"Shades of Anger," Rafeef Ziadah

Allow me to speak my Arab tongue
before they occupy my language as well.
Allow me to speak my mother tongue
before they colonise her memory as well.
I am an Arab woman of color.
and we come in all shades of anger.
All my grandfather ever wanted to do
was wake up at dawn and watch my grandmother kneel and pray
in a village hidden between Jaffa and Haifa
my mother was born under an olive tree
on a soil they say is no longer mine
but I will cross their barriers, their check points
their damn apartheid walls and return to my homeland
I am an Arab woman of colour and we come in all shades of anger.
And did you hear my sister screaming yesterday
as she gave birth at a check point
with Israeli soldiers looking between her legs
for their next demographic threat
called her baby girl “Janeen”.
And did you hear Amni Mona screaming
behind their prison bars as they teargassed her cell
“We’re returning to Palestine!”
I am an Arab woman of colour and we come in all shades of anger.
But you tell me, this womb inside me
will only bring you your next terrorist
beard wearing, gun waving, towelhead, sand nigger
You tell me, I send my children out to die
but those are your copters, your F16′s in our sky
And let’s talk about this terrorism business for a second
Wasn’t it the CIA that killed Allende and Lumumba
and who trained Osama in the first place
My grandparents didn’t run around like clowns
with the white capes and the white hoods on their heads lynching black people
I am an Arab woman of colour and we come in all shades of anger.
“So who is that brown woman screaming in the demonstration?”
Sorry, should I not scream?
I forgot to be your every orientalist dream
Jinnee in a bottle, belly dancer, harem girl, soft spoken Arab woman
Yes master, no master.
Thank you for the peanut butter sandwiches
raining down on us from your F16′s master
Yes my liberators are here to kill my children
and call them “collateral damage”
I am an Arab woman of colour and we come in all shades of anger.
So let me just tell you this womb inside me
will only bring you your next rebel
She will have a rock in one hand and a Palestinian flag in the other
I am an Arab woman of color
Beware! Beware my anger…

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Shades Of Anger

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🪇  Sancho  🪇

"Soltame" es un track emo, porque no toda la música latinoamericana es feliz o pachangosa. Es un homenaje folclórico a la tristeza, que toma prestado Where Is My Mind de Pixies sobre una base de house-guaracha-avantpop, con vocales de 2AT.

"Soltame" is an emo track, because not all Latin American music is happy or pachangosa. It’s a folkloric tribute to sadness, borrowing Where Is My Mind by the Pixies over a house-guaracha-avant-pop base, featuring vocals by 2AT.

NUEVO ALBUM KARTUCHO por 2AT disponible el 25 Jul en todas las plataformas! 

soltame surge es un sencillo 
como puedo sentir 
solo quiero salir 
no hay luz no hay paz siempre igual todo lo veo gris 
como ser feliz 
si esto no tiene fin 
despertame cuando se pare de sufrir 
como ser feliz
si esto no tiene fin 
despertame cuando vuelvas a sonreir

vocals: 2AT 
mix/master: 2AT

FOTO: Julian Franco https://www.instagram.com/julianrfranco/
FOTO ASISTENCIA:  https://www.instagram.com/delirio.furioso/
VIDEO : Tilo Gómez https://www.instagram.com/tilo_tranquilo/
DISEÑO: 2AT 
MUAKK 2025

Soltame [ surge ] ::: 2AT exclusive

Enjoy this new edit for bumping your sets or bumping your ass in the car ! 
Love 

S/o Zola for the classic and intemporel "Extasy"
S/o Fonzo for tha bassssss "Roaming" 
S/o Romain Pisa for the Artwork  



EXTASY - ZOLA ( UKGBass Edit)

Following their contribution to Superclasico Vol 2., @tomsobolikmusic officially joins the Clasico family in a major way!

Five new tracks from one of the US underground’s most exciting voices, Heavy Eyes finds Sobolik refining their sound while reconnecting with their roots. Written over eight months between June 2024 and February 2025, the record came out of a moment of recalibration. After a run of dense, chaotic releases, Sobolik stripped things back and turned their focus to groove and percussion, gravitating towards techno, tribal house and dubstep for inspiration – but never long enough for any one genre to define them.

The result is a set of tracks that balance dissonance and playfulness, with a renewed emotional core. “I wanted to hone things down,” they explain. “None of them are straightforward bangers, but they’re all playful, charged, and connected to the deep reverence for pop music that’s always driven me.”

