Nyt for mig

Watusi_Oio Gere (Alkalino rework)

First single from the album APIAFO out on september 27th on  Hot Casa records.   Available on a 7'' vinyl worldwide in may 2014.

written and composed by Peter Solo, played by the band Vaudou Game.
www.facebook.com/vaudougame

All songs from the album are based on authentic vaudou chants and songs' scales from Togo and Benin

management and booking : Antoine Rajon 
antoinerajon@mac.com   
with the help of www.metiola.com



'Pas Contente' Feat Roger Damawuzan

Gnonnas Pedro Et Ses Dadjes-Dadje Von O Von Non

http://www.mrbongo.com/product/seu-jorge-carolina-1109

http://www.mrbongo.com/product/carolina-lp-1304

Debut album from the City Of God and Life Aquatic star Seu Jorge, co-produced by Mario Caldatto of Beastie Boys and Planet Hemp fame.

Seu Jorge - Carolina

Pre-order:  https://habibifunkrecords.bandcamp.com/releases

Habibi Funk will be a new sub label of Jakarta Records, dedicated to re-releasing arabic music from the 1970s and 1980s. It's a label and platform for funky/soulful and/or psych influenced music from the Arab world of the 70s and 80s.

https://www.facebook.com/habibifunk

Dalton was a band from Tunis, the capital of Tunisia. They came together as a band around 1968 when most of the members studied together at the University of Tunis. The band had five members. Faouzi Chekili on guitar, piano and vocals, Ridha Kouhen on bass guitar, Mustapha Rehouma and sax and percussion, Sadok Gharbi on trumpet and vocals and Skaner Alim on drums and vocals. They were active in the local scene, playing music that was heavily influenced by American soul and funk and at the same time regional musical traditions. In the early 70s the band got a regular gig at a beach hotel called Sahara Beach Resort on the coastline of Tunisia. They had six month contracts for a couple of years in the early 70s and during that time they would play every single night of the tourist season. While the hotel gig required the band to play sets leaning      towards tourist entertainment, the regular work helped put some money into the band's accounts. Using those funds the band was able to travel to Rome to record their one and only 7“ single release "Alech" around 1971/1972. The band eventually dismantled in the mid 70s and returned briefly as a new group with new members in the late 1970s under the name Carthago but that is a different story…… 

"That "Soul Brother" is my jam…. !!!!" 
Lefto 

The single itself impressed us heavily when we first stumbled upon it through French collector Victor Kiswell. While the b-side "Soul Brother“ sounds like a Tunisian version of modern soul / AOR with it’s English lyrics and lush arrangements, the title track "Alech“ is the one that will get every party started. An infectious 3/4 rhythm, a great horn arrangement and brillantly layered vocals that made us think of Brazillian music or the Georgian groove band Gaya. Luckily Faouzi Chekili, the former band leader and composer uses social media communication so he was easy to track down. He is still active as a renowned musician in the Tunisian jazz scene and remains active recording and playing concerts both in Tunisia and internationally.

Restored and mastered by Roskow at Audiomoto Studios.


Habibi Funk 001: Dalton - Alech (Tunisia, 1972, pre-order link in description)

Africa 45, number 10 - http://www.mrbongo.com/products/alemayehu-eshete-telantena-zare-girma-beyene-ene-negn-bay-manesh-7

A: Alèmayèhu Eshèté - Telantena Zaré

The second time Eshete - aka the Ethiopian James Brown aka Abyssinian Elvis - has appeared in the series to date. This time in jazzier form. Upbeat piano, guitar and distinctive vocals accompanied by tough but subtle drums.

Originally released on 7” on Amha Records AE 780 in 1974. Needless to say, it’s nigh on impossible to find.



B: Girma Bèyènè - Ene Negn bay manesh

Reminiscent of the great works of Mulatu, ‘Ene Negn bay manesh’ is a beautifully deep groover, featuring Beyene’s vocal - unusual for him; he usually recorded instrumentals - subtle guitar, organ and horn lines.

Originally released, once again, on Ethipion label Amha Records AE 210, in 1969.

BUY VINYL

Girma Beyene - Ene Negn Bay Manesh

Saci Pererê

Miss Cheryl

Trio Mocotó

Swinga Sambaby

Ben Brasil

Dança Que Isso É Sambafoxé

Puro Suingue

Taj Mahal

Free Download

Natureza Viva (LLF Rework)

Bola Johnson - Lagos Sisi(Afrostrut Rework)

Luiz Bonfá - Seville

https://www.mrbongo.com/products/mr-bongo-record-club-volume-three-vinyl-2-lp-cd

Volume Three in the Mr Bongo Record club series. Another showcase of recent vinyl finds and favourites from our DJ sets and radio shows. This is an extra special one however, as it lands in 2019, the year that we celebrate 30 years since it all began way back in 1989.

