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» Cherokee - Teenage Fantasy (Glen Check Remix)
From Cherokee's EP "Teenage Fantasy"

Lyrics and vocals by Gibbz
@gibbzmusic

Remix by Glen Check
@glen-check

Get the EP:
bit.ly/BuyTeenageFantasy

Original illustration by Marika Tamiazzo
www.facebook.com/aymarieke

Teenage Fantasy (Glen Check Remix) [feat. Gibbz]

English Rose

Albatross

The Second Album + The First Rehearsal Tapes

Dream Baby Dream

"Lose Your Smile" / "Alien" - Release Day: October 23, 2018
Spotify: https://u.subpop.com/2PtTRdW
Apple Music: https://u.subpop.com/2O7Mah9
Sub Pop Mega Mart: https://megamart.subpop.com/releases/beach_house/lose_your_smile_alien

Beach House: http://www.beachhousebaltimore.com/
Facebook: https://www.facebook.com/beachhouse
Twitter: https://twitter.com/BeaccchHoussse
Instagram: https://instagram.com/beaccchhoussse/

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
Instagram: ttps://www.instagram.com/subpop
MegaMart: https://megamart.subpop.com/
Podcast: http://subpop.fm/

Beach House - Alien

Tints (feat. Kendrick Lamar)

Link to Gravedigger:  https://ffm.to/mxmsgravedigger

MXMS is short for “Me and My Shadow" and is singer Ariel Levitan and multi-instrumentalist Jeremy Dawson.   The self-produced duo from New York City and small-town Oklahoma creates funeral pop fusing classic melodic songwriting with dark unfiltered chaos driven by a thousand forms of fear.

“Gravedigger” is both a winter cry of sexual freedom and an macabre warning to future ill-intended suitors of Ariel.  Moving gracefully through a flow of grinding synthesizers and drum machines, Ariel reveals her story that twists from danger to desire with a dash of resentment singing:

Six deep swim with fish
floating on the river
You're going on a devil dance
do the Macarena
black on my eyes
and they cold as a cadaver
i'm immortal motherfucker
can't see me in the mirror
 
Using visual audio and cinematic foley, producer and keyboardist Jeremy Dawson weaves samples of fire, car crashes and electrical storms with crushed beats and oscillating bass to push the lyric into a viewable interpretation.   It’s a future forwarded peak hour low tempo banger with a dead-end result for the antagonist.

Who

David Byrne

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