Musically, the EP takes influence from Trekkie Trax, 85 Acid and Yaleesa Hall, late-‘00s dubstep pioneers like Appleblim and Peverelist, and the DJ worldbuilding of CCL, Gigsta, Objekt, and Kiernan Laveaux. But at its heart, it’s rooted in Sobolik’s most formative experiences in the North American underground, channeling the unbridled spirit of DIY raves like Montreal’s Layer05 and STM, Philadelphia’s Chrysalis and Concréte, New York’s Groovy Groovy and TOSSD, and of course Sobolik’s own Antidote nights. “This music is for those floors,” they say. “The places that captured my heart.”

As their seventh EP, Heavy Eyes feels like a sure step forward. “It comes from me DJing more, deepening my knowledge of how dance music works on the body and on a crowd,” Sobolik reflects. “I feel more confident now, put less pressure on myself – and I think the tracks are cleaner, more distilled.” That maturity doesn’t come at the expense of personality, though: this is still music full of texture, humour, and an air of “why the fuck not?”

The EP closes with a remix from Swedish innovator Peder Mannerfelt – ‘business (techno) in the front, party in the back’ personified and one of Sobolik’s earliest inspirations. “He’s been flying the flag for freaky, fun, bassy techno for years,” Sobolik says. “His tracks set my gold standard for dancefloor music – I did not expect he’d be so immediately down to remix my material, and I’m really humbled by his support.”

With Heavy Eyes, Sobolik delivers their sharpest and most focused work yet: club tracks that are fierce and frenetic, but also deeply earnest.

Perc Loop Princess is the second single on the EP, before Heavy Eyes drops in full on October 2.

All tracks written and produced by Sobilik in Queens.
Mastered by Alex Gordon.
Remix mastered by Wordcolour.
Artwork by All Purpose Studio.
Cover photo by Thomas Sobolik Sr.
Released by Clasico Records | Catalog #: CCO011

☆

Heavy Eyes

Sobolik – Perc Loop Princess

DEFLEE - Salimo En Bar [HEADONISM 091]

Dans les profondeurs d’une jungle mystérieuse, une femme entame sa traversée. Les lianes l’entourent et les tambours au loin résonnent comme un cœur ancien, rappelant que la terre, elle aussi, est vivante.

Les percussions deviennent ses guides. Les nappes et les textures dessinent autour d’elle un paysage sauvage où chaque fragment sonore agit comme un sceau, ouvrant les portes d’un monde secret.

C’est la première étape du voyage : une immersion dans l’ombre, un rite d’ancrage, une marche dans l’épaisseur de l’inconscient où chaque pas résonne comme une pulsation.

Ici, le féminin sauvage se rappelle à elle, brut, instinctif. Elle sent la puissance de ses racines, de sa propre noirceur, cette part d’elle-même qu’elle avait longtemps contenue. Dans cet espace obscur, elle se confronte, se dépouille, mais se découvre aussi : son corps reprend sa place et sa vulnérabilité se transforme en force.

Puis, au cœur de la jungle, une ouverture se dessine. La lumière perce les feuillages, et avec elle, une métamorphose. Le rythme change, il devient plus rapide, plus festif. Elle rit, elle vibre, elle danse. Ce n’est plus une lutte, mais une célébration. La techno embrase l’espace, cercle incandescent où l’énergie se libère.

Dans cette seconde phase, elle n’est plus seulement une voyageuse : elle est une initiée. L’ombre et la lumière se sont réconciliées en elle. Le féminin intérieur s’exprime librement, sensuel, sauvage, solaire. Elle comprend que sa force ne réside pas dans le contrôle, mais dans l’abandon, dans la capacité à accueillir la pulsation du monde et à la transformer en mouvement.

Dans cette jungle sonore, elle a retrouvé son feu, sa lumière, et la joie profonde d’être pleinement elle-même.

[ À toutes les femmes, mes sœurcières, je vous souhaite le meilleur ! ]

With love
S.

Salomé Dv - Lost in Drumland

Here is my Boom Festival 2025 set. I love this festival from the bottom of my heart. The spirit of oneness and connection on the dancefloor is strong. Everybody is plugged into the source. As an artist and raver, I can be 100% myself. 

This set is quite introspective for such a big stage. I find that for Boom, a flowing, psychedelic approach works better than playing banger after banger. I learned this after witnessing Wata Igarashi deliver a super deep yet thoroughly satisfying set here two years ago. Story trumps climax.

Watch on YouTube: https://youtu.be/5DclrbW5niI

🪇 Sancho 🪇

David Chpt

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