streets (Cover)

Dave Heraty

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