A microtonal piece that plays with tension

Deep Field Starlight

It's a ah, it's a music! :D
Recommended Use: put it in your ears to make them happier than they were before.
Other Uses: makes plants grow in reversed time; repels insects and some gnomes but remember, only *some* gnomes, so don't rely on it in too tight a spot; and, of course, attracts fairies to dance with in the night.
Troubleshooting: if you don't like a section than try skipping ahead, it's kind of a steadily building song so it can get rather repetitive.
Good Luck! :D

Night-Dancing In The Park With The Fairies By The Generator

Lyrics:

one day I left
and sailed away
one day I wept
and cursed this way

"shrivel on the barren beam
and weaken in your weakest seam
and wander on for weeks on end
and walk in streams of mud instead

of placing foot upon the road
may soles and soul slowly corrode
I wish a million things for you
all vile a-style and all come true"

back upon the land
back upon the land

The Curse

The Curse (Lyrics In The Description)

The title says it all folks.
(Also the alternate name *is* a Lemon Demon reference!)

Dial Tones When They Think We're Not Listening (aka Dial - Source Orchestra)

I wrote this because I felt somewhat tied up in knots when it came to romantic relationships and I just felt that I should try to art my way out of it. Hopefully it's goodish.

The Knot

AAAAAAAAAAAAAAAAH!
furthermore
AAAAAAAAAAAAAAAAH!
in conclusion
AAAAAAAAAAAAAAAAH!

A Requiem For Sanity

Instead of a description I'm going to put lyrics here, hope you don't mind.
Lyrics

walking on up an Autumn hill
whispered wisps in the little chill
crisp steps in awe of it
what more could all love wish

we reach the top and we see
magic color-changing trees
holding hands, gentle touch
shouldn't this then be enough?

my foolish heart asks for more
what the world has in store
I must be mad to pine for cold
when drifts of snow come to enclose

but then I'm mad surely then
lost long ago playing pretend
the world is not perfect and I am a fool
whose journey will reach to the end of the spool

laaa laa laa la
laaa laa laa laa

Leafing

Invisible Rays Of Light

A slowly building enigmatic track which grows steadily more habitable. Evokes the feeling of exploring the deep ocean and finding undersea volcanic chimneys with strange creatures gathered around to harvest the chemistry. A sunken ship awaits and motes of symmetrical dust float like stars in the packed crushing void of all that is not yet known.

I tried to make it feel like a trip to the bottom of things. A musician will often see more in their songs than others will. So if I succeeded is something only you can truly know. :)

Good luck in your voyage through leages and leages of darkness, be careful which lights you steer towards ;)

benthic stars.wav

hi I'm Pine I like making experimental music using any available good (to me) sounding technique. Some of my songs have weird structures just because I have almost no interest in playing music which already exists or imitating what has come before. I want my music to be a true exploration of the human appreciable areas of the combinatorial possibilities of sound without boundaries inherent in any genre, tempo, fundamental frequency, key, scale, pitch, or any other non-truly-fundamental concepts other than frequency, amplitude, and time. What keeps me up at night is the question of *exactly what* about the spacing of the sequences of frequencies in a major or minor chord causes the feeling of sadness or happiness within it? We feel it deeply across cultures and contexts, what scientifically is causing it? Can we begin truly engineering sound once we understand that? maybe just a little better than before, but it’s still beautiful to imagine. My music is often strange because I am strange and appreciate its mirroring of myself, perhaps with a bit of hubris. I want to make music which sounds like litterally or metaphorically nothing else... so far it's been hard to market as anything other than minimalistic (because minimalist-likers have more patience with potentially good music).
I dream of a total work of music made with every single not planned beyond mere orchestration... so far that's wildly over-ambitious to do in practice.

David Hall Siriani