Name: Delirio - David Ricaurte by David Andrés Ricaurte Ramírez in Improvisado - David Ricaurte
Duration: 4 min 55 s
Description: Mi cuarta canción instrumental. Ha sido de gran bendición poder hacer esto, ya que es otra faceta que no hice. Hacer instrumentales. Disfrútalo

Improvisado - David Ricaurte

Este es el quinto proyecto instrumental del álbum "Improvisado".

Introducing And Improvising - David Ricaurte

Jolla Records presenta el estilo y sentimiento de la cumbia colombiana, con sus notas alegres que invitan al baile y alegran el corazón.

Fiesta y tradición en la cumbia colombiana.

Cumbia y sentimiento - Javier Molina y su acordeón cumbiero

Monday6 is an Albuquerque, NM Rock/Jazz inspired band. 

Lyrics:
YOU KNOW, THINGS JUST GET BETTER
THE LONGER WE’RE TOGETHER
OOH BABY, WE’RE THE BOMB
FROM THE FIRST DAY I GAVE YOU MY HEART
YA, EVERY LITTLE PART
OOH BABY, WE’RE THE BOMB !

THE LONGER WE HOLD ON 
TIGHTLY TO EACH OTHER
NOTHING CAN GO WRONG
AS LONG AS WE HAVE EACH OTHER 
WE’RE THE BOMB
YA, WE’RE THE BOMB

THRU THE FEARS AND YEARS, THE TEARS WOULD FALL
I ALWAYS KNEW, WE’D MAKE IT THRU IT ALL
OOH BABY, WE’RE THE BOMB 
YA, WE’RE THE BOMB


THE TIMES THEY’RE OFTEN TOUGH 
BUT WE’RE MADE OF THAT LASTING STUFF
YOU CAN ALWAYS COUNT ON ME
YA, EVERYONE CAN SEE
WE’RE THE BOMB
YA, WE’RE THE BOMB

FROM THE FIRST DAY I GAVE YOU MY HEART
YA, EVERY LITTLE PART
FROM THE FIRST DAY I GAVE YOU MY HEART
YA, EVERY LITTLE PART
OOH BABY, WE’RE THE BOMB
YA, WE’RE THE BOMB

Written by- Dave Prince
Lead Vocal- Dave Prince
Guitars- Phil Shapiro
Bass- Dave Gray
Drums- Chris Cormir
BG Vocals- Dave Prince/Phil Shapiro/Dave Gray
Percussion- 
Mixed and Mastered by Phil Shapiro

Buy on BandCamp HD

We're The Bomb

Suite for String Orchestra
Duration: 15'
For More Information: https://robertpaterson.com/suite-for-string-orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?main_page=advanced_search_result&search_in_description=1&keyword=%22suite+for+string+orchestra%22

PROGRAM NOTE
Unlike some of my previous works, Suite for String Orchestra is not inspired by an over-arching programmatic theme. Although there are some technical and motivic relationships between some of the movements—particularly the first and fifth—the movements are generally unrelated and are meant to be noticeably distinct. It is in five short movements and is intentionally written in an “old-fashioned,” somewhat archaic style. I initially played around with the idea of titling this work Old-fashioned Suite or Old Time Suite, but there seems to be a sufficient sprinkling of “new fangled ideas” in this work to make these alternative titles seem inadequate.

The first movement, Allegro vivace, is written in a “mid-20th century American” style. My model for a few of the sections in this movement is the evocative, German phrase Sturm und Drang, which literally translated means “storm and stress.”

In the second movement, Trapped waltz, I imagine an ethereal, yet cognizant waltz floating above the stratosphere, looking for a place to rest, but hobbled and shackled by a pounding rock and roll drumset. I see this as a metaphor for the various dances throughout history that have come and gone but are continually vying for attention in contemporary culture. The movement fades out at the end, as if the waltz is eternally looking for a place to settle down. Admittedly, I was somewhat inspired by the collage works of Charles Ives.

The third movement, Nocturne, begins slowly and sadly, and I imagine the pulse in the beginning as similar to the gentle breathing of someone who is asleep. The middle of the movement is much more intense and violent, and the end is as soft and calm as the beginning. The first chair violin and the first chair violoncello have brief solos in this movement.

Although material from the middle of the fourth movement, Balinese scherzo, is derived from a Balinese scale, the beginning is somewhat chromatic and the ending is essentially based on the E-major scale. This movement is distinctive in that the orchestra is asked to play pizzicato almost the entire time.

The fifth movement, Finale: allegro moderato, is the movement that is most reminiscent of the first movement. The ending combines material from the beginning of both the first and fifth movements.

Suite For String Orchestra - V. Finale: allegro moderato

Follow Me

This is my sixth original composition for solo piano. My inspiration is a waterfall with its ever changing mood and sound.

Waterfall

Live acoustic performance on https://www.youtube.com/watch?v=Gez5-hN0-nI

Don't let anything  hold you back....

