I played this over and over on my wedding anniversary. Beautiful. xx

https://bephoanggia.com/dia-chi-mua-bep-tu-vung-tau-chinh-hang-uy-tin.html

https://bephoanggia.com/dia-chi-mua-bep-tu-hue-chinh-hang-uy-tin.html

High Altitude is the first single from Davis John Patton.

The optimal time to play High Altitude is when you're at a bonfire and everyone else goes inside except you and the guy/gal you have always been in love with.

Written by Davis John Patton and Jacob Swegle.
Produced by Davis John Patton and Jacob Swegle.
Album art by Greg Rudolph. http://www.grudolphdesign.com/

Check High Altitude out on Spotify: open.spotify.com/artist/4BXF9pCPS864m8VMjuR4Pl

Lyrics:
Deep breath in, breath it out, to stabilize.
Let my eyes close cause it feels like mountain heights.
Nerves setting in, and we see the hills ahead.
Keep on steady forth cause I have learned not to trust my head.
Just keep your eyes locked ahead.
I know the fear you feel.
Every time you look down, know I've fallen farther than we could.
It feels like high altitude.

High Altitude

Out Now!
Available to stream on Apple Music/Spotify/Tidal/Amazon etc.
Buy on iTunes here: https://apple.co/2nShEIY
Spotify: https://spoti.fi/2I0YoUC
'Rest Your Head' PHYSICAL EP Available HERE: https://bit.ly/2vQFwmC

www.joehicksmusic.com
www.facebook.com/joehicksmusic
www.twitter.com/joehicksmusic
www.instagram.com/joehicksmusic

'Rest Your Head' - Music and Lyrics by Joe Hicks

Produced by Sam Winfield and Joe Hicks
Engineered, Mixed and Mastered by Sam Winfield studio91.net

Vocals, Guitar and Percussion performed by Joe Hicks
Keyboard performed by Sam Winfield
Drums performed by Ed Broad
Bass Guitar performed by Lenny Brown

Artwork by Joe Hicks
Photography by Jack Margerison www.jackmargerison.co.uk/

'Rest Your Head'

I can tell that, you are out of luck,
you’ve lost everything you love that made you whole.
Just a shadow of your former self,
there’s no air for the flame in your soul.

You’ve got to see you can fight this.
Just take a breath and ignite it,
and you’ll feel love, fill your lungs
just gotta believe.

So come and rest your head on me, if you’re feeling low,
cos I can’t bear to find you falling on your own.
I’ll do anything if I see the signs.
You deserve to shine with a blinding light.
So come and rest your head on me if you’re feeling low.

There’s a cloud as black as night in your mind but I’ll,
do everything I can, to help you find gold, linings of gold.

You’ve got to see you can fight this.
Just take a breath and ignite it,
and you’ll feel love, fill your lungs
just gotta believe.

So come and rest your head on me, if you’re feeling low,
cos I can’t bear to find you falling on your own.
I’ll do anything if I see the signs.
You deserve to shine with a blinding light.
So come and rest your head on me if you’re feeling low.

But you’ve got to see you can fight this.
I’m telling you you can fight this.
You’re strong enough to ignite it,
if you can believe.

So come and rest your head on me, if you’re feeling low (feeling low),
cos I can’t bear to find you falling on your own.
I’ll do anything if I see the signs.
You deserve to shine with a blinding light. 
So come and rest your head on me if you’re feeling low (low).
So come and rest your head on me if you’re feeling low.

Rest Your Head

https://open.spotify.com/track/0HgC6qUjWbpm3WYj5oW7oi?si=obeWL7jyRHiiDF3BwN0DwA

Trapped in these woods of mine
Don’t know where to go or where to hide
Would you let me feel the seas
I miss their breeze

A wet narrow path nearby
Shy between the pines in the night
Birds all around making sounds 
But they’re high above the ground

Would you lend me a hand now
Can you show me how it’s done
Can you open my mind now
Being teared up and lonesome
Breathing smoke from burning pride
Can you show me the bright skies
High above the ground

Diseatful swamps ahead
Easier to just stay in the bed
But these legs no they shouldn’t rest
They should walk far from this mess

Would you lend me a hand now
Can you show me how it’s done
Can you open my mind now
Being teared up and lonesome
Breathing smoke from burning pride
Can you show me the bright skies
High above the ground

Would you lend me a hand now
Can you show me how it’s done
Can you open my mind now
Being teared up and lonesome
Breathing smoke from burning pride
Can you show me the bright skies
High above the ground
Would you lend me a hand now
Would you lend me a hand now

Lend Me a Hand

Lost at Sea

Better When We're Together

LET'S ALL GO TO THE PARTY

Two Kids

Changing Choices

Release date: August 31st 2018.
Written by Federico Urgesi, produced by Pietro Cuniberti.

