Name: Stock Photography — He Made Me by daveknapik
Duration: 18 min 31 s
Description: Meeblip Anode, Korg Gadget Chicago Tube Bass Machine, Korg Monotron Delay, vocal samples and Gristleizer.

Meeblip Anode, Korg Gadget Chicago Tube Bass Machine, Korg Monotron Delay, vocal samples and Gristleizer.

Stock Photography — He Made Me

At the end of the year, I hear the bells on New Year's Eve. In order to wash away all the bad things of the year. And, as next year will be a good year, I wash out the heart. New Year, I will pray to the shrine. - KI

Kazuya Ishigami is a composer, sounds performer and sound engineer born in 1972 in Osaka, Japan. He studied electroacoustic music composition at INA-GRM in 1997. His pieces were performed at DR(DeutschlandRadio/Germnay) ,WDR(westdeutscher rundfunk/Germany), FUTURA(France), MUSLAB(Mexico), ICMC(2015_USA/TEXAS) and others.

The Deep Wireless 14 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2019 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Off the Beat(en) Track.

Editions 9 through 14 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 14 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact naisa@naisa.ca for more information.

Artistic Director: Darren Copeland
Executive Director: Nadene Thériault-Copeland
Image Illustration: Prashant Miranda

Deep Wireless 14

Deep Wireless

Kazuya Ishigami - Depiction of sounds - pray to buddha and gods

Pampered little suburban chick

20190209

I Don't Like The Peer Group

Mississippi Viwako(2019 noise mix)
Art work:TSV

I Want More

HouszStyle Take1

"In May 2017 I went on a madly anticipated trip to Japan. Being an anime and manga nerd for years and a big fan of the Japanese kitchen, it truly was a dream come true. I played 12 shows there as red brut in about three weeks, with spare time in Tokyo, Kyoto, Kanazawa and even the sunny beaches of Okinawa. It was one of the best travels I ever did and upon arrival back home I immediately knew I wanted to go back as fast as possible. Then of course life got in the way, but when I finished the material for my second lp in december 2019 I knew the time had come to start planning my return to Japan. My second record is scheduled for July 3rd on Ikuisuus and Lal Lal Lal and the idea was to tour Japan in October. Then in March 2020 just as I was writing my first e-mails to my friends in Japan covid-19 struck the world and after some weeks of fearing and not knowing what to do I decided to postpone the tour to yet unknown dates somewhere in 2021 or 2022. 

When I made this decision my partner Michiel (also part of Goldblum and Sweat Tongue) started digging through the live recordings of my performances he made during the tour 2017 tour in Japan. We never listened back to these recordings. actually, I never listen back to these kind of live recordings and even while working on my albums I find it a struggle to listen back to the recordings I made myself in my homestudio. Michiel is better at this and he found beautiful passages tucked away in these live sets. during that tour I was working with the material that ended up on my first record, the one that came out on Kraak in 2018, and I was still figuring out different combinations of tapes, sound-wise energy-wise, sometimes with good, sometimes with bad results. “Not live in Japan" is a montage Michiel created out of live recordings made in Nagoya, Matsumoto, Oita and Kanazawa. It's not a live registration, but a new entity, a distorted memory if you will, but also a gaze into the future, in anticipation of my return to my beloved Japan."

TR004 - Red Brut - 'Not Live in Japan' [sample]

Japanese sound artist & improvisor Toshimaru Nakamura treats us number 62 in his solo 'nimb' series, now in it's 21st anniversary year. Nakamura plays a 'no-input mixing board', connecting the input of the board to the output, then manipulating the resultant audio feedback to create textures that hiss, spin, garble, crackle, crumble and shimmer. Here, the ghosts in his machine dash round the circuit, zapping shots of iterative and indeterminate sounds that hot wire in lightning flashes, building towards quaking crescendos of bulbous noise. An essential for Nakamura fans, and a great starting point too to his prolific catalogue.

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All music made & recorded by Toshimaru Nakamura

Artwork & mastering by Oliver Barrett

Nimb #62

TR012 - Toshimaru Nakamura - Nimb #62 [sample]

ppppplastics！

Tokyo-based experimental electronic musician, playing solo as Stock Photography and Landscape Photography.

Stock Photography — He Made Me

daveknapik

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