first light - recorded as a part of the REVIEL 2020 Event for 'International Dawn Chorus Day': streams.soundtent.org/2020/streams/utc-8_mt-shasta

Reveil is a collective production by streamers at listening points around the planet. Starting on the morning of Saturday 2 May in South London near the Greenwich Meridian, the broadcast will pick up feeds one by one, tracking the sunrise west from microphone to microphone, following the wave of intensified sound that loops the earth every 24 hours at first light.

In 2020 Reveil featurea new streams from places where humans and non humans meet, in soundscapes often radically altered by the Covid-19 pandemic. Many of these these streams come from from homes and gardens as people make connections between the the domestic spaces where they find themselves.

Themes of connection and collective practices addressing changes in public space inform the program of extended radio projects that accompanies the Reveil broadacast. Supported by Arts Council England originally as a series of site specific commissions, these have become virtual projects that respond directly or oblquely to the current situation. They help to recollect kinds of sociability that have been lost and point to others on the way. This is imagined sonically as an acoustic commons in the making.

David Blink - Pantheon Steel Halo: Onoleo & singing bowls
Tristan Behm - Guitar & Singing Bowls
Sisson Meadow Wildlife - Soundscape
Rob Mackay - Flute (recorded in real-time from Leeds, UK)
Recorded live and streamed on 5/2/2020 in Sisson Meadow, Mt Shasta, CA

https://followingtheflightofthemonarchs.com

first light - REVIEL 2020

With a focus on contemplative sound art practices, a noisy silence exists to help us listen more carefully to the world and to ourselves.

2̶0̶2̶0̶ IT'S  a POST-PANDEMIC 🌍 ON A MASSIVE MUSIC CONDOMINIUM, finally,
a sound emission FINDER, long time . . . . as well, 
MORE NOISES IN audius.co/txabhier
DRUMS on  #TRAP     #DUBSTEP,       #BASS   ,  #  .  .  .  .  .                                                                                   LIRICS  on    #HIP-HOP  #PHONK      #  .  .  .  .  .
GO BIG & GO HOME, 

Banner Artwork: @xabier-1 

http://projectvibe.net/
FESTIVAL GUIDE 2019
https://issuu.com/diymagazine/docs/diy_festival_guide

DIY MAGAZINE FREE ISSUE JANUARY 2022
https://issuu.com/diymagazine/docs/dec_2021_jan_2022_issue_114_digital,          
https://discord.gg/AkuAtRp
and X's
A SOUNDS SHARE PROJECT SYSTEM, JOINED 2014
WORLD WIDE , X headquarters in the jungle near, Zimbabwe
 https://soundcloud.com/eekkss
Family: @phuturecollective  
Special thanks to people such as : michael by https://soundcloud.com/phuturecollective   & YOU for listening
#xabierotaeche
Rhode Island School of Design (RISD)XYZ MAGAZINE SUMMER 2020
https://issuu.com/risd/docs/risdxyz_springsummer_2020_web
https://linktr.ee/xabier

Kind of                                    

                                in world                
and word

        

                                                          


     

Leah Barclay is a sound artist, designer and researcher who works at the intersection of art, science and technology. Leah's research and creative work over the last decade has investigated innovative approaches to recording and disseminating the soundscapes of terrestrial and aquatic ecosystems to inform conservation, scientific research and public engagement. Her work explores ways we can use creativity, new technologies and emerging science to reconnect communities to the environment and inspire climate action.

Leah has been the recipient of numerous awards and her work has been commissioned, performed and exhibited to wide acclaim internationally by organisations including the Smithsonian Museum, UNESCO, Ear to the Earth, Streaming Museum, Al Gore’s Climate Reality and the IUCN. Leah’s augmented reality sound installations have been presented across the world from Times Square in New York City to the Eiffel Tower in Paris for COP21.

Leah leads several research projects including Biosphere Soundscapes and River Listening that focus on advancing the field of ecoacoustics. The design of these interdisciplinary projects are responsive to the needs of collaborating communities and involve the development of new technologies including remote sensing devices for the rainforest canopy and hydrophone recording arrays in aquatic ecosystems.

Leah is a lecturer and researcher at USC Sunshine Coast, Australia.