Lyrics:
I hate getting robbed by the foreign exchange
but it always happens when I cross states in my mind
these days I'm volatile
Maryanne stay here, Maryanne go
you've got your man and I drift away slowly
with a burgundy glass and my best attire

We do what we do, we say what we say
but for some reason I always cross your way
we do what we do, we say what we say
blame it on the current, blame it on the waves

Oh the stupid things I'd do to spend time with you
when it was cold outside and we'd share Camel Blues
You know I hate them but I did it all for you
Tonight you dance with him all dressed in black
my vision's blurred, God bless my friends and the red wine
but you are still beautiful

We do what we do, we say what we say
but for some reason I always cross your way
we do what we do, we say what we say
blame it on the current, blame it on the waves

We do what we do, we say what we say
but for some reason I always cross your way
we do what we do, we say what we say
blame it on the current, blame it on the waves

What We Do (Acoustic)

'One With The Mountain’ is the 2nd single from Firewoodisland's 2nd album "Firewoodisland" - out 2020

Written by Stian Vedøy & Abi Eleri
Produced by Stian Vedøy & Simon Walker
Mastered by Propeller Mastering
www.firewoodisland.com

Released by Firewoodisland 27th May 2019

℗ 2019 Firewoodisland

One With The Mountain

Taken from the Album Salt catch Michael Baker on tour
March 19th The Brunswick Brighton
http://bit.ly/39wJpfG
March 29th The Duke Whitstable
free admission
March 30th The Finsbury London 
http://bit.ly/3awkRUf
April 5th The Loft (Above The Kings) Portsmouth

BIOGRAPHY, by NME’s Andrew Trendell
“I lived in my van for two and a half years to pay for the making of my first record,” casually laughs singer-songwriter Michael Baker. “I moved into the van after a typical period of heartache. I had nowhere to go, but it was pretty good actually!” 

From this, you can gather a lot about the Anglo-French troubadour. Mainly, he takes nothing for granted and lives for his music.  

Spending his childhood near Brighton (where he went to the same school as Rag N’ Bone Man), Michael got his first guitar aged eight after seeing Oasis live and needing to learn ‘Wonderwall’. In his teens, the songs soon started to flow. It wasn’t long before the purity of his voice, the direct rawness of his writing and the sheer scope of his sound found him regular gigs and a devoted fanbase – one that only grew bigger and more in love with the release of his magnificent debut album Dust & Bone. 

A soaring collection of heart-wrenching indie-folk and cinematic sounds, Dust & Bone was recorded with Massive Attack collaborator Dan Brown, and was a staggering first showcase of Baker’s ambition and soulful style. “I’m really proud of the songwriting on that record,” he admits. “I was in such a bad place in my life when I made it, but it got such a great response from the people who heard it.”

Early sessions for Salt started when Baker hit the studio with Dan Brown and Oliver Baldwin, who had recently finished making Aldous Harding’s acclaimed album Party with PJ Harvey collaborator John Parish. While promising Michael says ‘’It felt like I needed more time to experiment than we had scheduled in.” So Baker headed back to record and produce the album with long-time friend Ed Martin. 

After discovering that his childhood home would be empty for a few weeks while his parents were in the process of moving away. He went in and stripped everything away, begged and borrowed all the equipment he needed, crammed the band in, drank a lot of wine, got a little stoned and naturally just flowed through the album – playing all day and all night. The recordings were so impressive, that Baldwin agreed to mix the record at Real World Studios and gave the songs a whole new dimension (as well as inviting Jack White’s pedal steel player Maggie Björklund to play on the album too). 
“I absolutely love artists like Cat Stevens and Bon Iver,” says Baker. Salt is a record that maps Baker’s journey through darkness and vulnerability to something a lot more hopeful. 
Among the key tracks that show Baker’s road to recovery, ‘Baby Books’ was inspired by being in close proximity to someone taking their own life – and totally changing the way he saw the world. Single ‘They Look Just Like They Know’ also deals with how “the mind can be a deadly place” and “feeling trapped in the prison of your own vision”. He’s looking for the sunrise on the horizon, too. Baker’s personal favourite ‘Claire’ celebrates the “the beauty of space in a relationship” and the escapist ecstasy of ‘One Good Damn’ has won over scores of new fans with its feel-good magnetism. 

Salt is a towering accomplishment that will win hearts with its adept handling of love, loss and hope, and there’s more to come. For now though, you’re about to get to know the real Michael Baker. “I feel like I have too much of a personal relationship with anyone who says they like my music,” concludes Baker. “I’ve been getting letters and messages from people saying that my songs have got them through a very hard time, and I don’t know how to reply to them other than as if I’d known them my whole life. That’s the way that I would do it. I hope that my music gives them as much as it’s given me.”

Better When We're Together

Davey Russell

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