Don't need another reason, to run way from you
Don't need another excuse to feel the way I do
I don't need anybody holding me back
Just feels like I'm running all the time and I'm always watching my back

OOO, I'm really feeling it now
Watch me fly. The world just keeps spinning in time
Yet I feel, so alive

Why wait until the morning, when reasons calling to you
It seems pretty obvious, when you feel the way I do
I don't need the evening holding me back
just gotta stop holding on
Its just the strength that I lack

Oooo, I'm really feeling it now
watch me fly. The world keeps spinning in time
Yet I feel so alive

You know why, I work so hard, I keep on trying
I Just want to be a better man
I Try so hard, do the best I can
Oh am I a better man, feel like I'm a better man
just living any way I can, feel like im a better man

Ooo, I'm really feeling it now
Watch me fly. the world keeps spinning in time 
Yet I feel so alive

Don't need another reason

Dont Need Another Reason

Written: 2019
Duration: ca. 12'
Instrumentation: flute (doubling piccolo), oboe (doubling English horn), clarinet (doubling bass clarinet), and piano (pianist plays from score)
Commissioned by the Exponential Ensemble, with funding from the New York State Council on The Arts (NYSCA)
World Premiere: Exponential Ensemble, Opera America, Marc A. Scorca Hall, New York, NY, October 30, 2019

MOVEMENTS
I. Pascal’s Triangle
II. Noether’s Theorem
III. Einstein’s Daydream
IV. The Hammers of Pythagoras

PROGRAM NOTE
Relative Theory is a four-movement, ca. 12 minute work for flute (doubling piccolo), oboe (doubling English horn), clarinet (doubling bass clarinet), and piano. Each movement is inspired by a mathematician or theoretical physicist. I was inspired by a story that the commissioning ensemble, the Exponential Ensemble, told me about how much they enjoy performing programs for children that relate math to music. In a fun, yet hopefully meaningful way, the movements of my piece are designed to draw parallels between these two distinct, but interrelated worlds.

The title Relative Theory is a play on words: it loosely refers to Albert Einstein’s famous Special Theory of Relativity, but also to musical theories and theoretical principals that are used between each of the movements. All of these movements are inspired by mathematicians or theoretical physicists, and their theorems and theories inspire the music itself.

In Pascal’s Triangle, triads and intervallic content are structured so as to use binomial coefficients in musical ways. In Noether’s Theorem, the music mirrors her theorem, which states that every differentiable symmetry of the action of a physical system has a corresponding conservation law. Einstein’s Daydream, perhaps the most fanciful movement, quotes a few themes from Beethoven, J.S. Bach and Mozart, three composers who’s music Einstein loved to play on his violin. The work ends with a movement entitled The Hammers of Pythagoras, inspired by a legendary, apocryphal but nevertheless playful tale of Pythagoras passing by a blacksmith at work one day, and discovering that musical notes could be translated into mathematical equations.

There are some fascinating programmatic relations that dictate how thematic materials are used in various movements. Albert Einstein thought very highly of Emmy Noether, a mathematician who never achieved the fame she deserved because she was female. In fact, some of her theories inspired Einstein. Therefore, some of the themes in the second movement are used in the third. Einstein and Pythagoras both figure prominently in music history, albeit for different reasons, so themes from each of these movements permeate back and forth.

Relative Theory was commissioned by the Exponential Ensemble, with funding from the New York State Council on The Arts (NYSCA).

LINKS
https://www.exponentialensemble.com/
https://www.robpaterson.com/
https://robertpaterson.com/relative-theory

EXPONENTIAL ENSEMBLE
Anna Urrey, flute
Kemp Jernigan, oboe
Pascal Archer, clarinet
Geoffrey Burleson, guest pianist

Relative Theory - IV. The Hammers Of Pythagoras

Canción: Improvisado

Artista: David Andrés Ricaurte

Álbum: Improvisado


Esta canción es mi primer proyecto en lo que respecta a la improvisación

Improvisado

Segundo sencillo del álbum "Improvisado". 
"Impredecible" es la canción que define algo sencillo, pero que no se puede esperar mucho.

Impredecible - David Ricaurte
Álbum: Improvisado

Impredecible - David Ricaurte

Tercer proyecto instrumental, espero que les guste así como a mí.


Pragmático - David Ricaurte

Mi cuarta canción instrumental. Ha sido de gran bendición poder hacer esto, ya que es otra faceta que no hice. Hacer instrumentales. Disfrútalo

Delirio - David Ricaurte

About finding that one and only person but losing them tragically

Miles and Miles

Trolls in the Cloud

Tres

So Beastly

Far from home
The past is a foreign place
Never caught up to the leaders of the race

Far from Home 
In a future I fear
It must be nice expressing that clear

Far from home 
These rules are aimed at me
Everything moves to keep me
From being free

Far from Home 
But I never took a step


Far from home
The past is a foreign place
Never caught up to the leaders of the race

Far from Home 
In a future I fear
It must be nice expressing that clear

Far from Home 
But I never took a step
Time moves foreward but my mind never left

Far from Home
If I run I might catch up

Far from home

far from home.

Far From Home

Músico independiente. 
https://youtu.be/_v3mceRSJhI

Delirio - David Ricaurte

David Andrés Ricaurte Ramírez

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