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PANOM NOPPORN-SAO BAN POK PAB

Taken from the Do You? EP out 18 Nov
FEP013

Do You

Do You?

Reginald Omas Mamode IV - Do You?

Released 28th October 2013 on Brownswood Recordings. 

Gang Colours' sophomore album 'Invisible In Your City' is out now:
https://itunes.apple.com/gb/album/invisible-in-your-city/id684910263


iTunes

Gang Colours - Why Didn't You Call? feat. Lulu James (Kelpe Remix)

Out now on Glitterbeat Records
Get it here: http://glitterbeat.com/glitterbeat_store/

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GDEIM IZIK 
(English translation)

I witnessed the horror and the torture
that the voices accuse you of.
I saw the young victims
in your prisons of death.
Proof of this,
are the events of Gdeim Izik.

The oppression made news in the media
against this people that challenged you,
when they claimed back their land and its riches
and peacefully erecting Gdeim Izik.

Surrounded by the break of dawn
and the violent troops
that support this monarch
in his attempt to intimidate
the masses of Gdeim Izik.

How many prisoners are in your cells
and how many kidnapped and missing
by your hands
in the occupied cities,
the sovereignty of the people is
inevitable.

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Voiced with deep passion and grace, Aziza Brahim's music adeptly travels the expanse between her Western Saharan roots and Barcelona, the European cosmopolis where she now lives. Aziza is both a contemporary sonic poet and a prominent and eloquent spokesperson for the Saharawi people and their ongoing struggle for recognition and justice.

Born and raised in the Saharawi refugee camps lining the frontier between Algeria and Western Sahara, Aziza’s life has been marked by both daunting hardship and inspired will. Fleeing from these camps and the regime of political oppression that followed Morocco’s 1975 invasion of Western Sahara, as a young teenager Aziza travelled to Cuba for her secondary school studies. There she experienced first hand the deep Cuban economic crisis of the 1990’s and the subsequent denial of her request to pursue a university degree in music.

Music had been Aziza’s passion since she was a small girl and despite this setback she returned to the Saharawi camps in Algeria and began singing and playing in different musical ensembles, a process that continued when she moved to Spain in the year 2000. There she founded the eclectic Saharawi/Spanish band Gulili Mankoo with whom she released two acclaimed self-produced recordings: the EP “Mi Canto” (2008) and an album “Mabruk” (2012) both on Reaktion, a French label specializing in Saharan music. In the last years Aziza has performed extensively appearing at major festivals and venues including WOMAD Cáceres (2012) and Queen Elizabeth Hall in London (2009).

Aziza’s new album Soutak (“Your Voice”), her debut for the Glitterbeat label, is her first recording to predominantly focus on the cadence of her majestic voice and the soulful critique of her lyrics. The album was produced by Chris Eckman (Tamikrest, Ben Zabo, Dirtmusic) and was recorded live and direct in Barcelona in June of 2013.

In the liner notes to the album Aziza describes her vision for Soutak:

“Feeling the need to make an acoustic record, I imagined a somewhat modest musical outline, which would not involve too many instruments and in which the voices would take the expressive emotional lead. I wanted to further explore the range of possibilities found in the Haul, the Saharawi’s traditional rhythmic sources, played on the tabal and a source of inspiration for the Desert Blues.”

The hand picked band she assembled for the album consists of Spaniards Nico Roca (percussion) & Guillem Aguilar (bass), Malian Kalilou Sangare (acoustic lead guitar), Aziza’s sister Badra Abdallahe (backing voice) and in addition to singing, Aziza contributes acoustic rhythm guitar and the tabal, the traditional Saharawi hand-drum.

The music on Soutak is a powerful and nuanced mixture of musical cultures and features Malian, Spanish, Cuban and contemporary Anglo-European motifs all held together by Aziza’s deeply rooted knowledge of traditional Saharawi song and sound.

Throughout Soutak, the band frames Aziza’s voice with dignified restraint and leaves unvarnished space for her lyrics, lyrics which range from the sharply political “Gdeim Izik” (named after the “Camp of Dignity” crushed by the Moroccan-backed authorities) to the whispered enigmas of “La Palabra/The Word” (“Cradled by the wind it left/ it went around the world and returned/ and there beyond the word was heard”)

The song “Julud,” dedicated to Aziza’s mother, is possibly the most emblematic song on the album combining intimate and stark desert poetry with an unyielding faith in the Saharawi political struggle:

You are like the night and the stars/ Your voice goes beyond the top of the clouds/
You are the smiling breeze of today/ You are an example of humanity and of fight.
Resist, immortal, resist.

Though the songs on Soutak can be unsparing in their details of oppression, there is more often than not a “smiling breeze” to be found. Aziza’s essential voice, headstrong commitment and subtly inventive music are that breeze.

With Soutak Aziza Brahim has delivered an empowered flight to freedom; an alternative world where hope is imminent and dancing is justified.

Aziza Brahim:
Homepage: www.aziza-brahim.blogspot.com/
Facebook: www.facebook.com/aziza.brahim.official
Twitter: twitter.com/AzizaBrahim1

Glitterbeat Records:
Homepage: www.glitterbeat.com/
Facebook: www.facebook.com/Glitterbeat
YouTube: www.youtube.com/user/glitterbeattv
Twitter: twitter.com/Glitterbeat_Rec

Aziza Brahim - Gdeim Izik

Ibibio Sound Machine are set to release their debut LP through Soundway Records. Fronted by British / Nigerian vocalist Eno Williams, they combine elements of West African highlife, disco, post-punk & psychedelic electro soul. Preceded by the pulsating first single 'Let's Dance', ‘Ibibio Sound Machine’ will be released 17th March.

Folk stories, recounted to Eno by her family as a child in her mother's South-Eastern Nigerian Ibibio language form the creative lyrical fabric of the album. A large dose of electronic elements and an approach as influenced by London as much as by West Africa, give the vocals and guitar lines space to breath without being overwhelmed.

From the banging sub-bass of 'Lets Dance' to the spiritual, gospel-tinged notes of the album's opening track 'Voice of the Bird', the band have turned in a dynamic and, at times, beautiful take on modern afro-soul music.

The 8-piece live band made their official live debut at this year's Transmusicales in France and will be a name to look out for in 2014

Pre-order

Ibibio Sound Machine - The Talking Fish (Asem Usem Iyak)

Taken from Melanie's second album 'No Deal'. Out now and available to order below.

iTunes: http://smarturl.it/nodealitunes
CD: http://smarturl.it/nodealcd

No Deal

The Flow

Buy the 'Patterns' EP on iTunes: http://po.st/Patterns

Premiered by Annie Mac on BBC Radio 1 on April 18th, this is Tourist's new track 'Patterns' featuring Lianne La Havas - taken from the 'Patterns' EP.

The 'Patterns' EP is out now on Method Records (UK) and on Monday Records (US/Canada).

Tourist Apparel: http://touristmusic.com/store

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