Name: Rocking horse by David. k. A. Spencer. in The goods
Duration: 4 min 57 s
Description: Jungle dub reggae funk house 🇧🇴 Music & Artwork D. k. A Spencer

Love your upbeat inspirational sound man. So Alive!!

Roping in the fun here! I'm virtually galloping with glee, David! Spaghetti Western meets House! Clever & well done!  😍🙌🏻💯😎😎 +Rawhide! RIDE on>> Frankie Laine would be proud & probably kick up a spur! ;)

I remember this 🙂Absolute Classic!! Fresh every time Blessings bro

what an original mix of genres! fabulous piece here!!!

You never fail to amaze me!!! Oozing with vibrations of the highest kind!!! Greatest Love to you from the Universe!!! ✨✨✨✨✨✨✨✨✨

It’s that time Again my fav track  .Blessings mate 😶less more💜

Had to check back in to check on my horse ❤️‍🔥❤️❤️‍🔥❤️

The goods

There's Lizzards on the walls in my hotel, it's hot as hell and it don't smell like my home town.
There's strangers in the halls, and the Punjab calls
while children laugh out loud without regard or regret

Ensconced in cotton course and white
the Charpois wait for another night
and the jet is on the runway, waiting for the northern flight
and Kashmir waits with open arms and mountains bright.

There's Lizzards on the walls of my hotel
Theres loaded Tongas on the teeming street that's lined with open stalls of spice and fruit and brass and salt and hanging meat.

There's Lizzards on the walls
Marigolds strung on strings wrapped around all kind of things.
Beggers on the street with broken arms and legs and feet, still smiling as they reach through diesel fumes and swarms of flys and eyes that stare longingly for some relief.

The Privileged life it dawns on me i didn't see till then and there
where a thousand stare in disbelief 
Humbled like a thief before the judge.

There's Lizzards on the Walls(a distant memory)

Jungle dub reggae funk house 🇧🇴 Music & Artwork D. k. A Spencer

Rocking horse

My favorite Beatles song… since I can remember!! All recorded on “ touch” instruments @ GarageBand!!!

Strawberry Fields Forever ( The Beatles cover )

Go Ahead!

pasterz wyruszający na bliskie spotkanie z fraktalną wiedźmą

Broken Dreams / Paploviante 2023
Paploviante Bass, Music, Picture, Mix and Mastering
Vocals Ghosthack: www.Ghosthack.de

Broken Dreams - Paploviante

Well, my good friend Paco dropped me a note to say he had a piece of music to which I might like to try and add something, were I so inclined.  Always a good day when that happens.

Now, I can't honestly recall the precise sequence in which the neurons fired inside my skull to yield the result we have here, but we are where we are as they say.

Don't go looking at me for rationale.

Thank you, Paco, as always my friend, for inviting me to come out to play, and for mastering the end result in the midst of untold techno-horror grief.  I hope your DAW world resolves itself very soon.
______________________________________________________________________

Socrates at Sundown

I lie bewildered, here, in my sphere of cubes,
On crushed silk cushions sprawled.
I sketch the cool Palladian dudes
In charcoal, on Aleutian walls.
They think I know what thoughts are theirs,
And beg to trade their graceless airs, 
But I left them there to climb their stairs
Ever downward through Athenian halls.

They say my knowledge is remiss,
The diabolical's back in town.
Seems ignorance is bliss
For this philosophical clown.
I'm seeking emptiness of mind,
That's where I hope to find
That old, old friend of mine,
Socrates, at sundown.

My associate, Plato knows the game
Survives through pretty dialogue
He suffocates but bestows his shame
On city states whose statutes fog
The heads of people in their ranks
Attentive on the Eridanos banks
Dispensing death by way of thanks
As justice shreds its cogs.

Deep mental grasp of social structure
No need to ever write it down
Accused outcast for youth's corrupture
Where the bleeding of democracy is bound
To seek the causal end of time
Of Aristotle and Nietzsche's kind
The men of Athens rendered blind
Killed that old, old friend of mine,
Socrates, at sundown.

Socrates At Sundown (with MidiSound)

I received 5 WAV files from my dear senior, xian3.
 "I wanted a vocal track." I also wanted to know how xian3 makes music.
 Mr. xian3 gave me two phrases with vocals and electric bass, and two sound effects with a mysterious bell.
 The supplementary notes read, "Please bend your intuition as you see fit..." "After trial and error, if you feel that this fits your ears, you may be on the path of inquiry." .
 "When it finishes singing, it takes on a life of its own and leaves me..." was written.
 I obsessively bent the vocals, chopped the bass, scratched the sound of the bell, and made it all by trusting my own instincts.
 This is the birth of my first song with vocals. I can't thank xian3 enough. I had a great time creating. thank you.
  I sincerely hope that there are people who like this song

Amekaze with xian3 (Collaboration) (249)

Credits for the beginning passage and ending passage
https://soundcloud.com/adrianhallam for music vocals and composition
Backing vocals and pixie dust applications here and there by conover.