Compiled by David Buttle and Gareth Stephens, assisted by Graham Luckhurst and Gary Johnson.

Mr Bongo Record Club Volume Three

Don’t Stop (Unreleased Long Version)

Ya Raiyat’ is the product of a traditional Yemeni folk song, dismantled and reformed by El Khat and Yemeni inventor, carpenter and music producer Eyal El Wahab. 
Recorded in Eyal's backstreet studio in Tel Aviv filled with mics, speakers and a lot of junk much of which has been repurposed and turned into instruments of every persuasion. 

Sung in Yemeni Arabic, it features a series of handmade instruments including the self-named 'Kearat', a large steel bowl with a piece of wood, some nails and screws and 6 strings sounding like a Banjo-Bass as well as a fuel plastic container and olive oil containers. 
There’s a Pancello as well, which is played with a bow like a cello made out of a saucepan, broken shelf and rope. 

Khat is the natural plant chewed in Yemen and across the Arabic world. 

'Ya Raiyat' comes from a debut album by El Khat set for release later this year.

7inch Vinyl

El Khat - Ya Raiyat - يا راعيات (Single)

Happy New Year!

Grab yourself 10 free tracks. Some of our favourites, things to look forward to in 2013, and a final track tribute to the late great Terry Callier.

Get it from http://vibedeck.com/mrbongo

1. Ebo Taylor - Heaven
2. Hollie Cook - Crying Dub
3. Tom Ze - Sao Paulo
4. Incredible Bongo Band - Last Bongo In Belgium
5. Novalima - Machete
6. Salvador Trio - Tristeza
7. Prince Fatty - Kung Fu Battle Ina Brixton ft. Horseman
8. Joyce - Aldeia De Ogum
9. C.K. Mann & His Carousel 7 - Asafo Beesuon
10. Terry Callier - Lazarus Man (Live)

Ebo Taylor - Heaven

After the successful "Lupita" 7inch in April 2020, Matasuna is delighted to reissue another Latin gem from "Nico Gomez And His Afro Percussion Inc.". "Baila Chibiquiban" is also a killer cut, which is now finally available again on 7" single. The original version is complemented by a great edit by Frenchman "Tonton Boom" (aka "Mr. Boom"), who had already attracted attention as a digital promo some time ago. For this official release, his version got a new analog mix at "Microgroove Studio" in Toulouse to sound better than ever. Another essential 7inch for every record collection.

"Joseph Van Het Groenewoud", who would later become known as "Nico Gomez", was a musician & composer from the Netherlands. He spent his youth in the Antilles, Cuba and other islands of the Caribbean, which had an unmistakable influence on his music. As a passionate musician and skilled guitarist he was familiar with the typical rhythms and melodies of this region. Later he returned to the Netherlands, before fleeing from there to Belgium in 1946 to escape from serving in the Dutch army in Indonesia. From then on he called himself "Nico Ooms". It's said that he was so obsessed with Cuban music that he changed his name to "Nico Gomez" - in any case, the name fit better with the Latin American music he brought to the stage. He had made a name for himself as a composer and arranger for various artists and orchestras – e.g. he wrote for "Los Chakachas", a well-known Belgian Latinsoul combo. But he also conducted the "Nico Gomez Orchestra".

One of the most sought-after recordings was the 1971 album "Ritual" by his band "Nico Gomez And His Afro Percussion Inc.". It is considered one of the best Afrolatin albums of the 1970s - especially once this masterpiece was (re)discovered by Djs and its popularity soared. The album is a tasty mixture of Latinfunk grooves, deep Afrosoul and Chicano rock influences like fuzzy guitar and heavy organ.

The original version of "Baila Chibiquiban" on the A-side is a killer latin psych funk tune written by Nico Gomez. A distinctive bassline, fuzz guitar, deep rhodes, tons of breaks and soulful vocals make a funk monster that burns everything down.

Mr. Boom's version on the B-side takes the original even further, to underline this not only on the percussive side. His new arrangement continuously heads towards the climax, which is interrupted by a break to create new tension. Already successfully tested, this edit - which was longed for by many on 7inch - will get a permanent place in record bags and make dancefloors explode.

Nico Gomez And His Afro Percussion Inc. -  Baila Chibiquiban (Original)

Didn't I

Didn't I (Dave Allison Rework)

Lenox

Lenox (feat. Jamire Williams & Dwight Trible)

The Brazilophile is back! Italian jazz don, Nicola Conte 
(Blue Note, Universal, Schema) returns from another voyage in time with Viagem 5, a collection of 17 sizzling tracks recorded during Brazil’s troublesome yet prolific decade of 1960s and beyond.  As always, Nicola re-discovers rare jazz samba, bossa and swinging mpb recordings of stunning beauty and intoxicating swing, making Viagem 5 a possible contender for best volume yet of this connoisseur series.


Nyt for mig

David Lundmark