Credits for center section
Lead vocal and lyrics by @j-rivas
@jonathan_beckenstein on 1st guitar
@matt-warnick-58962582 on 2nd guitar
Music Bed by unknown collaborator that went unfinished and unlabeled
BGV by conover
Mastering by @blake-cranford said

You Took The Road and came for that Feeling again (Hallam/Conover)

No Other

First time to work with Tea R. Sea with just the two of us, and it turned out great.     He wrote this one and I added the guitar.  I'm very much looking forward to working together again!

Watered Down

Watered Down - with Tea R. Sea

Recording sessions from-30/04/2010, Remix-27/03/2023.
6 tracks MOOG Modular (vst Arturia),
2 tracks Beatburner (vst Beatburner),
presets, mixing, processing and editing: Pier WILL.
___________________________________________________
On March 24, 1999, NATO launched an aerial bombardment campaign against Yugoslavia to put an end to the repression of the Albanian Kosovars, the first against a sovereign State in the Alliance's 50 years of existence, carried out without the authorization explicit from the UN, Russia, a historical ally of Belgrade, and China having opposed any resolution allowing military intervention.
This intervention will weigh very heavily for the rest of history because NATO's military intervention in the Kosovo crisis has been interpreted as a geopolitical coup led by a Western camp determined to marginalize Russia and its status as a member permanent member of the United Nations Security Council.
NATO's approach to missile defense has been interpreted by Russia as an attempt to compromise its nuclear second-strike capability. Worse still, the "Orange Revolution" in Ukraine and the "Roses Revolution" in Georgia brought to power elites who considered joining the EU and NATO.
The rest, we all know it as well as the probable decline of Europe which is very likely to be, once again, the playground for a new world war. 
What is SAD about this story IS THAT THERE IS NO ONE TO TALK ABOUT PEACE, JUST THE CONTRARY !!!
___________________________________________________
Le 24 mars 1999, l’OTAN lançait une campagne de bombardements aériens contre la Yougoslavie pour mettre un terme à la répression des Kosovars albanais, une première contre un État souverain en 50 ans d’existence de l’Alliance, menée sans l’autorisation explicite de l’ONU, la Russie, alliée historique de Belgrade, et la Chine s’étant opposées à toute résolution permettant une intervention militaire.
Cette intervention pèsera très lourd pour la suite de l'Histoire car l'intervention militaire de l'OTAN dans la crise du Kosovo a été interprétée comme un coup de force géopolitique mené par un camp occidental déterminé à marginaliser la Russie et son statut de membre permanent du Conseil de sécurité des Nations Unies.
L'approche de l'OTAN en matière de défense antimissile a été interprétée par la Russie comme une tentative de compromettre sa capacité de seconde frappe nucléaire. Pire encore, la "Révolution orange" en Ukraine et la "Révolution des roses" en Géorgie ont porté au pouvoir des élites qui envisageaient d'entrer dans l'UE et l'OTAN.
La suite, nous la connaissons tous ainsi que le déclin probable de l'Europe qui risque fort d'être, encore une fois, le terrain de jeu pour une nouvelle guerre mondiale.
Ce qui est TRISTE dans cette histoire, C'EST QU'IL N'Y A PERSONNE POUR PARLER DE PAIX, BIEN AU CONTRAIRE !!!
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental 
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Europe Utopia - REMIX

Flexi M - Triangle

Sam-I-Am landing back on FTM with a Free Party Stomper!

Strobe Lights is our latest Free Download! 
Grab a copy 
Tag your mates
Tag Sam-I-Am or Free The Mind Recordings in videos of you playing it on Instagram for the chance to win a Dub of our next release!

Free Download

Sam-I-Am - Strobe Lights (Free Download)

Abeber Project - Psychedelic Jungle

I was so inspired by the beautiful Varanda Velha by Soundwanderer - this melody and these words just appeared and demanded to be recorded. You can hear the wonderful original tune, and many other sound treats, here: @soundwanderer
Edit: The most talented Christian Zatloukal, Soundwanderer, is no long with us. He rings loudly in our hearts. <3 

Music: @Soundwanderer  (Christian Zatloukal)
Lyrics, Vocals: Janine Levinson

If I had a bell to ring
I think I’d ring from spring to autumn
If I had a bell to ring

If I had a hill so green
I think I’d roll from top to bottom
If I had a hill so green

If I had a song to sing
I think I’d sing from night to morning
If I had a song to sing

If I had a hill so green
I think I’d dance from spring to autumn
If I had a hill so green

If I Had A Hill So Green (Veranda Velha) with Soundwanderer

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Glory to JAH. 🙏🕊 Email. davespencer2011@hotmail.co.uk   https:davidkaspencer.bandcamp.com/follow_me 🕊 www.facebook.com/profile. New single (lazeedogrecordlabel) Oppression, is out now on all platforms. https://open.spotify.com/track/1kZ2VYIjxlqrZIXROo1WMa?si=70500f3012e642d2 https://open.spotify.com/artist/6jF1KPlxhinrFPfCeSPnDP?si=ShdYP6DDT2qim85amL8jJ. Golden Reflector, out now.

Rocking horse

David. k. A. Spencer.

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